Thomas Lux Quotes

No poem ever bought a hamburger, or not too many.

There's plenty of room for strangeness, mystery, originality, wildness, etc. in poems that also invite the reader into the human and alive center about which the poem circles.

The Swimming Pool

All around the apt. swimming pool
the boys stare at the girls
and the girls look everywhere but the opposite
or down or up. It is
as it was a thousand years ago: the fat
boy has it hardest, he
takes the sneers,
prefers the winter so he can wear
his heavy pants and sweater.
Today, he's here with the others.
Better they are cruel to him in his presence
than out. Of the five here now (three boys,
two girls) one is fat, three cruel,
and one, a girl, wavers to the side,
all the world tearing at her.
As yet she has no breasts
(her friend does) and were it not
for the forlorn fat boy whom she joins
in taunting, she could not bear her terror,
which is the terror
of being him. Does it make her happy
that she has no need, right now, of ingratiation,
of acting fool to salve
her loneliness? She doesn't seem
so happy. She is like
the lower middle class, that fatal group
handed crumbs so they can drop a few
down lower, to the poor, so they won't kill
the rich. All around
the apt. swimming pool
there is what's everywhere: forsakenness
and fear, a disdain for those beneath us
rather than a rage
against the ones above: the exploiters,
the oblivious and unabashedly cruel.

The voice you hear when you read to yourself
is the clearest voice: you speak it
speaking to you.

The poem began with the title. Then I was annoyed by one of the occasional poetry-is-dead articles. Then I refute that notion.