Sula Quotes

I touched my scalp where Sula had wrapped the cloth. It still burned, but it made me feel important. I'd been wounded in combat. Anyone could break a leg or dislocate a sholder, but how many people get shot? I could tell by the way Will was looking at me that he was impressed too and not a little bit jealous. I would have quickly traded the head wound, however, for a glass of clean water. ~ Cameron Stracher

Dying was OK because it was sleep and there wasn't no gray ball in death, was there? Was there? She would have to ask somebody about that, somebody she could confide in, and who knew a lot of things, like Sula, for Sula would know or if she didn't she would say something funny that would make it all right. Ooo no, not Sula. Here she was in the midst of it, hating it, scared of it, and again she thought of Sula as though they were still friends and talked things over. That was too much. To lose Jude and not have Sula to talk to about it because it was Sula that he had left her for.

Now her thighs were really empty. And it was then that what those women said about never looking at another man made some sense to her, for the real point, the heart of what they said, was the word looked. Not to promise never to make love to another man, not to refuse to marry another man, but to promise and know that she could never afford to look again, to see and accept the way in which their heads cut the air or see moons or tree limbs framed by their necks and shoulders... never to look, for now she could not risk looking - and anyway, so what? For now her thighs were truly empty and dead too and it was Sula who had taken the life from them and Jude who smashed her heart and the both of them who left her with no thighs and no heart just her brain raveling away. ~ Toni Morrison

Sula was wrong. Hell ain't things lasting forever. Hell is change. Not only did men leave and children grow up and die, but even the misery didn't last. One day she wouldn't even have that. This very grief that had twisted her into a curve on the floor and flayed her would be gone. She would lose that too.
Why, even in hate here I am thinking of what Sula said. ~ Toni Morrison

You been gone too long, Sula. Not too long, but maybe too far. ~ Toni Morrison

For nine miles along a submerged ridge, the corals rise in lumpy hillocks that spread out 100 yards or more, resembling heaped scoops of rainbow sherbet and Neapolitan ice cream. The mounds, some 100 feet tall, sprout delicate treelike gorgonians that sift currents for a plankton meal. Fish, worms and other creatures dart or crawl in every crevice. This description could apply to thousands of coral reefs in shallow, sun-streaked tropical waters from Australia to the Bahamas. But this is the Sula Ridge, 1,000 feet down in frigid darkness on the continental shelf 100 miles off Norway's coast. ~ James Dwight Dana

Carefully they replaced the soil and covered the entire grave with uprooted grass.
Neither one had spoken a word. ~ Toni Morrison

.. And then, "I was good to you, Sula, why don't that matter?"...... "How you know?" Sula asked.... "About who was good. How you know it was you? ~ Toni Morrison

The real hell of Hell is that it is forever.' Sula said that. She said doing anything forever and ever was hell. ~ Toni Morrison

It was a fine cry - loud and long - but it had no bottom and it had no top, just circles and circles of sorrow. ~ Toni Morrison

Seeing her step so easily from the pantry and emerge looking precisely as she did when she entered, only happier, taught Sula that sex was pleasant and frequent, but otherwise unremarkable. ~ Toni Morrison

Sula was distinctly different. Eva's arrogance and Hannah's self-indulgence merged in her and, with a twist that was all her own imagination, she lived out her days exploring her own thoughts and emotions, giving them full reign, feeling no obligation to please anybody unless their pleasure pleased her. As willing to feel pain as to give pain, to feel pleasure as to give pleasure, hers was an experimental life – ever since her mother's remarks sent her flying up those stairs, ever since her one major feeling of responsibility had been exorcised on the bank of a river with a closed place in the middle. The first experience taught her there was no other that you could count on; the second that there was no self to count on either. She had no center, no speck around which to grow. […] She was completely free of ambition, with no affection for money, property or things, no greed, no desire to command attention or compliments – no ego. For that reason she felt no compulsion to verify herself – be consistent with herself ~ Toni Morrison

In a whodunnit, when a detective hears that Sir Somebody Smith has been stabbed thirty-six times on a train or decapitated, they accept it as a quite natural occurrence. They pack their bags and head off to ask questions, collect clues, ultimately to make an arrest. But I wasn't a detective. I was an editor - and, until a week ago, not a single one of my acquaintances had managed to die in an unusual and violent manner. Apart from my own parents and Alan, I hardly knew anyone who had died at all. It's strange when you think about it. There are hundreds and hundreds of murders in books and television. It would be hard for narrative fiction to survive without them. And yet there are almost none in real life, unless you happen to live in the wrong area. Why is it that we have such a need for murder mystery and what is it that attracts us - the crime or the solution? Do we have some primal need of bloodshed because our own lives are so safe, so comfortable? I made a mental note to check out Alan's sales figures in San Pedro Sula in Honduras (the murder capital of the world). It might be that they didn't read him at all. ~ Anthony Horowitz