Elizabeth Alexander Quotes

Friendship in marriage is its own thing: friendship in a cup of tea, or a glass of wine, or a cappuccino every Sunday morning. Friendship in buying undershirts and underpants. Friendship in picking up a prescription or rescuing the towed car. Friendship in waiting for the phone call after the mammogram. Friendship in toast buttered just so. Friendship in shoveling the snow. I am the one you want to tell. You are the one I want to tell.

The basket of remembrance has three sides; one is open, can it tilt and spill out?

There will always be children and there will always be old people. We spend most of our lives somewhere in between. When we produce the children, we get to be royalty for a short while
the world pulls out its chair for the pregnant woman
but soon we are once again worker bees, tending the little ones.

Art replaces the light that is lost when the day fades, the moment passes, the evanescent extraordinary makes its quicksilver. Art tries to capture that which we know leaves us, as we move in and out of each other's lives, as we all must eventually leave this earth. Great artists know that shadow, work always against the dying light, but always knowing that the day brings new light and that the ocean which washes away all traces on the sand leaves us a new canvas with each wave.

And so i write to fix him in place, to pass time in his company, to make sure I remember, even though I know I will never forget.

My mother-in-law's last night on earth, a fox crossed our path in Branford, Connecticut, as we left the hospice. We knew somehow that it was her, as I now know the ravenous hawk came to take Ficre. Do I believe that? Yes, I do. Poetic logic is my logic. I do not believe she was a fox. But I believe the fox was a harbinger. I believe that it was a strange enough occurrence that it should be heeded. Zememesh Berhe, the quick, red fox, soon passed from this life to the next.

I been in sorrow's kitchen and done licked out all the pots. Nobody knows the trouble I seen. Steal away to Jesus. I ain't got long to stay here.

In the absence of organized religion, faith abounds, in the form of song and art and food and strong arms.

Poetry, I tell my students,
is idiosyncratic. Poetry
is where we are ourselves,
(though Sterling Brown said
"Every 'I' is a dramatic 'I'")
digging in the clam flats
for the shell that snaps,
emptying the proverbial pocketbook.
Poetry is what you find
in the dirt in the corner,
overhear on the bus, God
in the details, the only way
to get from here to there.
Poetry (and now my voice is rising)
is not all love, love, love
and I'm sorry the dog died.
Poetry (here I hear myself loudest)
is the human voice,
and are we not of interest to each other?

They shared an unshakeable belief in beauty, in overflow, in everythingness, the bursting, indelible beauty in a world where there is so much suffering and wounding and pain.

Each of us made it possible for the other. We got something done. Each believed in the other unsurpassingly.

Now I know for sure the soul is an evanescent thing and the body is its temporary container, because I saw it. I saw the body with the soul in it, I saw the body with the soul leaving, and I saw the body with the soul gone.

Henry Ford believed the soul of a person is located in their last breath and so captured the last breath of his best friend Thomas Edison in a test tube and kept it evermore. It is on display at the Henry Ford Museum outside Detroit, like Galileo's finger in the church of Santa Croce, but Edison's last breath is an invisible relic.

Soon the two children will walk down Edgehill Road from the bus stop like burros under their knapsacks,

every shut eye ain't asleep, every goodbye ain't gone.

It's a fact: black people in this country die more easily, at all ages, across genders. Look at how young black men die, and how middle-aged black men drop dead, and how black women are ravaged by HIV/AIDS. The numbers graft to poverty but they also graph to stresses known and invisible. How did we come here, after all? Not with upturned chins and bright eyes but rather in chains, across a chasm. But what did we do? We built a nation, and we built its art.

Everything was told! Then we could begin something new.

In all marriages there is struggle and ours was no different in that regard. But we always came to the other shore, dusted off, and said, There you are, my love.

I have not yet learned to use our television DVR. One of the points of marriage is that you split labor. In the olden days that meant one hunted and one gathered; now it means one knows where the tea-towels are kept and the other knows how to program the DVR, for why should we both have to know?

Blues
Elizabeth Alexander, 1962

I am lazy, the laziest
girl in the world. I sleep during
the day when I want to, 'til
my face is creased and swollen,
'til my lips are dry and hot. I
eat as I please: cookies and milk
after lunch, butter and sour cream
on my baked potato, foods that
slothful people eat, that turn
yellow and opaque beneath the skin.
Sometimes come dinnertime Sunday
I am still in my nightgown, the one
with the lace trim listing because
I have not mended it. Many days
I do not exercise, only
consider it, then rub my curdy
belly and lie down. Even
my poems are lazy. I use
syllabics instead of iambs,
prefer slant to the gong of full rhyme,
write briefly while others go
for pages. And yesterday,
for example, I did not work at all!
I got in my car and I drove
to factory outlet stores, purchased
stockings and panties and socks
with my father's money.

To think, in childhood I missed only
one day of school per year. I went
to ballet class four days a week
at four-forty-five and on
Saturdays, beginning always
with plie, ending with curtsy.
To think, I knew only industry,
the industry of my race
and of immigrants, the radio
tuned always to the station
that said, Line up your summer
job months in advance. Work hard
and do not shame your family,
who worke

Poetry is what you find
in the dirt in the corner,
overhear on the bus, God
in the details, the only way
to get from here to there.

Half of the things are as they seem. The other half, who knows. This has always been true.

Now I know my capacity for awe
is infinite: this thirst is permanent,
the well bottomless, my good fortune vast.