Literary Tropes Quotes

In general, when a novel manipulates its material to conform to the pieties of the day, or alternatively to attack those pieties for no other reason than the visibility such an attack will generate, when its literary tropes are all too familiar, its clever prose reminiscent of other clever prose, then the compass needle is slipping away from true north ... When, on the other hand, the author renounces some easy twist, some expected payoff, to take us into territory we didn't expect but that nevertheless fits with the drift of the story, then the novel gains force and conviction. And when he or she does it again, telling quite a different story that is nevertheless driven by the same urgent tensions, then we are likely moving into the zone of authenticity. ~ Tim Parks

The ultimate act of heroism shouldn't be death. You're always saying you want to give Baz the stories he deserves ... So you're going to kill him off? Isn't the best revenge supposed to be a life well-lived? The punk-rock way to end it would be to let them live happily ever after. ~ Rainbow Rowell

Thank you for sending me a copy of your book. I'll waste no time reading it. ~ Moses Hadas

The word "canon" is derived from a Hebrew word signifying "reed" (qaneh) and by extension "measuring stick." It enters into the Greek language as "canon" (kanon) with a wider semantic range signifying exemplary standards in relation to literary works, grammatical rules, and even certain human beings. The word was coined in the early church to indicate an absolutely authoritative, complete list of God-inspired books, which was the standard of truth (Athanasius, 39th Festal Letter). Although such a list was considered closed, it is clear that the creation of the canon did not happen in an instant. It had a long and complex history before such closure occurred. The historian Josephus (AD 95) describes a closed list of inspired books that had been authoritative for all Jews for centuries (Against Apion 8). ~ J. Daniel Hays

For decades, as literary editor, I have followed the growth of our creative writing in English. In my Solidaridad Bookshop, half of my stock consists of Filipino books written in English and in the native languages. ~ F. Sionil Jose

But since Catt was more realist than fabulist, she understood her actual death at the hands of her killer would be something much slower. It would be a classical feminine death, like a marriage…Raised by meek working-class parents, she despised petty groveling and had no talent for making shit up. She wanted to be a "real" intellectual moving with dizzying freedom between high and low points in the culture. And to a certain extent, she'd succeeded. Catt's semi-name attracted a following among Asberger's boys, girls who'd been hospitalized for mental illness, sex workers, Ivy alumnae on meth, and always, the cutters. With her small self-made fortune, Catt saw herself as Moll Flanders, out-sourcing her visiting professorships and writing commissions to younger artists whose work she believed in. But she'd reached a point lately where the same young people she'd helped were blogging against her, exposing the 'cottage industry' she ran out of her Los Angeles compound facing the Hollywood sign … the same compound these bloggers had lived in rent-free after arriving from Iowa City, Alberta, New Zealand. Loathing all institutions, Catt had become one herself. Even her dentist asked her for money. ~ Chris Kraus

Regardless of the popular literary trend of the times, write the thing which lies close to your heart. ~ Bess Streeter Aldrich

Most beginning writers - and I was the same - are like chefs trying to cook great dishes that they've never tasted themselves. How can you make a great - or even an adequate - bouillabaisse if you've never had any? If you don't really understand why people read mysteries - or romances or literary novels or thrillers or whatever - then there's no way in the world you're going to write one that anyone wants to publish. This is the meaning of the well-known expression "Write what you know." ~ Daniel Quinn

In his Preface to the 1892 edition of Tess of the d'Urbervilles Hardy warns the reader that 'a novel is an impression, not an argument'. However, the text offers several explanations of Tess's tragedy; social, psychological, hereditary, and fatalistic, all of which proceed from the assumption that Hardy's text is in some sense determined, and that the character of Tess is somehow knowable. Indeed, the tragedy of Tess is in this sense overdetermined. But it should be remembered that the character of Tess is constructed in the text from many points of observation, including that of the ambivalent narrator; constructed that is from impressions. ~ Geoffrey Harvey

