A Light Between Oceans Quotes

Sometimes the contract to forget is as important as any promise to remember ~ M.L. Stedman

Inside a barn is a whole universe, with its own time zone and climate and ecosystem, a shadowy world of swirling dust illuminated in tiger stripes by light shining through the cracks between the boards. Old leather tack, lengths of chain, rope, and baling twine dangled from nails and rafters and draped over stall railings. Generations of pocketknives lay lost in the layers of detritus on the floor. ~ Carolyn Jourdan

And as for what I've learned: be an instrument of peace. Be a gentleman at all costs. Enjoy yourself - have fun with your existence. Learn to listen to your inner voice and don't overdose on yourself. Keep your darkness in check. Let music be a healing force. Be a real musician: once you start counting money before notes, you're a full-time wannabe. Put your guitar down and go outside and take a long drink of light with your eyes. Go walk in the park and take off your shoes and socks and feel the grass under your feet and mud between your toes. Go see a baby smiling, go see a wino crawling, go see life. Feel life - all of it, as much as possible. Find a human melody, then write a song about it. Make it all come through your music. ~ Carlos Santana

Left alone, I am overtaken by the northern void-no wind, no cloud, no track, no bird, only the crystal crescents between peaks, the ringing monuments of rock that, freed from the talons of ice and snow, thrust an implacable being into the blue. In the early light, the rock shadows on the snow are sharp; in the tension between light and dark is the power of the universe. This stillness to which all returns, this is reality, and soul and sanity have no more meaning than a gust of snow; such transience and insignificance are exalting, terrifying, all at once ... Snow mountains, more than sea or sky, serve as a mirror to one's own true being, utterly still, utterly clear, a void, an Emptiness without life or sound that carries in Itself all life, all sound. ~ Peter Matthiessen

Now I dream of the soft touch of women, the songs of birds, the smell of soil crumbling between my fingers, and the brilliant green of plants that I diligently nurture. I am looking for land to buy and I will sow it with deer and wild pigs and birds and cottonwoods and sycamores and build a pond and the ducks will come and fish will rise in the early evening light and take the insects into their jaws. There will be paths through this forest and you and I will lose ourselves in the soft curves and folds of the ground. We will come to the water's edge and lie on the grass and there will be a small, unobtrusive sign that says, THIS IS THE REAL WORLD, MUCHACHOS, AND WE ARE ALL IN IT. - B. TRAVEN. . . . ~ Charles Bowden

It was as if a curtain had fallen, hiding everything I had ever known. It was almost like being born again. The colours were different, the smells different, the feeling things gave you right down inside yourself was different. Not just the difference between heat, cold; light, darkness; purple, grey. But a difference in the way I was frightened and the way I was happy. ~ Jean Rhys

I fear no hell, just as I expect no heaven. Nabokov summed up a nonbeliever's view of the cosmos, and our place in it, thus: "The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness." The 19th-century Scottish historian Thomas Carlyle put it slightly differently: "One life. A little gleam of Time between two Eternities." Though I have many memories to cherish, I value the present, my time on earth, those around me now. I miss those who have departed, and recognize, painful as it is, that I will never be reunited with them. There is the here and now – no more. But certainly no less. Being an adult means, as Orwell put it, having the "power of facing unpleasant facts." True adulthood begins with doing just that, with renouncing comforting fables. There is something liberating in recognizing ourselves as mammals with some fourscore years (if we're lucky) to make the most of on this earth.

There is also something intrinsically courageous about being an atheist. Atheists confront death without mythology or sugarcoating. That takes courage. ~ Jeffrey Tayler

A bizarrerie of fires, cunabulum of light, it moved with a deft, almost dainty deliberation, phasing into and out of existence like a storm-shot piece of evening; or perhaps the darkness between the flares was more akin to its truest nature swirl of black ashes assembled in prancing cadence to the lowing note of desert wind down the arroyo behind buildings as empty yet filled as the pages of unread books or stillnesses between the notes of a song. ~ Roger Zelazny

