Joris-Karl Huysmans Quotes

That moment of grace mentioned by Lacordaire, when the last shaft of light penetrates the soul and unites the truths there lying dispersed.

The Louis XIII style in perfumery, composed of the elements dear to that period - orris-powder, musk, civet and myrtle-water, already known by the name of angel-water - was scarcely adequate to express the cavalierish graces, the rather crude colours of the time which certain sonnets by Saint-Amand have preserved for us. Later on, with the aid of myrrh and frankincense, the potent and austere scents of religion, it became almost possible to render the stately pomp of the age of Louis XIV, the pleonastic artifices of classical oratory, the ample, sustained, wordy style of Bossuet and the other masters of the pulpit. Later still, the blase, sophisticated graces of French society under Louis XV found their interpreters more easily in frangipane and marechale, which offered in a way the very synthesis of the period. And then, after the indifference and incuriosity of the First Empire, which used eau-de-Cologne and rosemary to excess, perfumery followed Victor Hugo and Gautier and went for inspiration to the lands of the sun; it composed its own Oriental verses, its own highly spiced salaams, discovered intonations and audacious antitheses, sorted out and revived forgotten nuances which it complicated, subtilized and paired off, and in short resolutely repudiated the voluntary decrepitude to which it had been reduced by its Malesherbes, its Boileaus, its Andrieux, its Baour-Lormians, the vulgar distillers of its poems.

The loveliest tune imaginable becomes vulgar and insupportable as soon as the public begins to hum it and the hurdy-gurdies make it their own.

In this game he had acquired a great deal of muddled knowledge, more than one approximation and less than one certitude. And absence of energy, a curiosity that was too sharp to be crushed immediately, a lack of order in his ideas, a weakening of his spiritual boundaries, which were promptly twisted, an excessive passion for running along forked roads and wearying of the path as soon as he had started on it, mental indigestion demanding varied dishes, quickly tiring of the foods he desired, digesting almost all, but badly, was his state.

Outside the snow was falling. In the lamplight icy leaf-patterns could be seen glittering on the blue-black windows, and hoar-frost sparkled like melted sugar in the hollows of the bottle-glass panes, all splattered with gold.
The little house, lying snug and sleepy in the darkness, was wrapped in a deep silence.

His scorn of humanity grew by what it fed on; he realized in fact that the world is mostly made up of solemn humbugs and silly idiots.There was no room for doubt; he could entertain no hope of discovering in another the same aspirations and the same antipa- thies, no hope of joining forces with a mind that, like his own, should find its satisfaction in a life of studious idleness; no hope of uniting a keen and doctrinaire spirit such as his, with that of a writer and a man of learning.

And then he experienced an inexplicable confusion of thoughts, like a rosary of ideas comprised of diverse and ingenious beads that had unraveled and was now rattling around in his brain with no thread linking them, no coherence.

But that which remains for ever incomprehensible is the initial horror, the horror imposed on each of us, of having to live, and that is a mystery no philosophy can explain.

He cared little for commonly experienced emotions, for everyday associations of ideas, now that the closing of his mind had grown more pronounced, and he allowed access only to the most highly refined sensations, to crises of faith and to violent disorders of the senses.

He did not believe, and yet he admitted the supernatural. Right here on earth how could any of us deny that we are hemmed in by mystery, in our homes, in the street, - everywhere when we came to think of it?

He found he was now incapable of understanding a single word of the volumes he consulted; his very eyes stopped reading, and it seemed as if his mind, gorged with literature and art, refused to absorb any more.

What he wanted was colours which would appear stronger and clearer in artificial light. He did not particularly care if they looked crude or insipid in daylight, for he lived most of his life at night, holding that night afforded greater intimacy and isolation and that the mind was truly roused and stimulated only by awareness of the dark; moreover he derived a peculiar pleasure from being in a well-lighted room when all the surrounding houses were wrapped in sleep and darkness, a sort of enjoyment in which vanity may have played some small part, a very special feeling of satisfaction familiar to those who sometimes work late at night and draw aside the curtains to find that all around them the world is dark, silent and dead.

