K'naan Quotes

I have moments of darkness, of anger, and moments of rage. They do creep up at the most inopportune times. Not to recognize that in my music would give people a sense of sainthood that I don't necessarily have or even want to have.

I know that often times a lot of people who work in music, whether they be labels and so on or even artists, want personal recognition. We want to be recognized for something, for what we did. I'd rather my song be recognized for what it's doing and that's important. It's not so important how many people know me.

The pirates are serving a purpose right now. They come from regions which have been completely ignored, and Westerners have tried to destroy these regions by their constant plundering of resources and by the illegal dumping of nuclear waste. The pirates really began in order to discourage these actions - initially. And then the business became lucrative.

Art isn't held with the same high regard as it is after success. In any country, in any language, you're a loser if you're making music until you prove otherwise.

The only way I see the world now is through coming out of and growing up and living in Somalia. In the time of war, everyone was basically trying to live and manage the best they could. But you also had another period which was not a hard time at all - it was just a beautiful time. I lived in both eras.

I think it's a mistake to work on success in career. I've worked on my passions obsessively. How can I say what I want to say more precisely than the last time I said it? Success is such an elusive concept. When you work for it, I think you get it in a way you might regret it.

I don't feel political most of the time. Sometimes I'm placed in positions because no one else will go there.

You have to let the world speak to you and then you speak, you know, so I'm in that moment now where I'm finding the world's voice.

It's not really that I'm interested in filmmaking. I'm interested in the instrument of it, you know.

When I get older, I will be stronger
They'll call me freedom, just like a Wavin' Flag

I wasn't making music consciously when I was younger. I was a musician, but that has its own stigmas. Anywhere on the planet, it's one of the more undervalued positions.

I am one of those people that's never been really cynical about life, you know.

The problem is that rap is so often a caricature of its own image. Nobody comes to the table with the seriousness of the effect that it can have; nobody is prepared for that.

You want to reach people, but you also want to reach them in the most authentic way. You now have a mass market and an audience that's listening, but they're in love with a song that means absolutely nothing to you.

It was interesting to find how dominating American vision is all over the world. I think there's something to be said about the world's mindset and its economics and all of that, and I think it affects the way we see ourselves and it affects music.

My life owes me. Like an overdose, I'm slowly
Drifting into the arms of trouble, then trouble holds me

From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.

It is the very survival of the streets that makes children pick up guns in Somalia, not some older, wide-eyed rebel leader. My intimate experiences during these years are something which I have shared with people through my music but am very careful about how they are addressed.

Until the lion learns to speak, the tales of hunting will be weak.

It's not longer 'Look what I can do, I can do it better then you.' It's just I am.

I enjoy mediation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.

Somalis really are very musically sophisticated, and they're about their own thing.

And any man who knows a thing, knows he knows not a damn, damn thing at all ...

When I get older, I will be stronger

The poetry I grew up on is really an intense form of poetry; it's so pure and powerful.

The people of Somalia just do not have a voice. They are to me the most forgotten people in the world.

In the time of war, everyone was basically trying to live and manage the best they could. But you also had another period which was not a hard time at all - it was just a beautiful time. I lived in both eras. I got to fully experience and appreciate both the tragedy of Somalia and the beauty of it.