Love is not an agreement between two people/parties to exchange love between each other when the time comes that they need it. The "you love me and I love you" does not exist. Love is not an agreement. It's not a label.
Love is sharing. Love is caring. It's when you tell your heart to let out the love stored within it and spread it to every grain of blood in your body. Then comes a time when love begins to overflow. Then you find someone to share it with. It's not agreement. It is natural companionship.
The source? It's just simple self-love. The heart does what it loves. The mind can worry all it wants about the results/outcomes. The heart just follows the journey for the sake of the beautiful flow.
All love is sourced from within. It can only be poured when the bodily cup is full. Love is divine. It is miraculous. It is instant. It is revolutionary. It has no ending when it starts. It's a miracle that those who believe in magic receive.
The light of true love can only be witnessed after a period of blackness and agony. When life's purpose comes into fruition.
The body and mind is just a cover. What is within, the soul, is eternal. It carries with it love wherever it goes. We are souls distracted by material obsessions. Love is spiritual. It makes you believe in God.
Love is not a person. It is a spirit. When you connect with your soul, it attracts the spirit of love. You're greater than the cover you're in at the moment. You begin to under ~ Hammad Motiwala

Charles Wallace had once again been contemplating the intricate model of the tesseract. He spoke softly to his sister. "Meg, no matter what happens, even if Dennys is right about her heart, remember that it was herself she placed, for the baby's sake, and yours, and Calvin's, and all of us - "

Meg looked at him questioningly.

Charles Wallace's eyes as he returned her gaze were the blue of light as it glances off a unicorn's horn, pure and clear and infinitely deep. "In this fateful hour, it was herself she placed between us and the powers of darkness. ~ Madeleine L'Engle

We live between the act of awakening and the act of surrender. Each morning, we awaken to the light and the invitation to a new day in the world of time; each night, we surrender to the dark to be taken to play in the world of dreams where time is no more. ~ John O'Donohue

There was a scream from inside.
Drawing his sword, Haung crept up to the door and slid inside, merging with the shadows. The source of the scream was illuminated by the conjured light-ball in the centre of the room. Haung took in the scene and felt all strength flee from muscles. His arms fell limp by his side and the tip of his sword struck the tiled floor with a bright clink. From the rafters, two small bodies hung, rope tight round their necks, blackened tongues swelling from their mouths and sightless eyes staring into the void. Below the bodies of the two children, a naked woman, bruised body and bloody face sat staring at him. Blood pooled from between her knees and it was clear to Haung what had happened to her, and to her young children. She screamed again and again. Her eyes were desperate and disbelieving. Her claw fingered hands tore at her cheeks again and again. Ragged lines of blood dripped down her face, tears of madness and grief. Haung stared at her, unable to move. ~ G.R. Matthews

Then came the march past the victims. The two men were no longer alive. Their tongues were hanging out,
swollen and bluish. But the third rope was still moving: the child, too light, was still breathing ...
And so he remained for more than half an hour, lingering between life and death, writhing before our eyes.
And we were forced to look at him at close range. He was still alive when I passed him. His tongue was still
red, his eyes not yet extinguished.
Behind me, I heard the same man asking:
"For God's sake, where is God?"
And from within me, I heard a voice answer:
"Where He is? This is where
hanging here from this gallows ... "
That night, the soup tasted of corpses. ~ Elie Wiesel

Your a member? I think at him incredulously.
He blinks in surprise that I am talking to him via brain. That it could be that easy, between us, when it's so hard with everyone else.
Yes. As of his morning.
And how does one become a member exactly?
You make a promise to serve the light. To fight for the side of good.
I thought they said they don't fight.
He gives me the mental equivalent of a shrug.
And that's what you did this morning?
Yes, he says unwaveringly. I took an oath.
And so the revelations keep on coming. ~ Cynthia Hand

The pelicans paddle
in coils of waves and light. Low tide
reveals fissures of saltwater and rock.
From the smallest crevices
color insists-colonies of jade
anemones, a purple starfish harvest, barnacles
hiding beaks of unbleached linen, black mussel
bouquets. Between the air and sea,
-this, one large prayer.
I kneel. ~ Michelle Peñaloza

