Inscriptions For Urns Quotes

A man inherited a field in which was an accumulation of old stone, part of an older hall. Of the old stone some had already been used in building the house in which he actually lived, not far from the old house of his fathers. Of the rest he took some and built a tower. But his friends coming perceived at once (without troubling to climb the steps) that these stones had formerly belonged to a more ancient building. So they pushed the tower over, with no little labour, and in order to look for hidden carvings and inscriptions, or to discover whence the man's distant forefathers had obtained their building material. Some suspecting a deposit of coal under the soil began to dig for it, and forgot even the stones. They all said: 'This tower is most interesting.' But they also said (after pushing it over): 'What a muddle it is in!' And even the man's own descendants, who might have been expected to consider what he had been about, were heard to murmur: 'He is such an odd fellow! Imagine using these old stones just to build a nonsensical tower! Why did not he restore the old house? he had no sense of proportion.' But from the top of that tower the man had been able to look out upon the sea. ~ J.R.R. Tolkien

Had I to carve an inscription on my tombstone I would ask for none other than "The Individual." ~ Soren Kierkegaard

Rows and rows of books lined the shelves and I let my eyes linger on the sturdy spines, thinking how human books were, so full of ideas and images, worlds imagined, worlds perceived; full of fingerprints and sudden laughter and the sighs of readers, too. It was humbling to consider all these authors, struggling with this word or that phrase, recording their thoughts for people they'd never meet. In that same way, the detritus of the boxes was humbling - receipts, jotted notes, photos with no inscriptions, all of it once held together by the fabric of lives now finished, gone. ~ Kim Edwards

Let us fill urns with rose-leaves in May
And hive the the trifty sweetness for December! ~ Edward Bulwer-Lytton, 1st Baron Lytton

Monstrosities of tall "monuments" and draped urns. One of the latter, the biggest and ugliest in the graveyard, was sacred to the memory of a certain Alec Davis who had been born a Methodist but had taken to himself a Presbyterian bride of the Douglas clan. She had made him turn Presbyterian and kept him toeing the Presbyterian mark all his life. But when he died she did not dare to doom him to a lonely grave in the Presbyterian graveyard over-harbour. His people were all buried in the Methodist cemetery; so Alec Davis went back to his own in death and his widow consoled herself by erecting a monument which cost more than any of the Methodists could afford. The Meredith children hated it, without just knowing why, but they loved the old, flat, bench-like stones with the tall grasses growing rankly about them. They made jolly seats for one thing. They were all sitting on one now. Jerry, tired of leap frog, was playing on ~ L.M. Montgomery

Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty. ~ James Fenton

Dead infants don't get urns unless you pay for them - and then they stuff crap in besides just ashes to cover the smallness. ~ Lidia Yuknavitch

Can you remember, Acte ... how much easier our belief in Nero made life for us in the old days? And can you remember the paralysis, the numbness that seized the whole world when Nero died? Didn't you feel as if the world had grown bare and colorless all of a sudden? Those people on the Palatine have tried to steal our Nero from us, from you and me. Isn't splendid to think that we can show them they haven't succeeded? They have smashed his statues into splinters, erased his name from all the inscriptions, they even replaced his head on that huge statue in Rome with the peasant head of old Vespasian. Isn't it fine to teach them that all that hasn't been of the slightest use? Granted that they have been successful for a few years. For a few years they have actually managed to banish all imagination from the world, all enthusiasm, extravagance, everything that makes life worth living. But now, with our Nero, all these things are back again. ~ Lion Feuchtwanger

The tombstones smashed in Hebrew cemeteries and plundered for Polish sidewalks; today bored citizens, staring at their feet while waiting for a bus, can still read the inscriptions. ~ Anne Michaels

There was a pair of books, one by Hemingway, another by Thomas Wolfe. Each had written a long inscription to the other. A knowledgeable dealer had to inform the unfortunate owner who had just paid a pretty penny for them that the inscriptions were not authentic, and that the value was not what he had hoped. Later, another dealer discovered that they were spectacular forgeries: Wolfe had written Hemingway's inscription, and Hemingway, Wolfe's. ~ Allison Hoover Bartlett

For the whole earth is the tomb of famous men; not only are they commemorated by columns and inscriptions in their own country, but in foreign lands there dwells also an unwritten memorial of them, graven not on stone but in the hearts of men. Make them your examples, and, esteeming courage to be freedom and freedom to be happiness, do not weigh too nicely the perils of war.
[Funeral Oration of Pericles] ~ Thucydides

She imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? ~ Virginia Woolf

Over the door of the library in Thebes is the inscription Medicine for the soul. ~ Diodorus Siculus

I love bookshelves, and stacks of books, spines, typography, and the feel of pages between my fingertips. I love bookmarks, and old bindings, and stars in margins next to beautiful passages. I love exuberant underlinings that recall to me a swoon of language-love from a long-ago reading, something I hoped to remember. I love book plates, and inscriptions in gifts from loved ones, I love author signatures, and I love books sitting around reminding me of them, being present in my life, being. I love books. Not just for what they contain. I love them as objects too, as ever-present reminders of what they contain, and because they are beautiful. They are one of my favorite things in life, really at the tiptop of the list, easily my favorite inanimate things in existence, and ... I am just not cottoning on to this idea of making them ... not exist anymore. Making them cease to take up space in the world, in my life? No, please do not take away the physical reality of my books. ~ Laini Taylor

She re-marked her lips with her lipstick. I saw sprays of silver in her coarse hair. I saw inscriptions of her years around her mouth, a solid crease between her brows from a lifetime of cynicism. The posture of a woman who had stood in a casual spotlight in every room she'd ever been in, not for gloss or perfection, for self-possession. Everything she touched she added an apostrophe to. ~ Stephanie Danler

For it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge ~ Virginia Woolf

THE BARROW

In this high field strewn with stones
I walk by a green mound,
Its edges sheared by the plough.
Crumbs of animal bone
Lie smashed and scattered round
Under the clover leaves
And slivers of flint seem to grow
Like white leaves among green.
In the wind, the chestnut heaves
Where a man's grave has been.

Whatever the barrow held
Once, has been taken away:
A hollow of nettles and dock
Lies at the centre, filled
With rain from a sky so grey
It reflects nothing at all.
I poke in the crumbled rock
For something they left behind
But after that funeral
There is nothing at all to find.

On the map in front of me
The gothic letters pick out
Dozens of tombs like this,
Breached, plundered, left empty,
No fragments littered about
Of a dead and buried race
In the margins of histories.
No fragments: these splintered bones
Construct no human face,
These stones are simply stones.

In museums their urns lie
Behind glass, and their shaped flints
Are labelled like butterflies.
All that they did was die,
And all that has happened since
Means nothing to this place.
Above long clouds, the skies
Turn to a brilliant red
And show in the water's face
One living, and not these dead."

- Anthony Thwaite, from The Owl In The Tree ~ Anthony Thwaite

All the public inscriptions in the town were painted alike, in severe characters of black and white. The jail might have been the infirmary, the infirmary might have been the jail, the town-hall might have been either, or both, or anything else, for anything that appeared to the contrary in the graces of their construction. Fact, fact, fact, everywhere in the material aspect of the town; fact, fact, fact, everywhere in the immaterial. The M'Choakumchild school was all fact, and the school of design was all fact, and the relations between master and man were all fact, and everything was fact between the lying-in hospital and the cemetery, and what you couldn't state in figures, or show to be purchaseable in the cheapest market and saleable in the dearest, was not, and never should be, world without end, Amen. A ~ Charles Dickens

Stranger, think long before you enter,
For these corridors amuse not passing travellers.
But if you enter, keep your voice to yourself.
Nor should you tinkle and toll your tongue.
These columns rose not, for the such as you.
But for those urgent pilgrim feet that wander
On lonely ways, seeking the roots of rootless trees.
The earth has many flowery roads; choose one
That pleases your whim, and gods be with you.
But now leave! - leave me to my dark green solitude
Which like the deep dream world of the sea
Has its moving shapes; corals; ancient coins;
Carved urns and ruins of ancient ships and gods;
And mermaids, with flowing golden hair
That charm a patch of silent darkness
Into singing sunlight. ~ G.A. Kulkarni

At the bottom of the box were two big fairy-tale collections our father had sent us sometime after our parents divorced in 1963. I was four and my sister was five. We never saw him again. One book was a beautifully illustrated collection of Russian fairy tales inscribed, "To Rachel, from Daddy." The other, a book of Japanese fables, was inscribed to me. It had been years since I had opened them. I stared at the handwriting. Something seemed a bit off. Then it dawned on me - both inscriptions bore my own adolescent scrawl. I had always remembered the books and our father's dedications as proof of his love for us. Yet, how malleable our memories are, even if our brains are intact. Neuroscientists now suggest that while the core meaning of a long-term memory remains, the memory transforms each time we attempt to retrieve it. In fact, anatomical changes occur in the brain every single time we remember. As Proust said, "The only paradise is paradise lost. ~ Mira Bartok