If Baudelaire, in hieroglyphics of the soul, had deciphered the return of the age of the sentiment and ideas, Poe, in the field of morbid psychology had more especially investigated the domain of the soul.

The doctors spoke of amusements and distractions; but with whom, and with what, could they possibly suppose that he might amuse or enjoy himself? Had he not outlawed himself from society? Did he know one man capable of trying to lead a life such as his own, a life entirely confined to contemplation and to dreams? Did he know one man capable of appreciating the delicacy of a phrase, the subtlety of a painting, the quintessence of an idea, one man whose soul was sufficiently finely crafted to understand Mallarmé and to love Verlaine?

Last comes the class of persons, of nervous organization and enfeebled vigour, whose sensual appetite craves highly seasoned dishes, men of a hectic, over-stimulated constitution. Their eyes almost invariably hanker after that most irritating and morbid of colours, with its artificial splendours and feverish acrid gleams,-orange.

Go forth more boldly, look at things more widely, pray as best you can, and do not trouble yourself.

'But it's all too late...my virility's gone and marriage is impossible. My life has certainly been a failure. The best thing I can do,' sighed M. Folantin, 'is to go to bed and sleep.' And as he turned back the sheets and arranged his pillows, his soul offered up a thanksgiving in celebration of the tranquilising benefits of an obliging bed.

Menacing lines of black tomorrows on the horizon.

He wanted, in short, a work of art both for what it was in itself and for what it allowed him to bestow on it; he wanted to go along with it and on it, as if supported by a friend or carried by a vehicle, into a sphere where sublimated sensations would arouse within him an unexpected commotion, the causes of which he would strive to patiently and even vainly to analyse.

The only people who are worth knowing are either saints, scoundrels or madmen; at least their conversation is always interesting. Sensible people are dull by definition, because they are always harping on to the same boring tune about everyday life. They form part of the crowd, the more intelligent part perhaps, but the crowd for all that, and I'm sick of them.

Art and prayer are the only decent ejaculations of the soul.

There is not one single invention of (Nature's), however subtle or impressive it may be thought to be, that the human spirit cannot create; no forest of Fontainebleu or moonlit scene that cannot be produced with a floodlit stage set; no waterfall that hydraulics cannot imitate so perfectly as to be indistinguishable from the original; no rock that papier-mâché cannot copy; no flower that specious taffetas and delicately painted papers cannot rival! There is no doubt whatever that this eternally self-replicating old fool has now exhausted the good-natured admiration of all true artists, and the moment has come to replace her, as far as that can be achieved, with artiface.

The confused medley of meditations on art and literature in which he had indulged since his isolation, as a dam to bar the current of old memories, had been rudely swept away, and the onrushing, irresistible wave crashed into the present and future, submerging everything beneath the blanket of the past, filling his mind with an immensity of sorrow, on whose surface floated, like futile wreckage, absurd trifles and dull episodes of his life.

One of these, bearing the name of Crampton, is an adorable blonde with a shrill voice, a long slender body imprisoned in a shiny brass corset, and supple catlike movements; a smart golden blonde whose extraordinary grace can be quite terrifying when she stiffens her muscles of steel, sends the sweat pouring down her steaming flanks, sets her elegant wheels spinning in their wide circles, and hurtles away, full of life, at the head of an express or a boat-train.
The other, Engerth by name, is a strapping saturnine brunette given to uttering raucous, guttural cries, with a thickset figure encased in armor-plating of cast iron; a monstrous creature with her disheveled mane of black smoke and her six wheels coupled together low down, she gives an indication of her fantastic strength when, with an effort that shakes the very earth, she slowly and deliberately drags along her heavy train of goods-wagons.

