Le Coup De Foudre Quotes

Why do we always fall in love with the people who never ever care about us?"

"Because we always feel that we don't deserve someone who loves us better. ~ Qiao Yi

...if I had not been able to come out of the operation alive, he would change his name to mine and continue living my life for me. ~ Qiao Yi

Coup de foudre; perhaps it was real. One went from believing, when twenty, that it was the one kind of love that was real, to believing, once closer to forty, that it was not only fragile but false
the inferior, infantile, doomed love of twenty-year-olds. Somewhere between, the norms of one culture of love were discarded, and those of the other assumed. When did it happen, at midnight of one's thirty-first birthday? On the variable day that, while browsing a grocery-store aisle with a man, the repeating refrain of the rest of one's life for the first time resounds in one's ear? ~ Susan Choi

If cynicism and love lie at opposite ends of a spectrum, do we not sometimes fall in love in order to escape the debilitating cynicism to which we are prone? Is there not in every coup de foudre a certain willful exaggeration of the qualities of the beloved, an exaggeration which distracts us from our habitual pessimism and focuses our energies on someone in whom we can believe in a way we have never believed in ourselves? ~ Alain De Botton

Oh, my dear, love isn't always the coup de foudre--the lightning strike. Sometimes it happens quietly, so quitely you may not even notice. ~ Julia Justiss

She was aware that she was close to tears and her stomach was hollow with excitement, throat dry. Coup de foudre, the French called it. The thunderclap. The best kind of love of all. Instant and quite irrevocable ~ Jack Higgins

The degree of rigidity is a matter of profound interest in the study of literary fictions. As an extreme case you will find some novel, probably contemporary with yourself, in which the departure from a basic paradigm, the peripeteia in the sense I am now giving it, seems to begin with the first sentence. The schematic expectations of the reader are discouraged immediately. Since by definition one seeks the maximum peripeteia (in this extended sense) in the fiction of one's own time, the best instance I can give is from Alain Robbe-Grillet. He refuses to speak of his 'theory' of the novel; it is the old ones who talk about the need for plot, character, and so forth, who have the theories. And without them one can achieve a new realism, and a narrative in which 'le temps se trouve coupé de la temporalité. Il ne coule plus.' And so we have a novel in which,. the reader will find none of the gratification to be had from sham temporality, sham causality, falsely certain description, clear story. The new novel 'repeats itself, bisects itself, modifies itself, contradicts itself, without even accumulating enough bulk to constitute a past--and thus a "story," in the traditional sense of the word.' The reader is not offered easy satisfactions, but a challenge to creative co-operation. ~ Frank Kermode

Tristan held up his arms to the Princess as she came out over the side, and carried her up through the shallows so that when he set her down on the white wave pattered sand, not even the soles of her feet were wet. Now this was the first time that ever they had touched each other, save for the times when the Princess had tended Tristan's wounds, and that was a different kind of touching; and as he set her down, their hands came together, as though they did not want it to be so quickly over. And standing hand in hand, they looked at each other, and for the first time Tristan saw that the Princess's eyes were deeply blue, the colour of wild wood-columbines; and she saw that his were as grey as the restless water out beyond the headland. And they were so close that each saw their own reflection standing in the other one's eyes; and in that moment it was as though something of Iseult entered into Tristan and something of Tristan into Iseult, that could never be called back again for as long as they lived. ~ Rosemary Sutcliff

The moment of death is no longer to be considered as the moment the heart stops, but as the moment when cerebral function ceases. In other words: I no longer think, therefore I no longer am. The heart is dead, long live the brain - a symbolic coup d'état, a Revolution. ~ Maylis De Kerangal

Houellebecq has created a new genre - the dystopian conversion tale. Submission is not the story some expected of an armed coup d'état, and no one in it expresses hatred or even contempt of Muslims. At one level it is simply about a man who through suffering and indifference finds himself slouching toward Mecca. At another level, though, it is about a civilization that after centuries of a steady, almost imperceptible sapping of inner conviction finds itself doing the same thing. The literature of civilizational decline, to which Zemmour's Le Suicide français is a minor contribution, is typically brash and breathless. Not so Submission. There is not even drama here - no clash of spiritual armies, no martyrdom, no final conflagration. Stuff just happens, as in all Houellebecq's fiction. All one hears at the end is a bone-chilling sigh of collective relief. The old has passed away; behold, the new has come. Whatever. ~ Mark Lilla