Even today, some opt for the comforts of mystification, preferring to believe that the wonders of the ancient world were built by Atlanteans, gods, or space travelers, instead of by thousands toiling in the sun. Such thinking robs our forerunners of their due, and us of their experience. Because then one can believe whatever one likes about the past - without having to confront the bones, potsherds, and inscriptions which tell us that people all over the world, time and again, have made similar advances and mistakes. ~ Ronald Wright

Sand from the Urns
Green as mould is the house of oblivion.
Before each of the blowing gates your beheaded minstrel turns blue.
For you he beats his drum made of moss and of harsh
pubic hair;
With a festering toe in the sand he traces your eyebrow.
Longer he draws it than ever it was, and the red of your
lip.
You fill up the urns here and nourish your heart. ~ Paul Celan

The Bible is a blueprint of in-group morality, complete with instructions for genocide, enslavement of out-groups, and world domination. But the Bible is not evil by virtue of its objectives or even its glorification of murder, cruelty, and rape. Many ancient works do that - The Iliad, the Icelandic Sagas, the tales of the ancient Syrians and the inscriptions of the ancient Mayans, for example. But no one is selling the Iliad as a foundation for morality. Therein lies the problem. The Bible is sold, and bought, as a guide to how people should live their ~ Richard Dawkins

In general, the philological movement opened up countless sources relevant to linguistic issues, treating them in quite a different spirit from traditional grammar; for instance, the study of inscriptions and their language. But not yet in the spirit of linguistics. ~ Ferdinand De Saussure

Do you think the porter and the cook have no anecdotes, no experiences, no wonders for you? The walls of their minds are scrawled all over with thoughts. They shall one day bring a lantern and read the inscriptions. ~ Ralph Waldo Emerson

One Archeology and Decipherment
Two History: Heroes, Kings, and Ensi's
Three Society: The Sumerian City
Four Religion: Theology, Rite, and Myth
Five Literature: The Sumerian Belles-Lettres
Six Education: The Sumerian School
Seven Character: Drives, Motives, and Values
Eight The Legacy of Sumer
APPENDIXES
A. The Origin and Development of the Cuneiform System of Writing
B. The Sumerian Language
C. Votive Inscriptions
D. Sample Date-Formulas
E. Sumerian King List
F. Letters
G. Dit lla's (court decisions)
H. Lipit-Ishtar Law Code
1. Farmers' Almanac
SELECTED BIBLIOGRAPHY ~ Samuel Noah Kramer

In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun. ~ Madeline Miller

They say the test of literary power is whether a man can write an inscription. I say, 'Can he name a kitten? ~ Samuel Butler

All the earth is a grave, and nought escapes it; nothing is so perfect that it does not fall and disappear. The rivers, brooks, fountains and waters flow on, and never return to their joyous beginnings; they hasten on to the vast realms of Tlaloc, and the wider they spread between their marges the more rapidly do they mould their own sepulchral urns. That which was yesterday is not to-day; and let not that which is to-day trust to live to-morrow. ~ Daniel G. Brinton

The gardens were brilliant with summer magic, with plump cushions of forget-me-nots, lemon balm, and vibrant yellow daylilies, surrounding plots of roses shot through with garnet clematis. Long rows of silvery lamb's-ear stretched between large stone urns filled with rainbow Oriental poppies. ~ Lisa Kleypas

The strategy of semantic ascent is that it carries the discussion into a domain where both parties are better agreed on the objects (viz., words) and on the main terms connecting them. Words, or their inscriptions, unlike points, miles, classes and the rest, are tangible objects of the size so popular in the marketplace, where men of unlike conceptual schemes communicate at their best. The strategy is one of ascending to a common part of two fundamentally disparate conceptual schemes, the better to discuss the disparate foundations. No wonder it helps in philosophy. ~ Willard Van Orman Quine

My heart's in the Highlands, my heart is not here;
My heart's in the Highlands a-chasing the deer;
A-chasing the wild-deer, and following the roe,
My heart's in the Highlands wherever I go. ~ Robert Burns