Dallamos Moll Quotes

I didn't want the children to grow up and, when asked what their mother did, say, 'Oh, Mom's a gun moll in the movies.' ~ Jane Greer

But since Catt was more realist than fabulist, she understood her actual death at the hands of her killer would be something much slower. It would be a classical feminine death, like a marriage…Raised by meek working-class parents, she despised petty groveling and had no talent for making shit up. She wanted to be a "real" intellectual moving with dizzying freedom between high and low points in the culture. And to a certain extent, she'd succeeded. Catt's semi-name attracted a following among Asberger's boys, girls who'd been hospitalized for mental illness, sex workers, Ivy alumnae on meth, and always, the cutters. With her small self-made fortune, Catt saw herself as Moll Flanders, out-sourcing her visiting professorships and writing commissions to younger artists whose work she believed in. But she'd reached a point lately where the same young people she'd helped were blogging against her, exposing the 'cottage industry' she ran out of her Los Angeles compound facing the Hollywood sign … the same compound these bloggers had lived in rent-free after arriving from Iowa City, Alberta, New Zealand. Loathing all institutions, Catt had become one herself. Even her dentist asked her for money. ~ Chris Kraus

if Christians are to know the greatness of Jesus Christ's victory over death, they must know that death is evil. ~ Rob Moll

Some say the North,
Some say the South,
I say the heart,
I say the house. ~ Rebecca Moll

Moll is immoral, shallow, hypocritical, heartless, a bad woman: yet Moll is marvellous. ~ Glen Duncan

The ideal woman to me would be the gun-toting moll. Someone who is true blue and ready to face the world. Open to ideas and suggestion, not stubborn and closed minded. ~ Anton Szandor LaVey

An when Ike walks through that door- after I finish kissin him to death- I'm gonna tie him to that chair an never let him go, cux life's too gawdamn short an it's about time I start takin my own advice. I might need yer help, of course, but I'm sure you won't mind, seein how-
Molly! Jack grabs her hand. Stop, Molly, please. Dammit Moll. Ike ain't gonna walk through the door.
She goes still. Very still. Her smile fades. Please don't say it, she whispers.
He can't bear to. But he has to. Ike's dead, he says. He's dead, Molly. I'm sorry. ~ Moira Young

What separates design from art is that design is meant to be... functional. ~ Cameron Moll

Wait," he said. "Before we leave, can I, um, can I see what you really look like now?"

"Doofus. I look like your sister."

"I know. But there's more now. Right?"

It was a fair question. She said, "Okay. But you have to promise not to freak out. Just remember I'm still me, regardless of what it might look like."

"I promise."

And so it was there, in the reimagined and reconstructed memory of the kitchen she once shared with Ria, that Molly set aside her human form and showed her brother what she had become. The transition went more smoothly than it had in Bayliss's hotel room. She dialed it back when Martin flinched and shielded his eyes.

"Are you okay?" she asked, momentarily consumed with a vision of bloody tears streaking Bayliss's face.

"Oh, Moll," said Martin. He was crying. Not blood, though. "They turned you into starlight. ~ Ian Tregillis

You couldn't find nobody more pig-headed if you tried, he says. An she's always thinkin she knows best, even when she don't, especially when she don't. She's prickly and stubborn an everythin you'd put at the bottom of a list if you was makin a... a list of that kind. Which I aint. I didn't.
But? says Molly.
But ohmigawd Molly, she shines so bright, he says. The fire of life burns so strong in her. I never realized till I met her... I bin cold my whole life, Moll.
I know, she says softly.
It's jest that... aw, hell. She thinks I'm a better man than I really am.
Well, yer a better man than you think you are. ~ Moira Young

daren't open my sandwich ~ Moll French

Why had this good-looking moll chosen this effeminate buffoon, they all wanted to know. But Jimmy understood why immediately. Because he allowed her to be free. ~ Heather O'Neill

The novels of Daniel Defoe are fundamental to eighteenth-century ways of thinking. They range from the quasi-factual A Journal of the Plague Year, an almost journalistic (but fictional) account of London between 1664 and 1665 (when the author was a very young child), to Robinson Crusoe, one of the most enduring fables of Western culture. If the philosophy of the time asserted that life was, in Hobbes's words, 'solitary, poor, nasty, brutish, and short', novels showed ways of coping with 'brutish' reality (the plague; solitude on a desert island) and making the best of it. There was no questioning of authority as there had been throughout the Renaissance.
Instead, there was an interest in establishing and accepting authority, and in the ways of 'society' as a newly ordered whole.

Thus, Defoe's best-known heroine, Moll Flanders, can titillate her readers with her first-person narration of a dissolute life as thief, prostitute, and incestuous wife, all the time telling her story from the vantage point of one who has been accepted back into society and improved her behaviour. ~ Ronald Carter