It is perfectly scientific,' Lev protests, rising to draw the heavy dining room curtains against the streetlamp light, reducing it to a glow that bleeds amber round the edges and between the panels of plum brocade. Lev turns back into the room but stays by the window a moment to observe the new play of light, the chandelier casting shards of glitter upon mahogany and bold shadows across the high brow and long sharp plains of Katya's timeless face. Oh my wife. ~ Emma Richler

Foreigner ate with a glowing appetite, as though he weren't tasting the firm flesh of the snapper but its whole life, the years and years slipping between the sudden explosions of a shoal, the whirling of the waters, the thick strands of light that on sunny evenings fall straight down into the blue abyss. ~ Jose Eduardo Agualusa

It is of the utmost importance that all reflecting persons should take into early consideration what these popular political creeds are likely to be, and that every single article of them should be brought under the fullest light of investigation and discussion, so that, if possible, when the time shall be ripe, whatever is right in them may be adopted, and what is wrong rejected by general consent, and that instead of a hostile conflict, physical or only moral, between the old and the new, the best parts of both may be combined in a renovated social fabric. ~ John Stuart Mill

While they sorted us out for transportation I had a chance to look around. In the light of the dying sun the image glimpsed earlier through the crack in the box car seemed to have changed, grown more eery and menacing. One object immediately caught my eye: an immense square chimney, built of red bricks, tapering towards the summit. It towered above a two-story building and looked like a strange factory chimney. I was especially struck by the enormous tongues of flame rising between the lightning rods, which were set at angles on the square tops of the chimney. I tried to imagine what hellish cooking would require such a tremendous fire. Suddenly I realized that we were in Germany, the land of the crematory ovens. I had spent ten years in this country, first as a student, later as a doctor, and knew that even the smallest city had its crematorium. ~ Miklos Nyiszli

A living tree is a changing, sleeve shape, a wet, thin, bright green creature that survives in the thin layer between heartwood and bark. It stands waiting for light, which it catches in the close-woven sieves of its leaves. ~ Alice Oswald

The Bird of Paradise, it seemed, had beckoned us on and led us in, to stand here in this place high in the land of volcanoes. It was here in Bali, after returning from the Toraja Star Children, that I first recognized what they meant by us all being born half of heaven and half of earth. And after the mounted warsports of Sumba it was in Balinese ritual that I saw with new eyes the battle for balance between light and darkness. And after Borneo, returning to the sacred Banyan tree and its simian custodians, I had felt that all great trees, what's left of them, do indeed link heaven and earth in a single forest of life. ~ Lawrence Blair

To understand this better, we need to know that the cycle of zero to 16% partial reflection by two surfaces repeats more quickly for blue light than for red light. Thus at certain thicknesses, one or the other or both colors are strongly reflected, while at other thicknesses, reflections of both colors is cancelled out (see Fig. 18). The cycles of reflection repeat at different rates because the stopwatch hand turns around faster when it times a blue photon than it does when timing a red photon. In fact, that's the only difference between a red photon and a blue photon (or a photon of any other color, including radio waves, X-rays, and so on)-the speed of the stopwatch hand. ~ Richard Feynman

Birthed in a riotous sea of heat and violence, this world was never good, never peaceful, never without suffering, pain and anxiety. There was never an armistice between all living and not-so living things, nor can evidence be found to suggest there ever was - or still is - a loosely balanced war tumbling across Creation with the advantage swinging between the forces of light and happiness, and those of darkness and misery. Fire has always burned flesh, water has always drowned babies, and Creation has only ever exhibited but one impulse, one motive, one direction: towards increasing complexity, where complexity - across all systems, animate and inanimate - corresponds precisely to the degree and depth of potential suffering available to those contingent things whose participation in Creation was never solicited. ~ John Zande

The present is the transition point between the past and future and flows like a river moving towards the ocean of one's life. One who lives in the present is neither burdened by the weight of the past nor troubled by foreseen events in the future. One who lives in the present is open to all experiences --the gentle sound of the wind rustling in the leaves, the blazing sight of the setting sun, the light touch of a spring rain, the fresh smell of green grass, the salty taste of ocean spray. The present is the past and future rolled into one. The present is here. The present is now. ~ Francis Fesmire