It's all that's left,' Leon said in a suddenly weak voice. 'It's what is left of civilization. You take raw material and you transform it. That is civilization. Physical love is all raw meat. That's why everyone's so preoccupied with it now. I have been told by a colleague ten years older than myself--as if it were possible for anybody to be ten years older than I am--that salvation comes from staring at the pubic region of strangers, and freedom, from inducing in myself, by the use of a chemical, the kind of ecstatic lunacy in which I spent most of my adolescence, a condition I attribute solely to the strength of my body at that time and the conviction I had then that I would see socialism in the United States during my lifetime. Now that my bones are weak, my brain is stronger. I don't expect . . . anything. But I cannot bear the grotesque, lying piety of my own unhinged contemporaries. One man, a literary star'--and here he broke off, laughed once, choked and shook his head--'oh, yes, a star, told me he only regretted the pill had not yet been developed in his own youth. All those girls who might have been his! In this age of generalized cock, is this the whole revelation toward which my life has been directed? I would, in any case, prefer to contemplate the organ of a horse. It is handsomer, larger and more comic than anything my fellow man has to show. It is the age of baby shit, darling. Don't kid yourself. My privacy has been violated--what I've admired and thought abo ~ Paula Fox

The thematic, psychological, and cultural concerns of a writer are more relevant than whatever literary mode he or she chooses to deal with in any given novel. ~ Norman Spinrad

Verbose is not a synonym for literary. ~ Constance Hale

He was intrigued by the power of words, not the literary words that filled the books in the library but the sharp, staccato words that went into the writing of news stories. Words that went for the jugular. Active verbs that danced and raced on the page. ~ Robert Cormier

Literature destabilizes thought by breaking open language and smuggling in sound, rhythm, and image--an invasion of aesthetics. More easily than analytic writing, poetry can emancipate itself from the standard definitions of words, enabling a breakthrough to new (and perhaps wayward or even nonsensical) meaning, which can then develop after the fact--different at each new reading. Literary language is presumptuous. It dips into the unknown in order to get nearer to a truth different from that of the superficially visible. As the poet Franz Josef Czernin described it, it is as though one step after another into emptiness could become a ladder. Literary writing can take the writers themselves by surprise; it can disturb and disappoint them--for stirring up turmoil is inherent in metaphor. Thus with every flash of understanding that comes from hearing or reading a poem, the fundamental work of thinking is taken up anew. ~ Marie Luise Knott

Don't try it," he said. The mutant was reading my mind. "You, boy, you're a literary trainspotter ... ~ Will Self

Steampunk is...a joyous fantasy of the past, allowing us to revel in a nostalgia for what never was. It is a literary playground for adventure, spectacle, drama, escapism and exploration. But most of all it is fun! ~ George Mann

Anyone who undertakes the literary grind had better like playing around with words. ~ Roy Blount, Jr.

Historical investigation and literary criticism have taken the magic out of the Bible and have made it a composite human book, written by many hands in different ages. ~ Bill Vaughan

According to string theory, if we could examine these particles with even greater precision - a precision many orders of magnitude beyond our present technological capacity - we would find that each is not pointlike, but instead consists of a tiny one-dimensional loop. Like an infinitely thin rubber band, each particle contains a vibrating, oscillating, dancing filament that physicists, lacking Gell-Mann's literary flair, have named a string. ~ Brian Greene

These pieces, he already realised, were merely stepping stones at the start of a journey towards something - some grand artefact, either musical, or literary, or filmic, or perhaps a combination of all three - towards which he knew he was advancing, slowly but with a steady, inexorable tread. Something which would enshrine his feelings for Cicely, and which she would perhaps hear, or read, or see in ten or twenty years' time, and suddenly realize, on her pulse, that it was created for her, intended for her, and that of all the boys who had swarmed around her like so many drones at school, Benjamin had been, without her having the wit to notice it, by far the purest in heart, by far the most gifted and giving. On that day the awareness of all she had missed, all she had lost, would finally break upon her in an instant, and she would weep; weep for her foolishness, and of the love that might have been between them.

Of course, Benjamin could always just have spoken to her, gone up to her in the bus queue and asked her for a date. But this seemed to him, on the whole, the more satisfactory approach. ~ Jonathan Coe

I don't think you can dial 911 for a literary emergency. ~ John Connolly

When I put together a graphic novel, I don't think about literary prose. I think about storytelling. ~ Ted Rall

My own approach to literary problems is very like the one Dr. Johnson's blind housekeeper used when she poured tea-she put her finger inside the cup. ~ Flannery O'Connor

If the relation of morality to art were based simply on the demand that art be concerned with values, then almost every author should satisfy it even if he wrote with his prick while asleep. (Puritans will object to the language in that sentence, and feminists to the organ, and neither will admire or even notice how it was phrased.) ~ William H Gass

Sometimes sanity just means the ability to recognize the end of the road when you reach it. ~ Robert Dunbar

