French Movie Quotes

There is a book to be written, for instance, on small errors in subtitles. In the Fred Astaire musical Royal Wedding, for instance, the English girl he falls for, played by Sarah Churchill (daughter of Sir Winston), is engaged to an American, whom we never see but who's called Hal - like Falstaff's prince, like a good high Englishman. That English H, though, was completely inaudible to the French translator who did the subtitles, and so throughout the film the absent lover is referred to in the subtitles as Al - Al like a stagehand, Al like my grandfather. If you have the habit of print addiction, so that you are listening and reading at the same time, this guy Al keeps forcing his way into the movie. "But what shall I say to Hal - that I have never loved him?" Patricia says to Fred. Down below it says, "Et Al - qu'est-ce que je vais lui dire? ~ Adam Gopnik

When I make an American movie it's going to come out all over the world-it doesn't happen the same way for an Italian film or a French film. ~ Monica Bellucci

Henri-Georges Clouzot's cool, clammy, twisty 1955 thriller Diabolique is an almost perfect movie about a very nearly perfect murder, a film in which the artist's methods and the killers' are ideally matched, equal in cunning and in ruthlessness. The screenplay, adapted by Clouzot and three other writers from a novel by the crack French crime-fiction team of Pierre Boileau and Thomas Narcejac, is a fantastically elaborate piece of contrivance, but the scrupulous realism of the direction makes the unnatural tale somehow feel entirely likely. ~ Terrence Rafferty

I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out. ~ Quentin Tarantino

For you, it's a silent movie. For us, it's a talking movie because we had lines on set. There's a lot of noise on set and music. We spoke in English, in French, in gibberish, but it was very alive. The challenge was tap dancing. ~ Jean Dujardin

OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. It's a typical French movie with typical French themes with French actors, a French director ... ~ Jean Dujardin

He turned over the application, and Lauren watched him scanning it, his gaze nearing the bottom where she had listed her job preferences. She knew the exact instant he spotted what she had written. "What the...!" he said, astonished, and then he burst out laughing. "Weatherby and I are going to have to be careful. Which of our jobs do you want most?"
"Neither," Lauren said shortly. "I did that because on my way to the interview at Sinco,I decided I didn't want to work there after all."
"So you purposely flunked your tests,is that it?"
"That's it."
"Lauren..." he began in a soft seductive voice that instantly put her on guard.
"I've had the dubious pleasure of reading through your file," she clarified, at his stunned look. "I know all about Bebe Leonardos and the French movie star.I even saw the picture of you that was taken with Ericka Moran the day after you sent me away because a "business aquaintance' was coming to see you."
"And," he concluded evenly, "you were hurt."
"I was disgusted," Lauren shot back, refusing to admit to any of the anguish she'd felt. ~ Judith McNaught

Movies in this country, its very complicated, and we could bang on about it forever, but the French movie industry is very different because its very obviously French. ~ Mick Jagger

But strangely, [in] the original Matt Helm books, he's just this super hardass assassin. They sort of made it into a sexy romp for the movies. The books are very, very dark. I also watched OSS 117: Cairo, Nest Of Spies, which is a French film. They just made a second one, I think, which is based on like, 100 novels. They're just fantastic. They're set in the '60s. A lot of the visual inspiration definitely came from 1960 James Bond movies and OSS 177 and also Pink Panther movies. ~ Adam Reed

I've wanted to make a film about French youth since I went to Cannes with my first film 'Kids' in 1995 ... Scribe's screenplay is about French kids today, and the world today. Just like my films 'Kids' and 'Ken Park', this will be a movie like you have never seen before. ~ Larry Clark

Did you get me that movie about Genghis Khan?
'It's in the Netflix queue, but that's not the surprise. You don't need to worry, it'll be something good. I just don't want you to feel depressed about going home.'
Oh, I won't. But it would be cool to have a stream like this in the backyard. Can you make one?
'Ummm... no.'
I figured. Can't blame a hound for trying.
Oberon was indeed surprised when we got back home to Tempe. Hal had made the arrangements for me and Oberon perked up as soon as we were dropped off by the shuttle from the car rental company.
'Hey, smells like someone's in my territory,' he said.
'Nobody could be here without my permission, you know that.'
'Flidais did it.'
'That isn't Flidais you smell, believe me.'
I opened the front door, and Oberon immediately ran to the kitchen window that gazed upon the backyard. He barked joyously when he saw what was waiting for him there.
'French poodles! All black and curly with poofy little tails!'
'And every one of them in heat.'
'Oh, WOW! Thanks Atticus! I can't wait to sniff their asses!'
He bounded over to the door and pawed at it because the doggie door was closed to prevent the poodles from entering.
'You earned it, buddy. Hold on, get down off the door so I can open it for you, and be careful, don't hurt any of them.'
I opened the door, expecting him to bolt through it and dive into his own personal canine harem, but instead he took one ~ Kevin Hearne

My favourite film is 'Le Diner de Cons,' a French movie. ~ Stanislas Wawrinka

The word liberal has been employed as the political equivalent of an untreatable but potentially containable social disease
the kind that could be contracted merely by going to a foreign movie or ordering a decaf latte, or worse, a glass of French wine. ~ Eric Alterman

Ever, can't you just relax and enjoy the view? When was the last time you were in Paris anyway?"

