Pascal Mercier Quotes

Should we be grateful for the protection that guards us from the strangeness of one another? And for the freedom it makes possible? How would it be if we confronted each other unprotected by the double refraction represented by the interpreted body? If, because nothing separating and adulterating stood between us, we tumbled into each other?

I am still there, at that distant place in time, I never left it, but live expanded in the past, or out of it.

Don't waste your time, do something worthwhile with it.
But what can that mean: worthwhile? Finally to start realizing long-cherished wishes. To attack the error that there will always be time for it later ... Take the long-dreamed-of trip, learn this language, read those books, buy yourself this jewelry, spend a night in that famous hotel. Don't miss out on yourself.
Bigger things are also part of that: to give up the loathed profession, break out of a hated milieu. Do what contributes to making you more genuine, moves you closer to yourself.

Kitsch is the most pernicious of all prisons. The bars are covered with the gold of simplistic, unreal feelings, so that you take them for the pillars of a palace.

In intimacy, we are clasped into one another, and the invisible bonds are liberating shackles. this clasping is imperious: it demands exclusivity. to share is to betray. But we want to love and touch not only one single person. What to do? control the various intimacies? Strict bookkeeping of subjects, words, gestures? Mutual knowledge and secrets? It would be a silent trickling poison.

I often feel an aversion, even disgust at the same words written and spoken over and over – at the same expressions, phrases, and metaphors repeated. And the worst is, when I listen to myself I have to admit that I too endlessly repeat the same things. They're so horribly frayed and threadbare, these words, worn out by constant overuse. Do they still have any meaning?

What is it that we call loneliness. It can't simply be the absence of others, you can be alone and not lonely, and you can be among people and yet be lonely. So what is it?

SOLIDAO, LONELINESS.
What is it that we call loneliness. It can't simply be the absence of others, you can be alone and not lonely, and you can be among people and yet be lonely. So what is it? ... it isn't only that others are there, that they fill up the space next to us. But even when they celebrate us or give advice in a friendly conversation, clever, sensitive advice: even then we can be lonely. So loneliness is not something simply connected with the presence of others or with what they do. Then what? What on earth?

I start trembling at the very thought of the unplanned and unknown, but inevitable and unstoppable force with which parents leave traces in their children that, like traces of branding, can never be erased. The outlines of parental will and fear are written with a white-hot stylus in the souls of the children who are helpless and ignorant of what is happening to them. We need a whole life to find and decipher the branded text and we can never be sure we have understood it.

There were the people who read and there were the others. Whether you were a reader or a nonreader
it was quickly noted. There was no greater distinction between people.

I revere the word of God for I love its poetic force. I loathe the word of God for I hate its cruelty. The love is a difficult love for it must incessantly separate the luminosity of the words and the violent verbal subjugation by a complacent God. The hatred is a difficult hatred for how can you allow yourself to hate words that are part of the melody of life in this part of the world? Words that taught us early on what reverence is?

When dictatorship becomes a fact, revolution becomes a right!

To understand yourself: Is that a discovery or a creation?

Think that you have to die someday, maybe this morning."
"I think of it all the time, and so I play hooky from the office and let myself bask in the sun.

It wasn't only that you didn't see him anymore, meet him anymore. You saw his absence and encountered it as something tangible. His not being there was like the sharply outlined emptiness of a photo with a figure cut out precisely with scissors and now the missing figure is more important, more dominant than all others.

Isn't it true that it's not people who meet, but rather the shadows cast by their imaginations?

Then there was a silence he had never before experienced: in it, you could hear the years.

We are stratified creatures, creatures full of abysses, with a soul of inconstant quicksilver, with a mind whose color and shape change as in a kaleidoscope that is constantly shaken.

We can be sure that we will hold on to the deathbed as part of the last balance sheet – and this part will taste bitter as cyanide – that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who have suffered importantly, knew anything about

~ Night Train to Lisbon

Each of us is several, is man, is a profusion of selves. So that the self who disdains his surroundings is not the same as the self who suffers or takes joy in them. In the colony of our being there are many species of people who think and feel in different ways.

To live for the moment: it sounds so right and so beautiful. But the more I want to, the less I understand what it means.

