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In architecture, the demand was no longer for box-like forms, but for buildings that have something to say to the human emotions.
I first decided architecture was for me when I saw Le Corbusier's designs in a Japanese magazine in the 1930s.
Designs of purely arbitrary nature cannot be expected to last long.
There is a powerful need for symbolism, and that means the architecture must have something that appeals to the human heart. There is a powerful need for symbolism, and that means the architecture must have something that appeals to the human heart.
In my opinion, further consideration of those views will help us find a way out of the current impasse, and reveal to us the kinds of buildings and cities required by the informational society.
Architecture must have something that appeals to the human heart. Creative work is expressed in our time as a union of technology and humanity.
Nevertheless, the basic forms, spaces, and appearances must be logical
Tradition can, to be sure, participate in a creation, but it can no longer be creative itself.
Inconsistency itself breeds vitality.