Julie Mehretu Famous Quotes
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The earlier, more analytic impulse was to use very rational but kind of absurd techniques or tendencies - mapping, charting, and architecture - to try and make sense of who I was in my time and space and political environment. But there's only so much truth to a theoretical understanding of something.
The erasure itself became the action. It seemed to suggest a moment in terms of how sad or pessimistic you can feel in a political environment or a historical situation. But it felt like a really hopeful gesture in the painting.
The investigation of making is illuminating towards that moment rather than the other way around, a reversal of the way that I would approach making a painting before. I think that it gets to a richer illumination of the moment, which is what I was trying to do at the beginning but going about it a little backwards.
People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.
I don't ever work in a way where something is an illustration of an event, but when something is occurring at the same time I see it as very informed by that.
I'm really interested in the nondefinitive element of abstraction.
When you're not a mom, you can get up in the middle of the night, paint, sleep all morning ... you can't do that when you have two children!
That's what I'm interested in: the space in between, the moment of imagining what is possible and yet not knowing what that is.
Race always comes up in the conversation of Detroit.