We are kidding ourselves when we romanticize death as the climax of a life well lived. It is an enemy. It cuts us off from all the wonderful pleasures of this world. We call death sweet names only as the lesser of evils. The executioner that delivers the coup de grace in our suffering is not the fulfillment of a longing, but the end of hope. The longing of the human heart is to live and to be happy. ~ John Piper

Thank God! He went down in front of the bar on the tiled floor. BANG! The fat bastard, he shattered both knees with the weight of him. My hands were in just a little bit of pain, but I was driven on to keep punching his fat head in by the gratifying squeals I was eliciting from him and, broken hands or not, with the coup de grace ... I knocked him out. ~ Stephen Richards

When you ran that roof race with me you started with one stocking marked, a loose row of bullion on your hoqueton, and your hair needing a cut. Your manners, social and personal, derive directly from the bakehouse; your living quarters, any time I have seen them, have been untidy and ill-cleaned. In the swordplay just now you cut consistently to the left, a habit so remarkable that you must have been warned time and again; and you cannot parry a coup de Jarnac. I tried you with the same feint for it three times tonight.... These are professional matters, Robin. To succeed as you want, you have to be precise; you have to have polish; you have to carry polish and precision in everything you do. You have no time to sigh over seigneuries and begrudge other people their gifts. Lack of genius never held anyone back,' said Lymond. 'Only time wasted on resentment and daydreaming can do that. You never did work with your whole brain and your whole body at being an Archer; and you ended neither soldier nor seigneur, but a dried-out huddle of grudges strung cheek to cheek on a withy. ~ Dorothy Dunnett

Anya's final sweep of the bow was as if she had delivered the coup de grâce in a sword duel. The last note reverberated around the empty theatre until only the white noise from the speakers remained, lapping back in like a gentle wave.
It was probably the most beautiful rendition I had heard her perform, but there was no applause; there was only silence.

I flicked my eyes across to Malcolm, the theatre director, but his gaze was transfixed on a particular seat. Even Anya, rigid and breathless with the violin at her side, was staring at that same seat. ~ Christian Cook

This coup de main gave Morgan the means to make himself a Jamaican planter
and to secure a knighthood, respectability and the governorship of the colony. It
also, like Drake's similar exploits a hundred years before, made a deep impression
on the public imagination and reinforced that popular image of distant lands as
places where quick fortunes were waiting for the energetic and ruthless. ~ Lawrence James

Love was slow, creeping poison, loge was treacherous and insincere, love was a veil thrown over the misery of the world, love was sticky and indigestible, it was a mirror in which one could be what one was not, it was a spectre that spread hope where hope had long since dies, it was a hiding place where people thought they found refuge and ultimately found only themselves, it was a vague memory of another love, it was the possibility of a salvation that was ultimately equivalent to a coup de grace, it was a war without victors, it was a precious jewel amid broken fragments you cut yourself on: yes, Brilka, in those days that was love. ~ Nino Haratischwili

My work is just beginning. The easy part is over - the initial capture. It will be far more challenging from this point on. I need to set the stage for her to bond with her captor -- me. I know it will take time for her to accept her fate. In the coming weeks she'll move through predictable stages, much like the stages of grief: shock, anger, fear, even bargaining. Eventually, she'll realize that she depends on me – requires me -- for her day-to-day, most basic needs. Then will come the final stage, a coup de grace that is to be savored and celebrated: acceptance. Her will to survive will break down her resistance and bring her walls crashing down. That's my favorite part - the giving over of her will.
I straighten the cuffs on my tailored shirt as I peer through the door's window pane. It's interesting to watch her as she shuffles across the floor on her knees, blindfolded - the chains on her feet and wrists impede her attempts to move about freely. Her wrists are bruised and bloodied from her attempts to free herself, her vision hampered by a blindfold. And yet she fights. My brave girl. ~ Suzanne Steele

Vanity finds in self-love so powerful an ally that it storms, as it were, by a coup de main,, the citadel of our heads, where, having blinded the two watchmen, it readily descends into the heart. ~ Charles Caleb Colton

The 1953 coup was a catastrophe which slammed him [Mosaddegh] to floor, and from which Iran never fully recovered ~ Christopher De Bellaigue

What, may I ask, does your one truck contain if not gowns?"
Inspiration struck, and Elizabeth smiled radiantly. "Something of great value. Priceless value," she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. "Well, don't keep us in suspense, love. What's in it?"
"The mortal remains of Saint Jacob."
Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn't quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she'd played out her hand with all her might; she'd given it her all.
It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he gr ~ Judith McNaught

Of snowy afternoons,
waiting, watching and waiting.