The 1980s: feminism, postmodernism, sexual/textual politics

While it might be tempting to generalise that Woolf 's writing was being discussed almost in two separate camps during the 1980s, formalists on the one hand, and feminists on the other, this would be to simplify things too far.
Many critics were attempting to make sense of and connect her feminist politics with her modernist practices. Such investigations coincided with the explosion of theory in literary studies, and once again the work of Virginia
Woolf was central to the framing of many of the major theoretical developments in literary critical engagements with feminism, postmodernism, deconstruction and psychoanalysis. In the context of the rise of 'high theory'
and the questioning of old-school Marxist, materialist, humanist and historicist literary theories, Woolf studies wrestled with the locating of her radical feminist politics in the avant-garde qualities of the text itself, and its endlessly transgressive play of signifiers, with the Woolfian inscription of radically deconstructed models of the self and of sexuality and jouissance. ~ Jane Goldman

She did not think it any coincidence that ideas denigrating literary authorship had taken center stage simultaneously with the emergence of formerly silent voices for whom the act of writing, and publishing, had the deepest and most delicious possible meaning, simultaneously with the emergence of an audience for whom the act of thinking and writing was an act of skeptical anger, sometimes a transitional act to violence. ~ Jane Smiley

The world is full of sluts on skates. From Penn-warren's "All the Kings Men. ~ Martha Miller

I am thankful to my physical existence on planet earth, that I completed my literary work from whatever mind I had left, before becoming mindless nonphysical. ~ Vishal Chipkar

Eliot's understanding of poetic epistemology is a version of Bradley's theory, outlined in our second chapter, that knowing involves immediate, relational, and transcendent stages or levels. The poetic mind, like the ordinary mind, has at least two types of experience: The first consists largely of feeling (falling in love, smelling the cooking, hearing the noise of the typewriter), the second largely of thought (reading Spinoza). The first type of experience is sensuous, and it is also to a great extent monistic or immediate, for it does not require mediation through the mind; it exists before intellectual analysis, before the falling apart of experience into experiencer and experienced. The second type of experience, in contrast, is intellectual (to be known at all, it must be mediated through the mind) and sharply dualistic, in that it involves a breaking down of experience into subject and object. In the mind of the ordinary person, these two types of experience are and remain disparate. In the mind of the poet, these disparate experiences are somehow transcended and amalgamated into a new whole, a whole beyond and yet including subject and object, mind and matter. Eliot illustrates his explanation of poetic epistemology by saying that John Donne did not simply feel his feelings and think his thoughts; he felt his thoughts and thought his feelings. He was able to "feel his thought as immediately as the odour of a rose." Immediately" in this famous simile is a technical te ~ Jewel Spears Brooker

They shared much with Bloomsbury, including love of beauty, companionship, and conversation, but they differed from their older London counterpart in their religious ardor, their social conservatism, and their embrace of fantasy, myth, and (mostly) conventional literary techniques instead of those dazzling experiments with time, character, narrative, and language that mark the modernist aesthetic. ~ Philip Zaleski

The reason why the continental European is, to the Englishman or American, so surprisingly ignorant of the Bible, is that the authorized English version is a great work of literary art, and the continental versions are comparatively artless. ~ George Bernard Shaw

Over the years, I had something in principle against autobiographical writing altogether because memory plays tricks on us, and we also tend to reinvent ourselves. But there comes an age when one begins to observe life, and there are things that need time to mature, also in terms of literary form. ~ Gunter Grass

I learned a little of beauty
enough to know that it had nothing to do with truth ... ~ F Scott Fitzgerald

I got through my childhood in a delirium of literary exaltations. ~ Susan Sontag

San Francisco itself is art, above all literary art. Every block is a short story, every hill a novel. Every home a poem, every dweller within immortal. That is the whole truth. ~ William, Saroyan

Before MS moved in on me, I'd worked for seven years as a city lawyer, as the editor of a literary magazine, and before the age of 20, I'd also worked as a cadet journalist and as an assistant director in both film and TV. And then, after the lesions of MS, both on my spine and in my brain, I was the opposite of bionic. ~ M. J. Hyland

