Bun B. Quotes

Basically, I'm going to take what you did, the bare-bones structure of what you were trying to do, how you were attacking the song, and attack it in pretty much the same way, just with more intensity to show you that you could've come harder. Like, I've been in situations where I've had to tell a cat how to rhyme his rhyme.

Sylvester wins, obviously [best actor in a supporting role in 2016]. That's the whole point of this. We're all getting dressed up to go to the Oscars to hear Sylvester Stallone, let no one get this twisted. The academy can't pay for a better moment than this: this is the Oscar's original darling.

It had no affect on me whatsoever. Um ... I consider Jay a very good friend of mine. I also consider Dame and Biggs very good friends of mine. With me not being a Roc-A-Fella artist, with me just being a friend of both and not being tied to them in the Roc-A-Fella situation, I was still able to maintain personal relationships with both of em.

I'm going with Charlotte Rampling. In 45 Years [movie], you start out feeling so bad for her, and then it kind of shifts. I don't know how long you have to act to be able to say everything when you say nothing. The acting feels so real. It's not a fluke that a movie that probably no one's heard of, an actress performance comes out of it.

I love Wayne, I respect his talent. I've watched him grow up.

I think the whole nostalgia for the forty year gap for [Sylvester] Stallone was bigger than the movie [Creed], but it's good because the movie still gets recognized with Stallone's involvement. I'm sure the director [Ryan Coogler] is still proud of his film, but it's very hard to nominate a director.

I don't want to call anyone an outright winner without having seen everything.

The top two for me are Spotlight and The Revenant [movies]. Everything says The Revenant, but Spotlight is special. I think this movie would have been a lot more jumpy and fast-faced if anyone else had done it. This movie is very unassuming in how powerful it is. It very calmly, and very cooly, eats you up inside. I think if there's anything that will upset the Revenant run, it's gonna be Spotlight.

The only one that I have to go and see is Brooklyn. I was surprised to see it get the best picture nod, but Saorise Ronan, she's very mesmerizing; she has probably the most piercing set of eyes in Hollywood.

I sat down with my long time business partner and Rap-A-Lot CEO James Prince to review the music that we had and quickly came up with an outstanding track list. 'The Epilogue' is the perfect opportunity to release some great material to the fans and a proper final chapter for the Trill-ogy. Good music is timeless.

Jay was intimidating to the point where I was totally intimidated before I even got to the booth. But I was like, this is going to be a test of my mettle. In the South, I'm regarded as the guy who, quote unquote, out-rapped Jay-Z.

'Brookline' was a very small film and it was only here for a very short time and I wasn't able to catch it.

I didn't like the tone of Steve Jobs [movie] [2015] at all. It was very ugly, kind of rude. I didn't laugh, it was very uncomfortable. It seemed like all the worst moments of his life. It was very critical of Steve Jobs as a person, and it didn't make for a comfortable viewing experience for me. But I guess I don't know who Steve Jobs is, and I guess I didn't know what I was gonna go see. I thought it was gonna be celebrating the rise of Apple, but it wasn't that at all.

I don't think Jennifer Lawrence deserves to be in this category [leading role]? Joy is a great movie, obviously. She's a great actress and I don't want to take anything from her, but it ain't American Hustle.

Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.

I think as he gets older, Quentin [Tarantino] is growing more and more into his directorial side, but the writer in him won't stop the pen. I don't think he deserved a directing nod. Like I said, it's beautifully shot - it's cinematography, obviously, deserves a nomination - but he's not the camera man.

You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious.

Kate Winslet [for Steve Jobs movie, 2015] is the darling. If you wanna be the king you gotta kill the king. I think Charlotte [Rampling] is the dark horse on this one. No one does classic beauty better than her.

I feel bad [about Lil Wayne going to jail], because I don't think anything like this has happened in music since Elvis got drafted into the Army. Let's just keep it real - Lil Wayne is not just the biggest rapper, Lil Wayne is the biggest pop star right now. Maybe Susan Boyle is on his level. But when you talk about music, nice times out of ten, Lil Wayne's name is gonna come into the conversation.

I honestly never sat down and said "OK, here's my style," because my whole thing was knowing everyone's style. Everything I've ever written has bits and pieces of everything I've ever heard. Any rapper that tells you different is a liar.

The director Denis [Villeneuve] is actually an actor (he's from Sons of Anarchy and he's a great character actor) and he's also a screenwriter (he wrote What Lies Beneath). It blows my mind to see when people from one sector move to another and excel. I think Sicario was one of the best directed and written films. It did get [a nomination for best] cinematography, though.

Well, the first thing I do is I try to listen to whatever rapping is already on the track. I listen for cadence and melody to see how the track's already been written, and to make sure that whatever flow or flows I decide to run with, or patterns or melodies that I decide to put into the song, that they're not already in there. Then I try to see if there's a different part of the subject matter that I can talk about.

Go read a book you illiterate son of a bitch and step up your vocab

Ennio Morricone is royalty. He doesn't really do this a lot and Quentin brought him back [in Hateful Eight]. Quentin [Tarantino] basically went back and made his The Good, The Bad and The Ugly-kind of film, the ultimate epic spaghetti western, and then you've got mister spaghetti western himself scoring your movie. It's gonna be hard to not vote for him in a landslide. Probably the easiest win of the night.

Music in Rocky has always been pivotal.