Paddy Considine Quotes

I can't afford to step away from acting, but the one thing I've learnt after all these years is that I don't fit in. It's very difficult to be at the mercy of other people's whims and visions.

At the end of the day, my life isn't about other people's work. I've got to stop giving stuff away. I've got my own stories to tell, and a great need to tell them. I've got these images, these thoughts in my head, and I need to find a way to cope with them.

All of a sudden I'm an actor, and I spend a decade trying to fit in and realising that I didn't, really. Sometimes in the right circumstances, with the right people, it felt OK. But other times it was a bit more jobbing. I didn't fit the mould, somehow.

It's such a stressful environment, I find, being an actor, being put in the chair and 'Touch this, that, and the other,' it's too much for me. I find it hard to tolerate that sort of stuff. If you're not enjoying it, don't do it. You're wasting everyone's time.

I suppose I just had this Christian idea about how I ought to go about my life. I thought, 'If I work really hard and have a bit of success, the problems I'd had all my life would leave me.' But, of course, not a bit of it left me because Asperger's is not something you just get over or grow out of.

My fascination is not for cinema; it's for human nature and human beings because I find it quite difficult being one at times.

I could never sit down and say: I'm going to do an out-and-out comedy, just to prove to people I can. You've just got to do what you do. Just listen to your soul and do your art and do it for the right reasons, and then you can't fail.

I got through with my ability to mimic others and make people laugh. I swaggered through life, but, in reality, I lived in fear pretty much every day. I acted like a completely normal person, and I suppose I was good at it. But, inside, it was a very different story.

What's my dilemma here? Am I making entertainment or am I making art? What am I saying? At the end of the day, cinema is entertainment for millions of people, but for me it's expression.

All you've got to do is turn up and have a few facial tics and be a lunatic and throw someone around the room or blow their brains out and people think it's good acting.

People can very quickly have a very poor self-image. It doesn't take much.

I think the older that I'm getting, the more I'm understand what a privileged job I have, and what an opportunity I have. Now I'm directing films and I'm getting my first movie in America off the ground, and you start to understand how the system really works.

Being a director is almost like being another sort of character, but you're out of view.

I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.

With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.

I know victims of domestic abuse. I know what it takes for people to get out, and I also know why people stay. It's heartbreaking.

I would hate to be thrust into the middle of a big film and not deliver. There's young actors and they're put into these central roles and they're commanding armies - but they can't quite pull it off. I'd much rather do it in small steps and build it from there.

There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.

I watched 'Rocky' and 'Raging Bull' and 'Taxi Driver' over and over again. They spoke to you, man.