QUESTION: Are you suggesting that history is irrelevant, then, and the temporal span of humankind merely the recycling of tropes?
ANSWER: Well, I think it's two things. It's always two things, unless it's three. The first thing is moms and martyrs are the way we will think, just as when we dance we tend to tango. Jung suspected as much, you know, and every story could, I suppose, be seen as such a spyglass. Second, either there is or there isn't, point-blank, and if there is not, and something besides lead backs our philosophies, then previously Truth flashed its temper like a fictitious schoolgirl showing her panties, then went all cowboy cool in the neonew, barely speaking, keeping mum, despite the fact we's done forgot dear mammy, savoring the slow satisfying burn of a cigarette before the bonfire of a billion bodies, and still millions more wait their turn, we're better at keeping our appointments, at any rate, skinny corpses stripped of teeth and hair and skin, difference plucked like daisies, for there is no difference; in ether words, to hear the Great Apes tell it, every plague is one for the pointless and every poppy's got jack to do with Us. Hoohah! A particularly ballsy bit of business given the most recent nearing too close, we're singing our rondel with a bellyful of gravy and sourmash, we're at the highpocked end, and there's no more to come, come the dawn. Though bear in mind we've no pret-a-porter poodle sniffing around here, nossir, we're not afraid to s ~ Vanessa Place

book brings her comfort still, now soothing different pains, a literary safety blanket Alba can wrap around her fingers and hold until she forgets all the things she wants to forget. Few other novels have been able to offer similar protection against poisoned memories, ~ Menna Van Praag

Of the things I want my daughters to know the greatest of these is love. ~ Elin Hilderbrand

What this also suggests, intriguingly, is that the task of translating (or writing) literary novels cannot be broken into parts and done by a succession of different humans either - not by wikis, nor crowdsourcing, nor ghostwriters. Stability of point of view and consistency of style are too important. What's truly strange, then, is the fact that we do seem to make a lot of art this way. ~ Brian Christian

I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader. ~ Michael Chabon

The reader is the space on which all the quotations that make up a writing are inscribed without any of them being lost; a text's unity lies not in its origin but in its destination. Yet this destination cannot any longer be personal: the reader is without history, biography, psychology; he is simply that someone who holds together in a single field all the traces by which the written text is constituted…Classic criticism has never paid any attention to the reader; for it, the writer is the only person in literature…we know that to give writing its future, it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author. [Final passage in "The Death of the Author," in Image-Music-Text, by Roland Barthes, Trans. Stephen Heath (1977)] ~ Roland Barthes

What Shelley's world of Prometheus Unbound really has to fear is not resurrection of Jupiter but the resurrection of John Donne. ~ Cleanth Brooks

Every country should have a strong literary tradition of its own at the center, but it should also have an interest in other countries. ~ Kazuo Ishiguro

He was described as the literary leader of the age, but had never written a book that sold more than three thousand copies. ~ Ayn Rand

As I grow ever closer to the end of my time, I look back at this life and tell you that the only thing I would wish to give up is the regret I've carried in my heart for all these years. At long last I have come to realize the things I once counted as regrets were indeed blessings that I was too blind to see. ~ Bette Lee Crosby

Literary poetry in a painter is something special, and is neither illustration nor the translation of writing by form. ~ Paul Gauguin

I want to give just a slight indication of the influence the book has had. I knew that George Orwell, in his second novel, A Clergyman's Daughter , published in 1935, had borrowed from Joyce for his nighttime scene in Trafalgar Square, where Deafie and Charlie and Snouter and Mr. Tallboys and The Kike and Mrs. Bendigo and the rest of the bums and losers keep up a barrage of song snatches, fractured prayers, curses, and crackpot reminiscences. But only on my most recent reading of Ulysses did I discover, in the middle of the long and intricate mock-Shakespeare scene at the National Library, the line 'Go to! You spent most of it in Georgina Johnson's bed, clergyman's daughter.' So now I think Orwell quarried his title from there, too. ~ Christopher Hitchens

Madness and passion have always been interchangeable. Throughout the entire western literary tradition. Madness is an abundance of existence. Madness is a way of asking difficult questions. What did he mean, the powerless tyrant king? O Fool, I shall go mad.
Maybe madness is the excess of possibility, ... And writingis about reducing possibility to ne idea, one book, one sentence, one word. Madness is a form of self-expression. It is the opposite of creativity. You cannot make anything that can be separated from yourself if you are mad. And yet, look at Rimbaud
and your wonderful Christopher Smart. But don't harbour any romantic ideas about what it means to be mad. My language was my protection, my guarantee against madness and when there was no one to listen my language vanished along with my reader. ~ Patricia Duncker