Blaise Cendrars Quotes

Writing is a noble privilege compared with the lot of most people, who live like parts of a machine, who live only to keep the gears of society pointlessly turning.

Contrasts
The windows of my poetry are wide open on the boulevards and in the shop windows
Shine
The precious stones of light
Listen to the violins of the limousines and the xylophones of the linotypes
The sketcher washes with the hand-towel of the sky
All is color spots
And the hats of the women passing by are comets in the conflagration of the evening
Unity
There's no more unity
All the clocks now read midnight after being set back ten minutes
There's no more time.
There's no more money.
In the Chamber
They are spoiling the marvelous elements of raw material
("Contrasts")

Photogenic is a stupid, nonsensical word, but it is also a great mystery.

Everything about them is blighted, dead. Feelings flake off & fall in dust. The senses, vitrified, can no longer experience pleasure; they crack at the least provocation. Each of us, within, was as if devoured by conflagration, & our hearts were no more than a pinch of ashes. Our souls were laid waste. For a long time now we had believed in nothing, not even nothingness. The nihilists of 1880 were a sect of mystics, dreamers, the routineers of universal happiness. We, of course, were poles apart from these credulous fools & their vaporous theories. We were men of action, technicians, specialists, the pioneers of a modern generation dedicated to death, the preachers of world revolution, the precursors of universal destruction, realists, realists. And there is no reality. What then? Destroy to rebuild or destroy to destroy? Neither the one nor the other. Angels or devils? No. You must excuse my smile: we were automats, pure & simple. We ran on like an idling machine until we were exhausted, pointlessly pointlessly, like life, like death, like a dream. Not even adversity had any charm for us.

Now, the drug is taboo. You do not fool around with it. You give yourself to it and you are caught. I have a horror of it. I have lived in China without ever being curious enough to put a pipe to my lips. It is not a question of virtue. I do not like pharmacopoeia. I like lucidity. It is my guiding star. I will have nothing to do with the vertigo of opium which, with the single exception of De Quincey, is no friend to poetry. It is a filthy poison.

Science is history arranged according to the superstition and taste of the moment. The vocabulary of scholars has no wit, no salt. These heavy tomes have no soul, they are filled with distress ...

Humanity lives in its fiction.

The guillotine is the masterpiece of the plastic arts
Its click
Creates perpetual motion
("The Head")

I used the word 'prose' in the Trans-Siberian in the early Latin sense of prosa dictu. Poem seemed to me too pretentious, too narrow. Prose is more open, popular.

Life The machine The human soul A 75mm breech My portrait

Each of us attempted to stem & hold fast the unending flood of his thoughts which tended to trickle off into that inner void. Our personalities were in an evanescent state, with sudden fits of remembering, faint intimations from the senses, irradiations from the subconscious, degenerate appetites & a most insidious lassitude. Everyone knows these little manikins of elder-pith that have a pellet of lead at the base so that they always stand up on their feet, no matter how one puts them down. Imagine that the leaden pellets are a little off center. One figure will lean to the right, another to the rear, another will bow its head or almost lie down. So it was with us. We had lost our balance, our sense of individuality, the perpendicular of our lives; our conscience was adrift, was sinking to the bottom, & we have no ballast to drop. We were out of kilter.

Without the help of selfishness, the human animal would never have developed. Egoism is the vine by which man hoisted himself out of the swamp and escaped from the jungle.

and only much later, when Mascha wanted a child, did I realize that love is a deadly poison, a vice, a vice that one wants to see shared, & that if one of the two involved is smitten, the other is often no more than a passive participant, or vixxtim, or possessed. And Moravagine was possessed.

Love is masochistic. These cries & complaints, these sweet alarms. this anguished state of lovers, this suspense, this latent pain that is just below the surface, almost unexpressed, these thousand & one anxieties over the loved one's absence, this feeling of time rushing by, this touchiness, these fits of temper, these long daydreams, this childish fickleness of behavior, this moral torture where vanity & self-esteem, or perhaps honor, upbringing & modesty are at stake, these highs & lows in the nervous tone, these leaps of imagination, this fetishism, this cruel precision of senses, whipping & probing, the collapse, the prostration, the abdication, the self-abasement, the perpetual loss & recovery of one's personality, these stammered words & phrases, these pet-names, this intimacy, these hesitations in physical contact, these epileptic tremors, these successive & even more frequent relapses, this more & more turbulent & stormy passion with its ravages progressing to the point of complete inhibition & annihilation of the soul, the debility of the senses, the exhaustion of the marrow, the erasure of the brain & even t

As a special branch of general philosophy, pathogenesis had never been explored. In my opinion it had never been approached in a strictly scientific fashion--that is to say, objectively, amorally, intellectually.

All those who have written on the subject are filled with prejudice. Before searching out and examining the mechanism of causes of disease, they treat of 'disease as such', condemn it as an exceptional and harmful condition, and start out by detailing the thousand and one ways of combating it, disturbing it, destroying it; they define health, for this purpose, as a 'normal' condition that is absolute and immutable.

Diseases ARE. We do not make or unmake them at will. We are not their masters. They make us, they form us. They may even have created us. They belong to this state of activity which we call life. They may be its main activity. They are one of the many manifestations of universal matter. They may be the principal manifestation of that matter which we will never be able to study except through the phenomena of relationships and analogies. Diseases are a transitory, intermediary, future state of health. It may be that they are health itself.

Coming to a diagnosis is, in a way, casting a physiological horoscope.

What convention calls health is, after all, no more than this or that passing aspect of a morbid condition, frozen into an abstraction, a special case already experienced, recognized, defined, finite, extract

A mud-stained sunlight began to splatter the sodden fields, and the hateful, nasal world of birds began to come to life. It seemed to me that I was coming out of a suffocating nightmare and that the low clouds flying before the wind were the shreds of an evil dream.

Modern man has a need for simplification that tends to find its expression one way or another. And this artificial monotony which he takes pains to create, this monotony which is slowly taking over the world, this monotony is the sign of our greatness. It bears the mark of a certain will-power, the will to utility; it is the expression of utility, a law that governs all our modern activity: the Law of Utility.

For action, whatever its immediate purpose, also implies relief at doing something, anything, and the joy of exertion. This is the optimism that is inherent in, and proper and indispensable to action, for without it nothing would ever be undertaken. It in no way suppresses the critical sense or clouds the judgment. On the contrary this optimism sharpens the wits, it creates a certain perspective and, at the last moment, lets in a ray of perpendicular light which illuminates all one's previous calculations, cuts and shuffles them and deals you the card of success, the winning number.

A man returns to die, between four walls, with the dawn, a collar of iron around the neck, to the withers, the tongue hanging ... as on the Goya print.

Do not forget that when the heart petrifies there is no progress. All science must be like a fruit, so ordered that it may hang from a tree of the flesh & ripen in the sunlight of passion. Histology, photography, electric bells, telescopes, birds, amperes, smoothing irons, etc. -this is only good for bouncing off the arse of humanity.