Mark Strong Famous Quotes
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In the past, if I didn't work, I didn't eat but now I feel I can not work and I won't starve.
In the movie, you have to decide as an actor how you are going to give a character presence. You can't really move, walk, and talk like yourself. This creates something so you have to find something "other".
Because I had children relatively late - in my 40s rather than in my 20s - it wasn't anything I ever knew that I would do. It kind of happened to me: I met the right woman and we had children. It was a revelation because it suddenly makes me realize, 'Oh, I get it. Now I know what to do with the rest of my life.'
When you're making a psychological thriller, what you need to do is have an audience on shifting sand so they're never quite sure where they are.
Interestingly, this character [Doctor Nash] is probably closer to me than somebody like the evil Sir Godfrey in Robin Hood or Lord Blackwood who wants to take over the world in Sherlock Holmes. This is a character that's English, he's based in London, and so it's closer to me than a lot of stuff I've been doing recently.
I've played lots of villains in my time and I think the reason they've been so successful is that they're not two-dimensional. They're not black and white. That's the gig.
I'm sure part of the baggage that I bring having played a lot of villains is also pertinent to the movie [ Before I Go To Sleep], because I'm sure people look at me and think, "Oh, I'm not sure I trust him or not."
The important bit for an actor is the actual shooting of it, because the minute the shoot ends, it's got nothing to do with you anymore.
The idea of transformation - playing something I'm not - is the bit I enjoy most about acting.
Part of me was fascinated by the idea that I would only get next week's episode a week in advance and wouldn't actually know where I was going with it, until the script landed on my mat. But, part of me wanted to know what was going to happen.
I think it serves the purpose of the film if the premise is that you're unsure of me because you've only ever really seen me play villains.
Rowan Joffe is very specific. I mean, he wrote it as well and he has a very orderly writer's mind and the same applies to his directing.
If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.
My mother moved abroad when I was 11, my dad wasn't around from the time that I was a baby, so I was not the product of a family, but a product of observation - of watching what went on around me, of watching who I liked, what I didn't like, what I thought was good behavior and what I thought was bad behavior and tailoring myself accordingly.
I have an enormous amount of respect for Nicole Kidman. She's just done so many great movies and she's been out there at the forefront of carrying films and being a movie star. On set, it really pays dividends because when you're performing with her, she knows exactly how to play it. You don't have to compensate for her in any way.
I'm very organized and tidy in my home life and I generally do something myself rather than farm it out to somebody else. I don't have an assistant or anything because I think I can do it myself.
I just invited close friends and family, the usual suspects whose opinion I value but who I know will enjoy the film [ Before I Go To Sleep]. I don't know how difficult it is for them to suspend their disbelief because they obviously know me and what they're seeing is not me.
I had this extraordinarily bizarre moment when, two Fridays ago, my missus gave birth to our second child at 11am and by the same time the following day I was sitting around a table with Ridley Scott, Russell Crowe and Leonardo DiCaprio in Rabat in Morocco, rehearsing a scene we were going to shoot the next day.
All these portrayals we see of knights fighting must be absolute rubbish because knights in armour could literally have only had two or three blows and then they'd have had to sit down to have a cup of tea.
I'm not a writer, inherently. Most of the writers I've met have stories they need to tell. I don't have that. I'm an interpreter. I like getting a script, seeing a character and thinking, "Oh, wow, I know what I can do with that."
And I think in your 40s, you land a little bit, physically and mentally, you arrive at a place where you feel you've learned some stuff. Having children at that point meant I had something very useful to do for the next 20 years.
The Secret Service I'm really excited about because Matthew Vaughn directed it. I've done a couple of movies with him - Stardust, which is one of my favorite films, and Kick-Ass, which is just a crazy, wonderful movie.
You sign for a sequel for everything these days, just in case, options. In the past, you avoided them like the plague because it meant somewhere down the road you couldn't take a job because you had to do a sequel. Now it's a feature of pretty much any feature you do.