Nick Earls Quotes

My maternal grandmother was the longest-lived of my grandparents. She migrated to Australia in her 80s and lived into her 90s. It was great that she got to be part of my adult life.

I'm a plotter. A thinker, a note-maker, a mapper and a flow-charter. I'm up for using any device that will teach me more about the people I'm writing about and their story.

You can have your own language. You can have your own dialect; you can have your own way of saying things, but if you don't actually understand the way the language fits together, it's chaos.

Sir Joh Bjelke-Petersen has been the Queensland premier the whole time we've been in Australia, and the state is a national joke for having a Deep North government thats said to resemble governments of a generation or more ago in some parts of the US Deep South - governments that always talk about getting things done and never talk about rights.

Sometimes it feels like I live in such a shit town. It meets all reasonable definitions of a shit town. There are still men who put on hats to drive on these roads, our only celebrities are sports stars and newsreaders, and everyone you meet already knows your mother. p.34

I want my fiction to feel real most of the time, so it makes sense to pay attention to life and to how people work.

Don't write poems to make girls like you, because it will not make them like you but it will give them something to quote back at you later in life.

I want to grow up to be Tom Keneally or David Malouf: still in the game, relevant, putting out quality work, and paying tax aged 78 and 80.

Are You Seeing Me? is written powerfully with both the heart and the head, and neither gives an inch. It's funny, moving and hugely insightful. Darren Groth puts the reader into the heads of Perry and Justine in a way that feels so true and so revealing that I think I've come away with a greater capacity for empathy. I didn't know a book could do that. We all need to spend some time inside this story.

I'm happy to work until I'm 70 if I'm able to. Actually, I'm happy to keep writing as long as people keep buying my books.

When I create a character, particularly my central character, I want someone who is interesting and feels real and who might have quite a few virtues but is unlikely to be perfect, who hasn't necessarily made all the right choices.

E-books present the greatest opportunity readers have ever had to find each other. It's a chance for stories written for paper to find new life and a chance for new stories to appear, freed from the constraints of paper publishing.

The writing can be its own reward, as you discover more things that you can do. It counts a lot, though, when a story connects with a reader and they take the time to tell me about it.

I think one of the things the writers' festival does that is very good is that it brings writers from around the world and around the country and locally and puts them all in the one spot together, and that's what a lot of the world's great writers' festivals do.

Having to think so much about fictitious relationships that work or don't work, and with each relationship between characters managing to do one or other of those in its own peculiar way, I spend a lot of time thinking about relationships, real and imagined.

I actually find it pretty tedious when magazines ask me to write articles based on my real life, because I've already lived it and there's nothing new to discover. So, I'm unlikely to write a memoir.

I grew up in a family full of strong women. A great aunt on my mother's side had been a matron on a hospital ship in World War II, and one on my father's side had served in the Women's Royal Naval Service.

I wrote my first novel-length story when I was 14 but had no idea what to do with it. Brisbane was a long way from the publishing industry then. Nowhere's a long way from the publishing industry now.

Long pants,' she said rather too fiercely to Andy when he came out of his room wearing shorts. 'Long pants.' She herded him back towards his door. 'These people are from head office. These people are from Melbourne.' And she emphasised Melbourne as if that should have been all he needed to know.
'Melbourne people vomit if they see knees,' I told him, and he said, 'Why is that kind of information never part of the briefing?