Eugene Delacroix Quotes

If one considered life as a simple loan, one would perhaps be less exacting. We possess actually nothing; everything goes through us.

What drives men of genius is their obsession with the idea that what has already been done is not good enough.

Not only can color, which is under fixed laws, be taught like music, but it is easier to learn than drawing, whose elaborate principles cannot be taught.

God is that inner presence which makes us admire the beautiful and consoles us for not sharing the happiness of the wicked.

The only ones who can really benefit by consulting the model are those who can produce their effect without a model.

You increase your self-respect when you feel you've done everything you ought to have done, and if there is nothing else to enjoy, there remains that chief of pleasures, the feeling of being pleased with oneself. A man gets an immense amount of satisfaction from the knowledge of having done good work and of having made the best use of his day, and when I am in this state I find that I thoroughly enjoy my rest and even the mildest forms of recreation.

As for the ridiculous fear of making things below one's potential abilities ... No, there is the root of the evil. There is the hiding place of stupidity I must attack: vain mortal, you are limited by nothing ...

All painting worth its name, unless one is talking about black and white, must include the idea of color as one of its necessary supports, in the same way that it includes chiaroscuro, proportion, and perspective.

Weaknesses in men of genius are usually an exaggeration of their personal feeling; in the hands of feeble imitators they become the most flagrant blunders. Entire schools have been founded on misinterpretations of certain aspects of the masters. Lamentable mistakes have resulted from the thoughtless enthusiasm with which men have sought inspiration from the worst qualities of remarkable artists because they are unable to reproduce the sublime elements in their work.

Experience alone can give, even to the greatest talent, that confidence in having done all that could be done.

Draughtsmen may be made, but colourists are born.

Cold exactitude is not art; ingenious artifice, when it pleases or when it expresses, is art itself.

Everything is a subject; the subject is yourself. It is within yourself that you must look and not around you ... The greatest happiness is to reveal it to others, to study oneself, to paint oneself continually in [one's] work.

Commonplace people have an answer for everything and nothing ever surprises them. They try to look as though they knew what you were about to say better than you did yourself, and when it is their turn to speak, they repeat with great assurance something that they have heard other people say, as though it were their own invention.

We should not allow ourselves to believe that writers like Poe have more imagination than those who are content with describing things as they really are. It is surely easier to invent striking situations in this way than to tread the beaten track which intelligent minds have followed throughout the centuries.

A fine suggestion, a sketch with great feeling, can be as expressive as the most finished product.

If you are not skillful enough to sketch a man jumping out of a window in the time it takes him to fall from the fourth storey to the ground, you will never be able to produce great works.

Always, at the back of your soul, there is something that says to you, 'Mortal, drawn from eternal life for a short time, think how precious these moments are.

It is only possible to speak in the language and in the spirit of one's time.

The more an object is polished or brilliant, the less you see its own color and the more it becomes a mirror reflecting the color of its surroundings.

Men of genius are made not by new ideas, but by an idea which possesses them, namely, that what has been said has not yet been sufficiently said.

They say that each generation inherits from those that have gone before; if this were so there would be no limit to man's improvements or to his power of reaching perfection. But he is very far from receiving intact that storehouse of knowledge which the centuries have piled up before him; he may perfect some inventions, but in others, he lags behind the originators, and a great many inventions have been lost entirely. What he gains on the one hand, he loses on the other.

Let a man of genius make use [of photography] as it should be used, and he will raise himself to a height that we do not know.

Glory to that Homer of painting, to that father of warmth and enthusiasm ... he really paints men.

Of which beauty will you speak? There are many: there are a thousand: there is one for every look, for every spirit, adapted to each taste, to each particular constitution.

What is real for me are the illusions I create with my paintings. Everything else is quicksand.

Finishing a painting demands a heart of steel: everything requires a decision, and I find difficulties where I least expect them ... It is at such moments that one fully realizes one's own weaknesses.

The contour should come last, only a very experienced eye can place it rightly.

