Sarah Gadon Quotes

If you ever had anyone in your life who has been struggling with addiction or struggling with anything, it's about the resilience of love and how much you're willing to struggle with somebody to preserve your relationship and to try to preserve them as a person - and I think that's really important.

I think Tilda Swinton is terribly interesting. I think she's fascinating. I love her work.

I think I'll always base myself out of Toronto. I don't have any plans to move to L.A.

I'm a part-time student, and I plan to finish my degree. I think there are a lot of part-time students with jobs on the side or stressful careers. I'm certainly not the first person to be working while I'm in university.

I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career.

When you're wearing a corset for a long period of time, things that were important to you hours before are no longer important, because doing them exhausts you.

Movement is very important to a character, no matter what period you're working in. So when it came to playing Emma Jung and lacing up in the corset, it was really not a foreign thing for me.

I wore a pink Betsey Johnson dress to my prom, and I pretty much looked like a pink cupcake. I loved that dress!

It's so often that I read for the bouncy, sunny girl men fall in love with who will solve all the romantic problems in the narrative. I don't choose to work that way.

You can have a bunch of great actors in a film, but if you don't have anyone telling a great story, it's a moot point.

The way I sometimes approach my work, when I look at a script for the first time, is to identify what the archetypes are and what the writing is trying to do in that context.

I'm really into acquiring film paraphernalia - that's my hobby. I love old movie posters, cameras and film reels.

It's particularly important for a young woman to be in control of her image - to a certain extent. I mean, there's only so much you can do, because people take photos with you and then all of a sudden they pop up all over the place, they're completely out of context and you have no control over how they're used.

When you're in a very specific kind of wardrobe, it kind of dictates your movement; it also kind of enables you - or, I guess, disables you - from certain kinds of movement.

I've studied dance since I was very young, and I continue to study ballet.

In my experience, directors who are the most comfortable with themselves and confident in their work give you and everybody on the crew the freedom and the space to create. It's the people who are more insecure who feel the need to control and micromanage.

It's tempting to think, 'This is silly. I'm an artist. I care about my work, my work is first. I don't care about what kind of dress I wear ... That's so secondary to me.' But if you care about your work ... then you need to take this part of it just as seriously as you would going into an audition and going into work.