Nelson Shanks Quotes

Dramatic use of color, harmonious design, the interplay of light and shadow across a variety of textures, the portrayal of the figure and other subject matter that reflects the sophistication and beauty I find in nature - all presented from a unique point of view - can only be successfully achieved with a sound command of the painter's craft ... history will determine how successful I have been.

If you really want to seriously think about life, and therefore take painting very seriously ... and take seriously the joys that it can bring to one, then you want to go to museums. You want to study the great of the past ...

I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes ...

I almost never do drawings, because I have found over the years that doing something in one medium and translating into another doesn't work. I like to conceive a painting in real scale and in color.

If you find yourself with a weakness, attack it ... don't develop a technique that avoids your weaknesses.

We ... joked a little about presidential portraits. He [Bill Clinton] told me that he and Harrison Ford had been joking recently about how chins drop with age, and he didn't want to look that way.

There are times when I love to play all kinds of complicated games in painting. But this is one case when I need to be fairly straightforward. I'll just try to paint the man, his intelligence, his amiability and his stature, maybe paint him fairly close to humor and try to get it just right.

It's not just a boring exercise in pushing oil paint around a canvas. It's a way of opening a threshold to an exciting new world of vision.

I try to think and design in color.

So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.

My career doesn't depend on painting Bill Clinton.

If I am using a sable, it may start off as an eight or seven, but it's a double aught by the time I'm done. I hate brights ... they have no use. You might as well buy a filbert and take the scissors and cut off half of what you paid for.

Photographs and reality are just night and day. In reality, the information is all there. A photograph is just kind of a hint.