Dialogic Quotes

In rhetoric there are the unconditionally right and the unconditionally guilty; there is total victory and the annihilation of the opponent. In dialogue, annihilation of the opponent also annihilates the very dialogic sphere in which discourse lives... This sphere is very fragile and is easily destroyed... ~ Mikhail Bakhtin

Memory is dialogic and arises not only from direct experience but from the intercourse of many minds. ~ Oliver Sacks

Having been an educator for so many years I know that all a good teacher can do is set a context, raise questions or enter into a kind of a dialogic relationship with their students. ~ Godfrey Reggio

This should explain something I've been saying (and writing) for over ten years now: Science fiction is not about the future; it uses the future as a narrative convention to present significant distortions of the present. And both the significance of the distortion and the appropriateness of the convention lie precisely in that what we know of present science does not *deny* the possibility of these distortions eventually coming to pass. Science fiction is about the current world - the given world shared by writer and reader. But it is not a metaphor for the given world, nor does the catch-all term metonymy exhaust the relation between the given and science fiction's distortions of the given. Science fiction poises in a tense, dialogic, agonistic relation to the given, but there is very little critical vocaabulary currently to deal with this relationship of contestatory difference the SF figure establishes, maintains, expects, exploits, subverts and even - occasionally, temporarily - grandly destroys. ~ Samuel R. Delany

Communication is an artificial, intentional, dialogic, collective act of freedom, aiming at creating codes that help us forget our inevitable death and the fundamental senselessness of our absorb existence. ~ Vilem Flusser

Dialogic is not to be identified with love. But love without dialogic, without real outgoing to the other, reaching to the other, the love remaining with itself - this is called Lucifer. ~ Martin Buber

A newly born genre never supplants or replaces any already existing genres. Each new genre merely supplements the old ones, merely widens the circle of already existing genres. For every genre has its own predominant sphere of existence, in which it is irreplaceable. Thus the appearance of the polyphonic novel does not nullify or in any way restrict the further productive development of monologic forms of the novel (biographical, historical, the novel of everyday life, the novel-epic, etc.), for there will always continue to exist and expand those spheres of existence, of man and nature, which require precisely objectified and finalizing, that is monological, forms of artistic cognition. But again we repeat: the thinking human consciousness and the dialogic sphere in which this consciousness exists, in all its depth and specificity, cannot be reached through a monologic artistic approach. ~ Mikhail Bakhtin

Shelley Jackson's 'Half Life' is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman. ~ Stacey D'Erasmo

Dostoevsky's authorial activity is evident in his extension of every contending point of view to its maximal force and depth, to the outside limits of plausibility. He strives to expose and develop all the semantic possibilities embedded in a given point of view (Chernyshevsky, as we have seen, strove for the same thing in his Pearl of Creation). This Dostoevsky knew how to do with extraordinary power. And this activity, the intensifying of someone else's thought, is possible only on the basis of a dialogic relationship to that other consciousness, that other point of view. We ~ Mikhail Bakhtin