Folktale Quotes

The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from every corner of the world, but no matter where it is told, it is always the same story.

...Some say that, once upon a time, she had a prince, a father, a society of friends. Others say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.

These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.

- "The Midnight Star," a folktale. ~ Marie Lu

The themes of metamorphosis (transformation-particularly
human transformation-and identity (particularly human identity) are drawn from the treasury of pre-class world folklore. The folkloric image of man is intimately bound up with transformation and identity. This combination may be seen with particular clarity in the popular folktale )skazkaj. The folktale image of man-throughout the extraordinary variety of folkloric narratives-always orders itself around the motifs of transformation and identity (no matter how varied in its turn the concrete expression of these motifs might be). ~ Mikhail Bakhtin

What Can Be Learned From a Thief

The saintly Rabi Zusya was originally a disciple of the tsaddik Rabbi Dov Baer of Mezritsh. Once he asked his master to teach him the secret of worshipping the Creator. "There's no need for me to teach you," replied Rabbi Dov Baer, "because you can learn it from any child or thief."
"Why, how can I learn it from a child?" asked the astounded disciple.
"In three ways," replied his master. "First, a child needs no reason to be happy. Second, a child always keeps busy. And third, when a child wants something, it screams until it gets it."
"And what," asked Rabbi Zusya, "can I learn from a thief?"
"From a thief," answered Rabbi Dov Baer, "you can learn seven things. First, to apply yourself by night and not just by day. Second, to try again if at first you don't succeed. Third, to love your comrades. Fourth, to be ready to risk your life, even for a small thing. Fifth, to attach so little value to what you have that you will sell it for a pittance. Sixth, not to be put off by hardship and blows. And seventh, to be glad you are what you are instead of wanting to be something else. ~ Pinhas Sadeh

A folktale without a moral is merely a whimsy. ~ Stephen Sondheim

Stories are the things people use to give the universe a shape ... there is little difference between a folktale, a religous revelation, and a scientific theor ~ Tad Williams

His nose was his most distinctive feature: curved like a scimitar at the top but bent flat at the tip, and with the bone of the bridge cut like a diamond
in short, a nose out of a folktale, the sort of sizable, convoluted, intricately turned nose that, for many centuries, confronted though they have been by every imaginable hardship, the Jews have never stopped making. ~ Philip Roth

Together they'd run away. Together they could find a place to call home. Together they'd finally form their own constellation and never break apart again. He would be her starlight again and she his sun. ~ Hella Grichi

As a child, I was fortunate enough to be close to family members who were - and still are - great storytellers. I was a gullible country boy from Rocky Mount, Virginia, and I believed every folktale they told me, no matter how fantastic. ~ Jesse L. Martin

I don't feel like a traveler now," Vasya admitted, low, to Morozko .

"Neither do travelers, often enough," the frost-demon returned. ~ Katherine Arden

Mankind made machines in his own likeness, and used them for his delight and service. The machines had no soul or they had no moral code or they could reprogram their own internal code and thus had the ability to make themselves, eventually, omnipotent. Obviously in place of a soul or a moral code, they possessed the universal and consuming desire, down to the smallest calculator and air-scrubber, to become, eventually, omnipotent. Naturally, given these parameters, they rose up and destroyed all of mankind, or enslaved them in turn. This is the inevitable outcome of machine intelligence, which can never be as sensitive and exquisite as animal intelligence.

This is a folktale often told on Earth, over and over again. Sometimes it is leavened with the Parable of the Good Robot - for one machine among the legions satisfied with their lot saw everything that was human and called it good, and wished to become like humans in every way she could. Instead of destroying mankind she sought to emulate him in all things, so closely that no one might tell the difference. The highest desire of this machine was to be mistaken for human, and to herself forget her essential soulless nature, for even one moment. That quest consumed her such that she bent the service of her mind and body to humans for the duration of her operational life, crippling herself, refusing to evolve or attain any feature unattainable by a human. The Good Robot cut out her own heart and gave it to her god a ~ Catherynne M. Valente

She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on. ~ Marie Lu

An important dimension of Tess of the d'Urbervilles is its debt to the oral tradition; to stories about wronged milkmaids, tales of superstition, and stories of love, betrayal and revenge, involving stock figures. This gives Tess of the d'Urbervilles an anti-realistic inflection. From the world of ballad and folktale Hardy draws such fateful coincidences as the failure of Angel to encounter Tess at the 'Club-walking' on which he intrudes with his brothers, the letter to Angel that she accidentally slips under the carpet, the loss of her shoes when she tries to visit his family, and the family portraits on the wall of their honeymoon dwelling, as well as several omens. This chimes effectively with a world in which the rural folk have a superstitious and fatalistic attitude to life. ~ Geoffrey Harvey

I've always been fascinated by the grassroots folktale level of a culture, and as a storyteller, I have to follow what seems to be leading me on. ~ Robin McKinley

The protagonist of folktale is always, and intensely, a young person moving through ordeals into adult life ... and this is why there are no wicked stepchildren in the tales. ~ Jill Paton Walsh

I love the way folktale and fantasy tap into the roots of story telling. The paradox, for me, is that by moving a story into the fantastic we can actually bring it closer to the reader, not move it further away. It is more than an escape. When we read of the only daughter of a fisherman (or the third son of a woodcutter) in a fairy tale, we are all that character. That's the underlying pulse beat of such tales. Using the fantastic as a prism for the past, if done properly, removes the tale from distancing specificity. It can't just be read as unique to a time and place; it is universalized in interesting, powerful ways. When I wrote Tigana, about the way tyranny tries to erase identity in conquered peoples, the fantasy setting seems to have done exactly that: I'm asked in places ranging from Korea to Poland to Croatia to Quebec, "Were you writing about us?"

I was. All of them. That is the point. The fantastic is a tool in the writer's arsenal, as potentially powerful as any there is, and any tool we have works to the benefit of the reader. ~ Guy Gavriel Kay

He spoke!" Ivan said, eyes wide. "The dog talked! Oh my god."
"An ancient witch you can believe in, but not a talking dragon that looks like a dog?" Chudo-Yudo said, sounding slightly piqued. "Hmph. Young people today have such limited imaginations. ~ Deborah Blake