Marc Forster Quotes

I always wanted to do an action movie, not particularly 'Bond.'

I don't see myself as having made the transition. I aim to be more transient than transitional. Life is constantly changing, now at a rate faster than ever, so being in a transitory state is the best way to keep pace.

The interesting thing is that when you start out, people have no judgment and they see you young and fresh as a filmmaker - and because you have no experience yet, you're much more naive and think anything is possible.

You do a lot of press, but getting to talk and discuss movies with your peers is the best and most fulfilling part.

The goal is to align with your core group of collaborators, who understand your vision and aesthetics. I usually show them visual material of what I have in mind, as well as a color spectrum of mood boards.

On 'Stranger Than Fiction,' the script was so good that I stuck to every line because it was just such brilliant writing from Zach Helm that I felt like I really just want to shoot the page.

It's important to keep up with technology, to constantly move with it. Striving to do so keeps me alert and creates a sense of fluidity but at the same time I like to distance myself from it. It's key for my process to try and remain outside the bubble.

One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I love the idea of taking a non-linear story and creating a three-act structure out of it.

I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head.

When you boil it down, it's all a visual expression. In a sense we are all storytellers through what we wear, who we want to be, how we want people to perceive us. Life, people and the stories they consciously or unconsciously tell inspire me everyday.

I feel like every time I take on a movie, it's important that the possibility of failure exists, and of the unknown, because it's a challenge to do something I haven't done before and something I have to try to work out.

I don't think people understand what it takes to make a movie unless they've experienced it themselves or been around it. It's a miracle every time you make a movie, and a bigger miracle if it turns out well.

I think people, unfortunately, do live in constant fear.

The key thing is that you start every film from sort of a blank page, almost like you discover it like a child discovers a new world.

I always try to stay objective, and to remove myself from the process and look at the film again.

Three days after my brother died, my father was in the hospital. He just did not want to live anymore. Before, he was fighting and loving life.

Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps and tend not to engage in social media. I do use Instagram under my production company's name, but that's it.

For me, 'The Kite Runner' became about a guy who's emotionally shut down because he hasn't confronted his past.

I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.