His contempt for humanity grew fiercer, and at last he came to realize that the world is made up mostly of fools and scoundrels. It became perfectly clear to him that he could entertain no hope of finding in someone else the same aspirations and antipathies; no hope of linking up with a mind which, like his own, took pleasure in a life of studious decrepitude; no hope of associating an intelligence as sharp and wayward as his own with any author or scholar.

Really, when I think it over, literature has only one excuse for existing; it saves the person who makes it from the disgustingness of life.

the surplice and alb signify innocence; the cord that serves as a girdle is an emblem of chastity and modesty; the amice, of purity of heart and body - the helmet of salvation mentioned by Saint Paul. The maniple, of good works, vigilance, and the tears and sweat poured out by the priest to win and save souls; the stole, of obedience, the clothing on of immortality given to us in baptism; the dalmatic, of justice, of which we must give proof in our ministrations; the chasuble, of the unity of the faith, and also of the yoke of Christ

Ah; but my courage fails me, and my heart is sick within me! - Lord, take pity on the Christian who doubts, on the skeptic who would fain believe, on the galley-slave of life who puts to sea alone, in the darkness of night, beneath a firmament illumined no longer by the consoling beacon-fires of the ancient hope.

He did not affirm the revolting conception of original sin, nor did he feel inclined to argue that it is a beneficent God who protects the worthless and wicked, rains misfortunes on children, stultifies the aged and afflicts the innocent. He did not exalt the virtues of a Providence which has invented that useless, incomprehensible, unjust and senseless abomination, physical suffering. Far from seeking to justify, as does the Church, the necessity of torments and afflictions, he cried, in his outraged pity: If a God has made this world, I should not wish to be that God. The world's wretchedness would rend my heart.

Now God refused to come down to earth in the form of potato-flour; that was an undeniable, indisputable fact.

Only the chaste are truly obscene.

It was snowing. In the lamplight, blades of ice were growing on the outside of the blue-tinged window-panes and the hoarfroast, like melted sugar, glittered on the gold-spangled bottle-glass of the windows. Absolute silence enveloped the little house as it slumbered in the shadows.
Des Esseintes let his mind wander ... Like some great hanging of reverse ermine, the sky rose before him, black and dappled with white. An icy wind gusted, intensifying the wild scudding of the snow, inverting the proportions of black and white. The heraldic hanging of the sky turned itself over, becoming true white ermine, itself dappled with black by the tiny patches of night strewn among the snowflakes.

Literature, in fact, had been concerned with virtues and vices of a perfectly healthy sort, the regular functioning of brains of a normal conformation, the practical reality of current ideas, with never a thought for morbid depravities and other-worldly aspirations; in short, the discoveries of these anaylists of human nature stopped short at the speculations good or bad, classified by the church; their efforts amounted to no more than the humdrum researches of a botanist who watches closely the expected development of ordinary flora planted in common or garden soil.

At a period when Literature was wont to attribute the grief of living exclusively to the mischances of disappointed love or the jealousy of adulterous deceptions, he had said not a word of these childish maladies, but had sounded those more incurable, more poignant and more profound: wounds that are inflicted by satiety, disillusion and contempt in ruined souls tortured by the present, disgusted with the past, terrified and desperate of the future.

As he was wont to remark, Nature has had her day; she has finally exhausted through the nauseating uniformity of her landscapes and her skies, the sedulous patience of men of refined taste. Essentially, what triteness Nature displays, like a specialist who confines himself to his own single sphere; what small-mindedness, like a shopkeeper who stocks only this one article to the exclusion of any other; what monotony she exhibits with her arrangements of mountains and seas! Page 20.
There is no doubt whatever that this eternally self-replicating old fool has now exhausted the good-natured admiration of all true artists, and the moment has come to replace her, as far as that can be achieved, with artifice.

Now it was all over. Once it had done its job, the plebs had been bled white in the interests of public hygiene, while the jovial bourgeois lorded it over the country, putting his trust in the power of his money and the contagiousness of his stupidity.

