Montmartre Quotes

In Paris, women were not considered interesting until they were middle-aged. The Mist of Montmartre ~ Peggy Kopman-Owens

Back in Paris they had happy moments together, like stills from a perfume ad (dashing hand in hand down the steps of Montmartre; or suddenly revealed in motionless embrace on the Pont des Arts by the lights of a bateau-mouche as it turned). There were the Sunday afternoon half-arguments, too, the moments of silence when bodies curl up beneath the sheets on the long shores of silence and apathy where life founders. Annabelle's studio was so dark they had to turn on the lights at four in the afternoon. They sometimes were sad, but mostly they were serious. Both of them knew that this would be their last human relationship, and this feeling lacerated every moment they spent together. They had a great respect and a profound sympathy for each other, and there were days when, caught up in some sudden magic, they knew moments of fresh air and glorious, bracing sunshine. For the most part, however, they could feel a gray shadow moving over them, on the earth that supported them, and in everything they could glimpse the end. ~ Michel Houellebecq

Summing it Up ... "Where's a good place for dinner?" I asked. "There's the Brasserie Lipp on the Avenue St. Germaine," she said, "or La Coupole in Montmartre." "Not La Coupole," I said. "I've been there before. That's the place that's crowded and noisy and smells bad and everybody's rude as hell, isn't it?" "I think you just described France," she said. ~ P. J. O'Rourke

I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bullfighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while i was praying for myself I found I was getting sleepy, so I prayed that the bull-fights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn't seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. ~ Ernest Hemingway

One more thing. She wears Patchouli. Every tart in Montmartre wears it. Place Pigalle reeks of it. If she wants to carry out her pose as an aristocrat, she ought to refine her tastes. ~ Susan Vreeland

Study is the child of silence and mystery. ~ Henri Murger

Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city's most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors.

In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of "bohemian Paris," where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on fl ~ Jeffrey H. Jackson

I had the chance to play with Benny 'The King' Carter here in Copenhagen for three days in the Montmartre, and two days in Paris. 'What a Thrill.' He knows so much music, and he is the only person that I get the shakes trying to play my horn behind or with him (smile). However, it was a ball. ~ Ben Webster

Finally, a bit of luck. Rat bastard,' I hissed down at Montmartre. 'Mangy dog of a scurvy goat.'
'That doesn't even make sense,' Isabeau murmured.
'Feels good though. Try it.'
She narrowed her eyes at the top of Montmartre's perfectly groomed hair. 'Balding donkey's ass.'
'Nice.'
'Sniveling flea-bitten rabid monkey droppings.'
'Clearly, you're a natural. ~ Alyxandra Harvey

Jacques' life was like the rooms of Montmartre women that are never cleaned because they get up at four o'clock and slip a coat over their nightgown to go downstairs and eat. ~ Jean Cocteau

Will anyone understand it outside Paris? That is open to doubt. The special features of this scene, full of local colour and observations, can only be appreciated in the area lying between the heights of Montmartre and the hills of Montrouge, in that illustrious valley of flaking plasterwork and gutters black with mud; a valley full of suffering that is real, and of joy that is often false, where life is so hectic that it takes something quite extraordinary to produce feelings that last. ~ Honore De Balzac