To see her small and larger than life.

She is both fragile and determined,
like a paper umbrella in the rain. ~ Jessica De La Davies

If it is true that love is the pursuit in another of qualities we lack in ourselves, then in our love of someone from another culture, one ambition may be to weld ourselves more closely to values missing from our own culture. ~ Alain De Botton

When you're invisible, no one can see that you're different. ~ Charles De Lint

So many things which once had distressed or revolted him - the speeches and pronouncements of the learned, their assertions and their prohibitions, their refusal to allow the universe to move - all seemed to him now merely ridiculous, non-existent, compared with the majestic reality, the flood of energy, which now revealed itself to him: omnipresent, unalterable in its truth, relentless in its development, untouchable in its serenity, maternal and unfailing in its protectiveness. ~ Pierre Teilhard De Chardin

We are always bored by the very people by whom it is vital not to be bored. ~ Francois De La Rochefoucauld

Man is a pupil, pain is his teacher. ~ Alfred De Musset

Nothing recalls the past like music ... ~ Madame De Stael

Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to ...
How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object
whether a square of canvas, a chair or a clay jug
and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see. ~ Alain De Botton

The intellect of the generality of women serves more to fortify their folly than their reason. ~ Francois De La Rochefoucauld

Doing little things with a strong desire to please God makes them really great. ~ Saint Francis De Sales

A pessimist is a man who tells the truth prematurely. ~ Cyrano De Bergerac

To design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap ~ Alain De Botton

In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight. ~ Ursula K. Le Guin

Training is such a vital part of preparation for a game, you really do train to play. It tops up your ability, like sharpening a carving knife. You can get away with not doing it for a while, as long as you have reached a certain standard of fitness. ~ Graeme Le Saux

Pay closer attention to road. Try not to look at the woods on either side of you. Try not to stare into the endless vacuum. You know what happens if you stare into those chasms. They envelop you. They become you, and you become a part of them. You become a part of nothing. ~ Connor De Bruler

I have not written for their pleasure ... I have never flattered their opinions, nor their pride; nor will I. Neither will I make "Ladies' books" al dilettar le femine e la plebe. I have written from the fulness of my mind, from passion, from impulse, from many sweet motives, but not for their "sweet voices."
I know the precise worth of popular applause, for few scribblers have had more of it; and if I chose to swerve into their paths, I could retain it, or resume it. But I neither love ye, nor fear ye; and though I buy with ye and sell with ye, I will neither eat with ye, drink with ye, nor pray with ye. ~ George Gordon Byron

He had a face like a blessing. ~ Miguel De Cervantes

To love God in great things is not so perfect an act of faith as to worship them in small ones. ~ Jean-Pierre De Caussade

Gossip, like ennui, is born of idleness. ~ Ninon De L'Enclos

Our nation isn't just a severed hand, a mutilated grandmother, three dead girls in a basement, embarrassment for a minister, trillions of debt, a double suicide at the railway station and a fatal five-car crash by the coast. ~ Alain De Botton

Fidel Castro becomes a Sex Symbol
"After entering Havana on January 8, 1959 as the conquering hero, women threw themselves at the normally quiet Fidel Castro. Much to his own surprise, he became a sex symbol and was tempted by the many bikini-clad young ladies at the as the conquering hero, women threw themselves at the normally quiet Fidel. Much to his own surprise, he became a sex symbol and was tempted by the many bikini-clad young ladies at the hotel pool of the Hotel Nacional de Cuba. Errol Flynn, the famous movie star and ladies' man of that era, met Castro and had a number of Hollywood beauties with him, expecting to make a movie in Havana. For the most part Fidel was preoccupied with the affairs of government, but he always made time for the chosen few. ~ Hank Bracker

Architecture is the masterly, correct, and magnificent play of masses brought together in light. Our eyes are made to see forms in light: light and shade reveal these forms. ~ Le Corbusier

They would know that inconsistency in human decision can make nonsense of the best-planned espionage approach; that cheats, liars and criminals may resist every blandishment while respectable gentlemen have been moved to appalling treasons by watery cabbage in a Departmental canteen. ~ John Le Carre

Everyone is in a tribe, and the sooner we realize we are not each unique, like a snowflake - a special, one-of-a-kind person, just like Mama said - the sooner we will make sense of ourselves and the spiritual cul-de-sac we call home. You are likely not unique, particularly special, ~ Mark Driscoll

You have to live in a state of thinking your painting is good, or you couldn't do it. ~ Roger De Grey