Movement, after all, seemed futile to him. He felt that imagination could easily be substituted for the vulgar realities of things. It was possible, in his opinion, to gratify the most extravagant, absurd desires by a subtle subterfuge, by a slight modification of the object of one's wishes.

Every one has a sum of physical and moral suffering to pay, and whoever does not settle it here below, defrays it after death; happiness is only lent, and must be repaid; its very phantoms are like duties paid in advance on a future succession of sorrows.

Neither the next day, nor the day after that, did M. Folantin's unhappiness dissipate; he simply let himself drift, incapable of resisting this crushing feeling of depression. Mechanically, under a rainy sky, he would make his way to his office; then he would leave it, eat, and go to bed at nine, only to resume the following day the exact same routine; little by little he slid into complete spiritual apathy.

The modern painter ... is an excellent couturier

It was still quite motionless and he felt it with his fingers; it was dead. Accustomed, no doubt, to an uneventful existence, to a humble life spent beneath its poor carapace, it had not been able to bear the dazzling splendor thrust upon it, the glittering cope in which it had been garbed, the gems with which its back had been encrusted, like a ciborium.

But," thought Durtal, "seeing that there are so many more things betwixt heaven and earth than are dreamed of in anybody's philosophy, why not believe in the Trinity? Why reject the divinity of Christ? It is no strain on one to admit the Credo quia absurdum of Saint Augustine and Tertullian and say that if the supernatural were comprehensible it would not be supernatural, and that precisely because it passes the faculties of man it is divine. "And - oh,

In the matter of animals I love only cats, but I love them unreasonably for their qualities and in spite of their numerous faults. I have only one, but I could not live without a cat.

And whenever they came back to his lips, these exquisite, funereal laments conjured up, in his mind, a place on the outskirts of a city, a mean and voiceless place where silently, in the distance, lines of men and women, wearied and bowed down by life, were disappearing into the twilight, while he himself, surfeited with bitterness and replete with disgust, felt himself alone, utterly alone, in the midst of a tearful Nature, overwhelmed by an inexpressible melancholy, by a relentless anguish, the mysterious intensity of which precluded all consolation, all pity, all repose.

The heart, said to be man's noblest organ, has the same shape as the penis, commonly supposed the most ignoble; the symbolism is not inappropriate, because the love which comes from the heart soon extends to the organ which it resembles.

I shall be in Paris in two days. Well, all is finished. The waves of
human mediocrity rise to the sky and they will engulf the refuge whose
dams I open. Ah! courage leaves me, my heart breaks! O Lord, pity the
Christian who doubts, the sceptic who would believe, the convict of
life embarking alone in the night, under a sky no longer illumined by
the consoling beacons of ancient faith.

There's no doubt about it - gardeners are the only true artists these days.

Last but not least, he hated with all the hatred that was in him the rising generation, the appalling boors who find it necessary to talk and laugh at the top of their voices in restaurants and cafes, who jostle you in the street without a word of apology, and who, without expressing or even indicating regret, drive the wheels of a baby-carriage into your legs.

Like a tide-race, the waves of human mediocrity are rising to the heavens and will engulf this refuge, for I am opening the flood-gates myself, against my will. Ah! but my courage fails me and my heart is sick within me!
Lord, take pity on the Christian who doubts, on the unbeliever who would fain believe, on the galley-slave of life who puts out to sea alone, in the night, beneath a firmament no longer lit by the consoling beacon-fires of the ancient hope!
(A Rebours, final words)

At the memory of how tired, how embarrassed he'd been, M. Folantin considered himself lucky to be able to dine where he pleased and to spend the rest of the evening in his room; he reckoned that solitude had its advantages, that to mull over old memories and recount idle gossip to oneself was still preferable to the company of people with whom one shared neither convictions, nor sympathy; his desire to be sociable, to rub shoulders with others, evaporated and, once again, he repeated this depressing truth: that when old friends disappear, one should resolve not to look for others, but to live apart, to habituate oneself to isolation.

Remorse is perhaps the condiment which keeps passion from being too unappetizing to the blasé.