Horton Foote Quotes

A writer has an inescapable voice. I think it's inherent in the nature, and I think that we don't control it anymore than we control what we want to write about.

A lot of writing is thinking.

I so earnestly believe that prayer can be helpful and guide you and protect you and inspire you. I mean, I'm in awe.

But I don't really write to honor the past. I write to investigate, to try to figure out what happened and why it happened, knowing I'll never really know. I think all the writers that I admire have this same desire, the desire to bring order out of chaos.

Early on, I said to myself that I would like to write a kind of moral and spiritual history of a place. It sounds a little pretentious, I know. But that's really what I set for myself.

Writing is the thing that props me up.

If I ever teach writing again, I'd say the first lesson is to listen.

I believe very deeply in the human spirit, and I have a sense of awe about it. I look around and ask, 'What makes the difference? What is it?' I've known people the world has thrown everything at - to discourage them, to kill them, to break their spirit. And yet something about them retains a dignity. They face life and they don't ask quarters.

I've redone plays of mine and made changes. A play is a living thing, and I'd never say I wouldn't rewrite years later. Tennessee Williams did that all the time, and it's distressing, because I'd like the play to be out there in its finished form.

My first memory was of stories about the past - a past that, according to the storytellers, was superior in every way to the life then being lived. It didn't take me long, however, to understand that the present was all we had, for the past was gone, and nothing could be done about it.

When you're a writer, you have to write these stories, even if you don't get paid

I have enormous respect for the human being because they're asked to take on a lot. And I don't think there's any easy solution. But I think the journey is what you have to finally be satisfied with, but not be afraid of the lessons one has to learn ... it ends up as grace. And you grow; you find a way to continue.

You have to watch out with my plays. They're like yeast. You think they're one thing, then all of a sudden subtext gets to working.