Juno Temple Famous Quotes
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Being a woman is a very powerful thing, I think, and you don't want to abuse that.
I'm not someone who doesn't want to see the films, but I like to see them as an end product when the whole nuance of the character is put together.
You don't always have to look in the distance for what's going on over there, when you actually see what's right in front of you.
Men and women just look at sex in very, very different ways.
I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me ... I'm so excited about that; I think it's gonna be very cool.
I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.
But, I love making independent films. I love it! You create a family, and you sweat, you bleed, you cry, you shout, you laugh and you hug. It's such an extraordinary experience, making independent films.
There will always be ways to pay my rent, whether I wind up having to be a waitress on the side or whatever it is, but I think it's so important for me to do things that I'm passionate about.
For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that.
I like to leave the movie theater and still be thinking about the film and questioning why the character did that.
I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.
I just want to work forever. I absolutely love what I'm doing. I learn all the time from all these amazing artists.
I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.
You know, I do projects that I really care about. I hope I'll stand by that until the day I die!
If people want to criticize a performance, that I understand. I think that's important.
There are two movies where I keep my clothes on. My parents will be very proud. They're challenging characters, which I'm excited about.
That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.
When I go home to England, my friends all make fun of me for sounding American.
It's important to not be naive about this world and know that it's not necessarily a good place to be.
I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.
I'm a private person; I stick to my neighbourhood and eat in my little restaurants.
I hadn't really even been thinking about TV. To me, it seemed like such a commitment, almost like a marriage.
I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.
I never want to sell my soul for something I don't believe in. Because guess what? Somebody somewhere in the world would have believed in that part and should be playing it - who am I to not allow that person that opportunity?
There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.
It's quite quick for me to know if I want to play a character or not.
Daniel Radcliffe is one of the hardest working people I have ever encountered and someone that so loves what he's doing and so eager to learn and is so brilliant at what he does.
You can't really help people until you've helped yourself first.
The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.
But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!
I had this wild imagination. I was never me. All my childhood photos, I'm in fancy dress, playing a Russian refuge or Marvelous Mad Madam Mim.
For a woman, body image is always a palpable thing. Weirdly, for me, the only time I don't care is when I'm in character.