He had walked on the beach and wished for icy winds to sweep away everything that sounded like mere linguistic habit, a malicious kind of habit that prevented thinking by producing the illusion that it had already taken place and found its conclusion in the hollow words.

NOBREZA SILENCIOSA. SILENT NOBILITY. It is a mistake to believe that the crucial moments of a life when its habitual direction changes forever must be loud and shrill dramatics, washed away by fierce internal surges. This is a kitschy fairy tale started by boozing journalists, flashbulb-seeking filmmakers and authors whose minds look like tabloids. In truth, the dramatics of a life-determining experience are often unbelievably soft. It has so little akin to the bang, the flash, of the volcanic eruption that, at the moment it is made, the experience is often not even noticed. When it deploys its revolutionary effect and plunges a life into a brand-new light giving it a brand-new melody, it does that silently and in this wonderful silence resides its special nobility.

You and I are both admirers of Marcus Aurelius, and you will remember this passage in his Meditations: "Do wrong to thyself, do wrong to thyself, my soul; but later thou wilt no longer have the opportunity of respecting and honoring thyself. For every man has but one life. But yours is nearly finished, though in it you had no regard for yourself but placed thy felicity in the souls of others. . . . But those who do not observe the impulses of their own minds must of necessity be unhappy." Thank

When we talk about ourselves, about others, or simply about things, we want- it could be said – to reveal ourselves in our words: We want to show what we think and feel. We let other have a glimpse into our soul.

[Vanity] is an unrecognised form of stupidity, you have to forget the cosmic meaninglessness of all our acts to be able to be vain and that's a glaring form of stupidity.

We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.

Gregorius was never to forget this scene. They were his first Portuguese words in the real world and they worked. That words could cause something in the world, make someone move or stop, laugh or cry: even as a child he had found it enigmatic and it had never stopped impressing him. How did words do that? Wasn't it like magic?But at this moment, the mystery seemed greater than usual, for these were words he hadn't even known yesterday morning.

What separates me from my present is like a fine mist, an intangible veil, an invisible wall. They don't put up the slightest resistance. Nothing would shatter if I were to walk through it. Because there is actually nothing at all between me and the world. A single step would be enough. Why didn't I take it long ago?

What did I know of your fantasies? Why do we know so little about the fantasies of our parents? What do we know of somebody if we know nothing of the images passed to him by his imagination?

Disappointment is considered bad. A thoughtless prejudice. How, if not through disappointment, should we discover what we have expected and hoped for? And where, if not in this discovery, should self-knowledge lie? So how could one gain clarity about oneself without disappointment?
...
One could have the hope that he would become more real by reducing expectations, shrink to a hard, reliable core and thus be immune to the pain of disappointment. But how would it be to lead a life that banished every long, bold expectation, a life where there were only banal expectations like "the bus is coming"?

Sleepless people were bound by a wordless solidarity.

Sometimes, we are afraid of something because we're afraid of something else.

Given that we can live only a small part of what there is in us
what happens with the rest?

To stand by yourself
that was also part of dignity. That way, a person could get through a public flaying with dignity. Galileo. Luther. Even somebody who admitted his guilt and resisted the temptation to deny it. Something politicians couldn't do. Honesty, the courage for honesty. With others and yourself.

In the years afterward, I fled whenever somebody began to understand me. That has subsided. But one thing remained: I don't want anybody to understand me completely. I want to go through life unknown. The blindness of others is my safety and my freedom.

Human beings can't bear silence. It would mean that they would bear themselves.

Why do we feel sorry for people who can't travel? Because, unable to expand externally, they are not able to expand internally either, they can't multiply and so they are deprived of the possibility of undertaking expansive excursions in themselves and discovering who and what else they could have become.

That words could cause something in the world, make someone move or stop, laugh or cry: even as a child he had found it extraordinary and it never stopped impressing him. How did words do that? Wasn't it like magic?

Because the one who wishes it – isn't the one who, still untouched by the future, stands at the crossroads. Instead, it is the one marked by the future become past who wants to go back to the past, to revoke the irrevocable. And would he want to revoke it if he hadn't suffered it?