Sarah Jones Quotes

I'm practicing a kind of meandering faith, or faithful meandering. I just trust that something is coming. I don't know what it is. But I've been a straphanger all my life; I know what it's like to not know when the next train is coming, but I trust the subway.

I suppose it's fair to say that I am interested in the invention of self or selves. We're all born into certain circumstances with particular physical traits, unique developmental experiences, geographical and historical contexts.

I've actually always started with what feels most natural. Which is, the people who surround me in my daily life. So, the first show I ever wrote, which is called 'Surface Transit,' was based in part on people I knew from my family. Co-workers, ex-boyfriends. All of that kind of thing.

My grandmothers are Irish-American and German-American; my grandfather is from the Caribbean. My father is African-American. My family looked funny. I just started naturally imitating whoever I was talking to. I didn't want to be a phony, but I felt very authentic in the moment.

The Master of Ceremonies in 'Bridge and Tunnel' is a wonderful man, if I do say so myself. I talk about all the characters in the third person. But, he is a really congenial ... just a good stand-up guy, who happens to be Pakistani-American. He's been here for years.

I come from a multicultural family.

Whether you're talking about Shakespeare or, you know, if you look at Greek tragedies. I mean, every playwright, every songwriter, every artist who's ever sat down and been moved to create something, has been living in a context. A political moment that's most often reflected in their work. Even if you're, you know, kind of a nature poet.