William Trevor Quotes

I read hungrily and delightedly, and have realized since that you can't write unless you read.

I value mothers and motherhood enormously. For every inattentive or abusive mother in my fiction I think you'll find a dozen or so who are neither.

Shame isn't bad, her voice from somewhere else insists. Nor the humility that is its gift.

I get melancholy if I don't [write]. I need the company of people who don't exist.

He was an old hand at the Camp now, his hollow countenance and the intensity of his averted gaze familiar to all who came and went around him. Some had carried to other camps a description of his lanky, quiet presence, had spoken of his strangeness, his regular, lone attendance before the chapel statue. He had made no friends, but in his duties was conscientious and persevering and reliable, known for such qualities to the officers who commanded him. He had dug latrines, metalled roads, adequately performed cookhouse duties, followed instructions as to the upkeep of equipment, and was the first to volunteer when volunteers were called for. That he bore his torment with fortitude was known to no one.

I think it is the art of the glimpse. If the novel is like an intricate Renaissance painting, the short story is an impressionist painting. It should be an explosion of truth. Its strength lies in what it leaves out just as much as what it puts in, if not more. It is concerned with the total exclusion of meaninglessness. Life, on the other hand, is meaningless most of the time. The novel imitates life, where the short story is bony, and cannot wander. It is essential art.

He should in humility have asked her why it was that he was naturally a cuckold, why two women of different temperaments and characters had been inspired to have lovers at his expense. He should be telling her, with the warmth of her body warming his, that his second wife had confessed to greater sexual pleasure when she remembered that she was deceiving him.

As a writer one doesn't belong anywhere. Fiction writers, I think, are even more outside the pale, necessarily on the edge of society. Because society and people are our meat, one really doesn't belong in the midst of society. The great challenge in writing is always to find the universal in the local, the parochial. And to do that, one needs distance.

By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You're sort of a predator, an invader of people.

The capacity you're thinking of is imagination; without it there can be no understanding, indeed no fiction.

Only the debris of wreckage, and not much of that, was left behind by the sharks who fed on tragedy: the fishermen, too, mourned the death of a living child.

It should be an explosion of truth. Its strength lies in what it leaves out just as much as what it puts in, if not more.

The wife he had first chosen had dressed drably: from silence and inflexious--more than from words--he learned that now. Her grey hair straggled to her shoulders, her back was a little humped. He poked his way about, and they were two old people when they went out on their rounds, older than they were in their ageless happiness. She wouldn't have hurt a fly, she wasn't a person you could be jealous of, yet of course it was hard on a new wife to be haunted by happiness, to be challenged by the simplicities there had been. He had given himself to two women; he hadn't withdrawn from the first, he didn't from the second.
Each house that contained a piano brought forth its contradictions. The pearls old Mrs. Putrill wore were opals, the pallid skin of the stationer in Kiliath was freckled, the two lines of oaks above Oghill were surely beeches? 'Of course, of course,' Owen Dromgould agreed, since it was fair that he should do so. Belle could not be blamed for making her claim, and claims could not be made without damage or destruction. Belle would win in the end because the living always do. And that seemed fair also, since Violet had won in the beginning, and had had the better years."

--"The Piano Tuner's Wives

She is embarrassed to be alive and no one on earth can fully console her.

People run away to be alone,' he said. Some people had to be alone.

A person's life isn't orderly ... it runs about all over the place, in and out through time. The present's hardly there; the future doesn't exist. Only love matters in the bits and pieces of a person's life.

I cried myself, thinking of the grass growing on her tennis court, and the cruelty that was natural.

He was new to London in those days, and he had not liked it. He had not cared for the intensity of the traffic, or the underground trains that were full of a human smell and of people who lit up tipped cigarettes and pushed with their elbows.

They didn't mention the jealousy their love of each other had bred in him, that had flourished into deviousness and cruelty. The pain the day had brought would not easily pass, both were aware of that. And yet it had to be, since it was part of what there was.

The flies of some other summer darkening its windowsills.

I believe in not quite knowing. A writer needs to be doubtful, questioning. I write out of curiosity and bewilderment.

Memory in its ordinary way summoned harvested fields, and haycocks and autumn hedges, the first of the fuchsia, the last of the wild sweetpea. It brought the lowing of cattle, old donkeys resting, scampering dogs, and days and places.

The past has no belongings. The past does not obligingly absorb what is not wanted.

The more he asked about her childhood at Cloonhill the more Ellie loved her interrogator. No matter how strange he still sometimes seemed, she felt as if all her life she had known him. The past he talked about himself became another part of her: The games he had played alone, the untidy rooms of the house he described, the parties given, the pictures painted. Being with him in the woods at Lyre, where the air was cold and the trees imposed a gloomy darkness, or walking among the monks' graves, or being with him anywhere, telling or listening, was for Ellie more than friendship, or living, had ever been before.