"Never. I've never been to Paris. And I hate to break it to you, Ava, but this - is not Paris. This is like some cranked up Disney version of Paris. Like, you've taken a pile of travel brochures and French postcards, and scenes from that adorable cartoon movie Ratatouille, mixed them all together and voila, created this. ~ Alyson Noel

With my two brothers, Jean-Marie and Joel, I wrote a two-page story and wanted to make some kind of movie. We met a French production company, called Why Not?, and the first name we put on the list was Ken Loach. It was a dream for all of us. So, we tried and we met Ken and Paul Laverty, his writer, and they read the two pages and were inspired by that to do something. Paul had the freedom to do his own story - and he wrote his own story, which is better than the one we'd written. ~ Eric Cantona

I work with a great deal of discipline, although I usually take on more than I can handle and often have to extend due dates. I have always been appalled by bohemianism because of its laziness, disorder, and moral weakness. I understand that this way of living is a response to the fact of human frailty, but it leans too far in one direction. Being a little more buttoned up doesn't mean that you'll get so brittle that you'll break. Nor does it mean that you don't understand tragedy, loss, and, most of all, human limitation.

I am more than well aware of those things and I feel very strongly, but on the other hand I like to run ten miles and return to a spotless well-ordered room, and I like my shirts heavily starched. When I used to go on a long run on Sunday morning when I lived on the Upper West Side, I would pass thousands and thousands of people in restaurants eating . . . (I won't say this word, because I hate it so much, but it rhymes with hunch, and it's a disgusting meal that is supposed to be both breakfast and lunch). There they were - having slept for five hours while I was doing calisthenics and running - unshaven (the women too), bleary eyed, surrounded by newspapers scattered as if in a hamster cage, smoking noxious French cigarettes, and drinking Bloody Marys while they ate huge quantities of fat. They looked to me like a movie version of South American bandits. I would never want to be like that. I prefer to live like a British soldier. ~ Mark Helprin

I grew up watching a lot of Italian and French movies, so I want to have that '70s look, in my dream movie. I want that thing that's not so much happening now, that's existentialist. ~ Ayelet Zurer

Overtaken by demographic transformation and two generations of socio-geographic mobility, France's once-seamless history seemed set to disappear from national memory altogether.

The anxiety of loss had two effects. One was an increase in the range of the official patrimoine, the publicly espoused body of monuments and artifacts stamped 'heritage' by the authority of the state. In 1988, at the behest of Mitterrand's Culture Minister Jack Lang, the list of officially protected items in the patrimoine culturel of "France - previously restricted to UNESCO-style heirlooms such as the Pont du Gard near Nîmes, or Philip the Bold's ramparts at Aigues-Mortes - was dramatically enlarged.

It is revealing of the approach taken by Lang and his successors that among France's new 'heritage sites' was the crumbling façade of the Hôtel du Nord on Paris's Quai de Jemappes: an avowedly nostalgic homage to Marcel Carné's 1938 film classic of that name. But Carné shot that movie entirely in a studio. So the preservation of a building (or the façade of a building) which never even appeared in the film could be seen - according to taste - either as a subtle French exercise in post-modern irony, or else as symptomatic of the unavoidably bogus nature of any memory when subjected thus to official taxidermy. ~ Tony Judt

I could just as easily have taken the train.
He shut his eyes, just long enough for a movie of a Tess-induced train riot to screen on the backs of his eyelids. Fists flying, teeth broken, friendships destroyed as men vied to get closer to her lush body barely covered in that incendiary French maid outfit.
And now he was turning hard again. ~ Kate Meader

Hollywood did not just make horror movie monsters, it was its own horror movie monster, smashing me under its foot. I had failed and the Auteur would make The Hamlet as he intended, with my countrymen serving merely as raw material for an epic about white men saving good yellow people from bad yellow people. I pitied the French for their naïveté in believing they had to visit a country in order to exploit it. Hollywood was much more efficient, imagining the countries it wanted to exploit. ~ Viet Thanh Nguyen

Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, oh!, and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart. ~ Emmanuelle Beart

This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought. ~ Jean Dujardin

I love French style from the Thirties and Forties. French movie stars like Jean Gabin and Yves Montand had so much natural, effortless style. ~ Vincent Cassel

As we strolled, I noticed the soft light and its effect on the buildings around us. Like an aging screen actress shot in soft light to conceal her age lines, this magical twilight softened the avenues of Paris and produced an elegant scene not unlike a movie. Lining the street ahead of us, the buildings were constructed of solid white stone and more than one hundred years old, but all traces of age or dirt were diffused by the twilight, while their classic French architecture was center stage and highlighted. Fifty Parisians, the bluish cobblestones of the sidewalk, glowing neon, and a colorful outdoor flower stand completed the scene in front of us. Overwhelmed and in awe of the setting, I stopped and stared silently ahead. ~ Michael Bowe

ALPHA-60: Your name is written "Ivan Johnson," but it is pronounced "Lemmy Caution," Secret Agent Zero Zero Three of the Outlands. You are a threat to the security of Alphaville.
CAUTION: I refuse to become what you call "normal."
...
ALPHA-60: You cannot escape. The door is locked.
CAUTION: Try to stop me, pal. ~ Jean-Luc Godard

After 10 years of French torture - psychological torture - it's great to do an American movie. ~ Emmanuelle Beart