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A number of Chinese filmmakers, including Chen Kaige and Li Shaohong, imitated Zhang's visual style in the early 1990s by multiplying various erotic images of the oriental Other for global consumption. Consequently, these films, usually sponsored by multinational corporations and catering to the tastes of global audiences, can be perceived as following the same model -- the Zhang Yimou model. To a great degree, this model also marks the end of formal experiment for the Fifth Generation directors because they must adopt a much more conventional way of filmmaking in order to meed the demand of the global market.
Tonglin Lu Quotes: A number of Chinese filmmakers,
In addition, historical interpretations of this period in China have been shaped by Karl Marx's writings on this subject. Despite his anti-imperialist stance, Marx often uses racist expressions, such as "barbarous"and "hereditary stupidity," to describe Chinese culture and people.
Tonglin Lu Quotes: In addition, historical interpretations of
On the one hand, these filmmakers are the descendants of the May Fourth movement at the beginning of the century. One of the important ideological components of the May Fourth movement was its radical antitraditional stance, exemplified by its famous slogan: "Smash the Confucian Temple" (zalan kongjiadian).
Tonglin Lu Quotes: On the one hand, these
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