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In trying to imagine this world, I kept coming back to Michel Aflaq. He's a Christian Arab, a Syrian, who ends up finding his home in Iraq and is buried there - I was stunned to see his tomb is right smack down in the Green Zone.
Why is thinking about crime or imagining crime so goddamn central to pop culture? It doesn't matter whether it's American TV or British TV. And there's entire sections of bookstores devoted to crime.
It does not take much to imagine the humanity of people you don't know.
Palestinian society is filled with poetry, but not experimental poetry. The Palestinian poetry that people know is not the modernist experimentations, it's certain kinds of poetry that lends itself to recitation and song and things like that.
The corruption in Iraq has nothing to do with ideas - it has to do with the regime and institutional structures and power.
We like to look out on the world and see ourselves, so we have many, many novels, memoirs, and short stories in Iraq that are largely about Americans in Iraq, doing what Americans do.
Academic writing you have to get right. Fiction you have to get plausible. And there's a world of difference.
In a couple of Ahdaf Soueif's novels, she gets at the certain kind of English that's being spoken by Egyptians. It's a beautiful, expressive English but it is non-standard, "broken" English that happens to be efficient, eloquent, and communicates perfectly well even if it is breaking rules.
Just as certain Cold War binaries were collapsing, new binaries of Sunni versus Shia or Arab versus Kurd were being created by the new occupation force. It's the corruption of that moment that I am really interested in.
When you're writing your own fiction, you don't have to ride two horses.
In translation you have to get it right, you have to be precise in what you're doing. You have to attempt what they did in that language - say, in Arabic - and try to accomplish a version of that in English, and you're constantly serving two masters.
If I have learned how to write fiction it's by working with great writers and getting them to explain their craft to me so that I can do it in English.
Noir is where the clarity of moral divisions break down, the black and whites turn into grays.