Shadow Pictures Quotes

When I saw the pictures of New York without the World Trade Center, New York looked like a shadow of itself. ~ Robert Fisk

I tried to read The Dubliners, when I went to Dublin a couple of years ago. I think I only go thurogh the first story. Gnomon is such an interesting word. So many different uses for a word nooone has heard of, or uses these days. I googled some pictures of sundials to check that it was the tall shadow casting bit (it is) and then discovered that Saint Sulpice in Paris has a rather fascinating large gnomon- which I shall endeavour to see on my next visit to that fair city. Thanks for such a great word, which I shall try to remember. ~ Brian D. McLaren

I spent my childhood and youth on the outskirts of the Alps, in a region that was largely spared the immediate effects of the so-called hostilities. At the end of the war I was just one year old, so I can hardly have any impressions of that period of destruction based on personal experience. Yet to this day, when I see photographs or documentary films dating from the war I feel as if I were its child, so to speak, as if those horrors I did not experience cast a shadow over me ... I see pictures merging before my mind's eye - paths through the fields, river meadows, and mountain pastures mingling with images of destruction - and oddly enough, it is the latter, not the now entirely unreal idylls of my early childhood, that make me feel rather as if I were coming home ... ~ W.G. Sebald

Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny. ~ David Hockney

The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons , however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies . ~ James Berardinelli

The part of thinking that's easy to handle is the part that works by analogy with speech. Thinking in words, speaking our thoughts internally, projects an auditorium inside our skulls. Dark or bright, a shadow theater or a stage scorched by klieg lights, here we try out voices, including the voice we have settled on as the familiar sound of our identity, although it may not be what other people hear when we speak aloud. But that is the topmost of the linguistic processes going on in the mind. Beneath the auditorium runs a continuous river of thought that not only is soundless but is not ordered so it can be spoken. For obvious reasons, describing it is difficult. If I dip experimentally into the wordless flow, and then try to recall the sensations of it, I have the impression of a state in which grammar is present – for when I think like this I am certainly construing lucid relationships between different kinds of meaning, and making sense of the world by distinguishing between (for a start) objects and actions – but thought there are so to speak nounlike and verblike concentrations in the flow, I do not solidify them, I do not break them off into word-sized units. Are there pictures? Yes, but I am not watching a slide show, the images do not come in units either. Sometimes there's a visual turbulence – rapid, tumbling, propelled – that doesn't resolve into anything like the outlines of separate images. Sometimes one image, like a key, will hold steady while a whole train of ~ Francis Spufford

Unmixed praise is not due to any one. It leaves behind a sense of unreality. We can only do justice to a great man by a discriminating criticism. Hero-worship, which paints a faultless monster, whom the world never saw, is like those modern pictures which are a blaze of light without any shadow. ~ James Freeman Clarke

Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour. ~ Edward Weston

That's what movies are, right? Thousands of still pictures taken months or years or decades before - streams of images burned onto celluloid that are reeled in front of a lamp and projected onto a screen, allowing us the illusion that they're alive. Flickers of light and dark. Brightness and shadow that won't stand still - like life itself. ~ Wally Lamb