Love is, after all, a selfish thing; and it throws a black shadow on anything between which and the light it stands. ~ Bram Stoker

THE INNER BUDDHA As Jigme Lingpa said, the moon has all the qualities necessary for its reflection to appear on the surface of a clear lake. If the moon did not have a shape or substance, and if it didn't reflect the light of the sun, it would not be possible for it to appear on the water's surface. Furthermore, the quality of clear water is that it can reflect, and when the moon and the water - two entirely separate entities - are perfectly aligned without any obstruction between them, a reflection of the moon will appear effortlessly, without intention. Similarly, our inner Buddha has qualities that enable it to manifest effortlessly and without intention. When there are no obstacles, the Buddha will reflect spontaneously in sentient beings who have the merit. Some ~ Dzongsar Jamyang Khyentse

And I'm not entitled to nostalgia about all that lost wealth and glamour from a century ago. And I am not interested in thin. I want to know what the relationship has been between this wooden object that I am rolling between my fingers - hard and tricky and Japanese - and where it has been. I want to be able to reach to the handle of the door and turn it and feel it open. I want to walk into each room where this object has lived, to feel the volume of the space, to know what pictures were on the walls, how the light fell from the windows. And I want to know whose hands it has been in, and what they felt about it and thought about it - if they thought about it. I want to know what it has witnessed. ~ Edmund De Waal

I am the contrast. I am forever the crack in the window that lets the winter in. I am forever the moment between laughter and tears, happiness and sadness. I am light and darkness. I am fire and ice. You will try to take me into your life, but I won't fit, and you will not know how to tell me that there is simply
no place for me.
There is simply no place for a girl like me. ~ Charlotte Eriksson

You must make a choice," the Goddess said.

"Is that my only choice – to choose between men?" I asked. "I want what Mother had!"

"Your mother chose two men," she said with light laughter.

"No! She chose independence for her country. She chose power and freedom," I yelled.

Almost as if in response, a pulsating energy moved up from the ground into my bare feet. It thrummed up my body and radiated out in a bright light, first from my toes, then from my fingertips, then the top of my head.

"I choose power," I said. "I choose freedom. ~ Vicky Alvear Shecter

Mystics have spoken to us through the ages in terms of paradox. Is it possible that we are beginning to see a meeting ground between science and religion? When we are able to say that "a human is both mortal and eternal at the same time" and "light is both a wave and a particle at the same time," we have begun to speak the same language. Is it possible that the path of spiritual growth that ~ M. Scott Peck

To confront a person with his shadow is to show him his own light. Once one has experienced a few times what it is like to stand judgingly between the opposites, one begins to understand what is meant by the self. Anyone who perceives his shadow and his light simultaneously sees himself from two sides and thus gets in the middle. ~ C. G. Jung

Passionate kisses, the intoxicating exchange of breath and saliva - and something more intimate - something there was no real name for, like a spark catching between us and taking light.
How could I forgotten this? How had I been satisfied with anything else?
Guy ... Mel ... it was like choosing celluloid kisses over the real thing. The real thing was raw and powerful and dangerous ... but it was the real thing. Had I really believed I could make do with safe substitutes? ~ Josh Lanyon

The Thwaites lived on Central Park West in the upper Eighties, in a building that, while manifestly grand, particularly to someone from Ohio, was by no means the most elegant among its neighbors. Its lobby, for one thing, was little more than a wide corridor, with two drably upholstered wing chairs propped against a wall and, between them, a glass table upon which rested an elaborate but unaesthetic arrangement of silk flowers. The light in the corridor was greenish, dim and lavatorial, barely illuminating the shallowly carved figures that marched, in pseudo-Egyptian fashion, along the pink stone tiles as far as the elevator. The floor, incongruously, was of a black and white parquet, upon which all but the softest slippers echoed ominously. And the elevator itself - paneled, with brass fixtures and a single tiny red velvet stool, presumably for its operator's comfort - seemed again of a different, though no less ancient, era. ~ Claire Messud