Every time I await a model, even when I am most pressed to time, I am overjoyed when the time comes and I tremble when I hear the key turn in the door.

There is a man whose qualities can be savored by people who are getting old ... The painter qualities are carried to the highest point in his work: what he does is done - through and through; when he paints eyes, they are lit with the fire of life.

Give me some mud, and I will paint you a woman's flesh.

When a thing bores you, do not do it.

The artist is always concerned with a total view of the world. However, when the photographer takes a picture ... the edge of his picture is just as interesting as the middle, one can only guess at the existence of a whole, and the view presented seems chosen by chance.

The true wisdom of the philosopher ought to insist in enjoying everything. Yet we apply ourselves to dissecting and destroying everything that is good in itself, that has virtue, albeit the virtue there is in mere illusions. Nature gives us this life like a toy to a weak child. We want to see how it all works; we break everything. There remains in our hands, and before our eyes, stupid and opened too late, the sterile wreckage, fragments that will not again make a whole. The good is so simple.

Artists who seek perfection in everything are those who cannot attain it in anything.

Curiously enough, the Sublime is generally achieved through want of proportion.

Everyone knows that yellow, orange, and red suggest ideas of joy and plenty. I can paint you the skin of Venus with mud, provided you let me surround it as I will.

Do not be troubled for a language, cultivate your soul and she will show herself.

Remember the enemy of all painting is gray: a painting will almost always appear grayer than it is, on account of its oblique position under the light.

Even when we look at nature, our imagination constructs the picture.

There is no merit in being truthful when one is truthful by nature, or rather when one can be nothing else; it is a gift, like poetry or music. But it needs courage to be truthful after carefully considering the matter, unless a kind of pride is involved; for example, the man who says to himself, "I am ugly," and then says, "I am ugly" to his friends, lest they should think themselves the first to make the discovery.

One always has to spoil a picture a little bit, in order to finish it.

The secret of not having worries, for me at least, is to have ideas.

How can this world, which is so beautiful, include so much horror?

To be understood a writer has to explain almost everything.

The so-called conscientiousness of the majority of painters is only perfection applied to the art of boring.

I live in company with a body, a silent companion, exacting and eternal. He it is who notes that individuality which is the seal of the weakness of our race. My soul has wings, but the brutal jailer is strict.

A picture is nothing but a bridge between the soul of the artist and that of the spectator.

The living model never answers well the idea or impressions the painter wishes to express; one must, therefore, learn to do without one, and for that, you must acquire facility, furnish one's memory to the point of infinitude, and make numerous drawings after the old masters.

I go to work as others rush to see their mistresses, and when I leave, I take back with me to my solitude, or in the midst of the distractions that I pursue, a charming memory that does not in the least resemble the troubled pleasure of lovers.

Draftsmen may be made, but colorists are born.

When all is said and done scholars can do no more than find in nature what is already there.

In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?

One should not be too difficult. An artist should not treat himself like an enemy.

What I have done cannot be taken from me.

A taste for simplicity cannot endure for long.

Mediocre people have an answer for everything and are astonished at nothing. They always want to have the air of knowing better than you what you are going to tell them; when, in their turn, they begin to speak, they repeat to you with the greatest confidence, as if dealing with their own property, the things that they have heard you say yourself at some other place. A capable and superior look is the natural accompaniment of this type of character.

Take hold of objects by their centres, not by their lines of contour ... The contour accentuated uniformly and beyond proportion, destroys plasticity, bringing forward those parts of an object which are always most distant from the eye - namely its outlines.

Perhaps the sketch of a work is so pleasing because everyone can finish it as he chooses.

I am carrying out my plan, so long formulated, of keeping a journal. What I most keenly wish is not to forget that I am writing for myself alone. Thus I shall always tell the truth, I hope, and thus I shall improve myself. These pages will reproach me for my changes of mind.

[Photography is] in some ways false just because it is so exact.

Perfect beauty implies perfect simplicity, a quality that at first sight does not arouse the emotions which we feel before gigantic works, objects whose very disproportion constitutes an element of beauty.