Then there were the negatives. How he missed negatives. They were the actual rays of light, bounced straight off a landscape, an object, a person, and scarred on to the film. Photographic negatives were the hardest evidence you could get of your memories. They were the char left by the fire, the bruise left on your skin. The same light that carried to your eyes, on the day of your photograph, that image of your mother, or your father, or your close friend, had recorded itself on the film. And now, staring at the photo on the wall of Ida's transparent toes against the bed sheets, he thought how similar her feet were to negatives: both subjects of that half-world between memory and the present. These were not real, flexible, treading toes, but a play of light that showed where toes had been. ~ Ali Shaw

Burr had the dark and severe coloring of his Edwards ancestry, with black hair receding from the forehead and dark brown, almost black, eyes that suggested a cross between an eagle and a raven. Hamilton had a light peaches and cream complexion with violet-blue eyes and auburn-red hair, all of which came together to suggest an animated beam of light to Burr's somewhat stationary shadow. ~ Joseph J. Ellis

What is it that has called you so suddenly out of nothingness to enjoy for a brief while a spectacle which remains quite indifferent to you? The conditions for your existence are almost as old as the rocks. For thousands of years men have striven and suffered and begotten and women have brought forth in pain. A hundred years ago, perhaps, another man sat on this spot; like you he gazed with awe and yearning in his heart at the dying light of the glaciers. Like you he was begotten of man and born of woman. He felt pain and brief joy as you do. Was he someone else? Was it not you yourself? What is this Self of yours? What was the necessary condition for making the thing conceived this time into you, just you and not someone else? What clearly intelligible scientific meaning can this 'someone else' really have? If she who is now your mother had cohabited with someone else and had a son by him, and your father had done likewise, would you have come to be? Or were you living in them, and in your father's father... thousands of years ago? And even if this is so, why are you not your brother, why is your brother not you, why are you not one of your distant cousins? What justifies you in obstinately discovering this difference - the difference between you and someone else - when objectively what is there is the same? ~ Erwin Schrodinger

What he longs for instead, as he sits at the food-strewn table, is winter, winter itself. He wants the essentiality of winter, not this half-season grey selfsameness. He wants real winter where woods are sheathed in snow, trees emphatic with its white, their bareness shining and enhanced because of it, the ground underfoot snow-covered as if with frozen feathers or shredded cloud but streaked with gold through the trees from low winter sun, and at the end of the barely discernible track, along the dip in the snow that indicates a muffled path between the trees, the view and the woods opening to a light that's itself untrodden, never been blemished, wide like an expanse of snow-sea, above it more snow promised, waiting its time in the blank of the sky. ~ Ali Smith

A really sublime moment is that when the last ray of light breaks in upon the soul, and marshals into a single group all the scattered disconnected truths there. There is such a vast difference between the moment which follows, and the moment which precedes this one, between what we were before, and what we are after, that the word grace has been invented to convey the idea of this magic stroke, of this light from on high. ~ Jean-Baptiste Henri Lacordaire

A Rakshasi did not live here.
A princess did.
I was staring into the most dazzling garden I had ever seen. Cobblestone pathways meandered between rows of salmon-hued hibiscus, regal hollyhock, delicate impatiens, wild orchids, thorny rosebushes, and manicured shrubs starred with jasmine. Bunches of bougainvillea cascaded down the sides of the wall, draped across the stone like extravagant shawls. Magnolia trees, cotton-candy pink, were interspersed with coconut trees, which let in streaks of purplish light through their fanlike leaves. A rock-rimmed pond glistened in a corner of the garden, and lotus blossoms sprouting from green discs skimmed its surface. A snow white bird that looked like a peacock wove in and out through a grove of pomegranate trees, which were set aflame by clusters of deep orange blossoms. I had seen blue peacocks before, but never a white one.
An Ashoka tree stood at one edge of the garden, as if on guard, near the door. A brief wind sent a cluster of red petals drifting down from its branches and settling on the ground at my feet. A flock of pale blue butterflies emerged from a bed of golden trumpet flowers and sailed up into the sky. In the center of this scene was a peach stucco cottage with green shutters and a thatched roof, quaint and idyllic as a dollhouse. A heavenly perfume drifted over the wall, intoxicating me- I wanted nothing more than to enter. ~ Kamala Nair