Amy Bloom Famous Quotes
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Actual happiness is sometimes confused with the pursuit of it; and the most mindless and crass how-tos can get jumbled in with the modestly useful, the appealingly personal, and the genuinely interesting.
Bad people doing bad things is not interesting. What I find interesting is good people doing bad things.
Some people are your family no matter when you find them, and some people are not, even if you are laid, still wet and crumpled, in their arms.
...as he cannot sleep on Helen's side, which is where he has secretly arranged three of her embroidered pillows, and sleeps facing them, one arm around the middle pillow, the other curled under his head, his hand resting on his brow as if for protection.
Clara said that Billie Holiday woke up crying. Clara said that if you sing the blues, you know that if you can't make friends with grief, you've got to at least make way for it.
The truth is I never think of any subject as taboo.
She believes in will. It is so frail and delicate at night that she can't even imagine the next morning, but it is so wide and binding by the middle of the next day that she cannot even remember the terrible night. It is as if she gives birth every day.
I have made the best and happiest ending that I can in this world, made it out of the flax and netting and leftover trim of someone else's life, I know, but made it to keep the innocent safe and the guilty punished, and I have made it as the world should be and not as I have found it.
We have our insides and our outsides, and I find the struggles between the two, as well as the occasions of harmony between the two, fascinating.
My father certainly believed that one could make a living outside of an office, as he did. And that if I didn't want to work for other people, there wasn't any reason why I had to. He conveyed that very strongly to my sister and I - that smart people can make their own livings.
Love at first sight is easy to understand; it's when two people have been looking at each other for a lifetime that it becomes a miracle.
I assume as a writer that most of the time I'm going to fall down and fail.
We live and we love the world, Lillian thinks, and we kid ourselves that the world loves us back.
Don't you fall for the big hearts and flowers, acting like it's the movies. Bunch of bullshit, he said. Pardon me. You want the guy who'll get your medicine in the middle of the night, even in a blizzard, even after twenty years. You want the guy who shows you every day, shoveling the walk, carrying your groceries, shows you how much he loves you. It's not about talking the talk, Eva. You must have met my father, I said.
She suffered from the opposite of "phantom limb" syndrome; something essential appeared to be present, but it was not.
Great sex is not a pleasant soak in the tub, with the scented candle burning. Great sex is more like a bomb exploding inside your right mind.
I usually don't have to do a lot of research in my work, as I'm writing about something I'm already familiar with.
She said she remembered when Republicans compared President Roosevelt to Hitler and to Stalin and to Mussolini. She said she used to see people wearing I HATE ELEANOR buttons walk past her on the sidewalk and she wanted to spit, she wanted to kill them.
There is no such thing as a good writer and a bad liar.
I was the kind of reader in smudged pink harlequin glasses sitting on the cool, dusty floor of the Arrandale public library, standing at the edge of the playground, having broken a tooth in dodge ball, and lying under my covers with a flashlight.
I do not say what I feel, and people often take that for shyness, even kindness.
My ideal meal varies, depending on the time of year. Lobster on a deck overlooking a beach at sunset is one - but all my kids have to be there, because they are all lobster-lovers. Making a bolognese sauce over pappardelle for my husband on a winter evening, because he loves my bolognese sauce and it's his comfort food.
The knock-kneed brown moose, a tired group of ten, yards ahead of her for the last three days, comfort her too. It's like following a pack of grandfathers, their large, weary eyes, red lids sagging, their gray muzzles, puckered as if the world is almost done with them but not quite yet.
I've written the best work I know how. And I'm appreciative of the people who read it and care about the work - and that's pretty much the end of that.
'Lucky Us' ends with a description of a photograph of the novel's fictional family. I could never get enough of my own family photo albums.
I do have a sister. I have never written much about sisters before. I am very close to my sister, but, maybe, because we are very close, it never occurred to me to write about her.
He said, You know what Oscar Wilde said - women are meant to be loved, not understood. Applies to both of them, darling. And I nodded, although it seemed to me that I was going to be a woman too and I would like it if someone thought they should understand me.
People," he said. "They can't be underestimated.
If the characters are not alive to me, it doesn't matter how good the sentences are. It just becomes all cake and no frosting.
Eviction," Frieda said. "You can't pay, you can't stay." She said in Yiddish, "Es iz shver tzu makhen a leben." It's hard to make a living.
I've had a family my entire adult life; I started raising kids when I was 21. I suspect that being part of a family has probably informed my life as a writer as much as anything else has.
I learned how to write television scripts the same way I have learned to do almost everything else in my entire life, which is by reading.
Love is not a pie.
It takes something to get married: nerve, hope, a strong desire to make a certain statement - and it takes something to stay married: more hope, determination, a sense of humor, and needs that are best met by being in a pair.
Training to be a therapist teaches you to shut up and listen, and that is certainly useful as a writer.
If you're an American reader, you can love short stories the way other Americans love baseball; this is our game, people! We have more than two hundred years of know-how and knack, of creativity.
The Old West, mysterious, serious, with great beauty at every vista and terrible things happening whenever any people appeared.)
These were my people: the abandoned, the unloved, the phenomenally unlucky.
You cannot fake effort; talent is great, but perseverance is necessary.
My father would have been spectacularly ill-suited to working for an institution of any kind, and I suspect that, to a lesser degree, that's true of me, too.
If I had been a more realistic and reasonable person, if I had not been twenty-one and still fooling myself, I would have said, Wait.
I think the impulse to get to the heart of the story and to tell it well is in my genes.
Smart people often talk trash about happiness and worse than trash about books on happiness, and they have been doing so for centuries - just as long as other people have been pursuing happiness and writing books about it.
I'm overall a big fan of President Obama.
We protected America from what happened, like a man takes care of his wife. The man doesn't mind when she closes her eyes at the scary part of the ride, of the movie. He loves her for that sweet, willful ignorance. She gives him something to protect, a nice world in which bad things don't happen. It's a pleasure, and a relief, to keep that ignorance intact, even as it comes between them.
The greatest struggle in my life is between a dignified silence and having my say
As children, we think our mother has always been a mother, but it is just one of the roles you may have the opportunity to play. They don't define you as a human being.
Memory seems as faulty, as misunderstood and misguided, as every other thought or spasm that passes through us.
Be real and unashamed. Even of your faults.
It is a wonderful, moving, heart-filling experience to sit with the man or woman you love and your beloved children and know that all are happy to be just where they are with each other and loving one another. This doesn't happen very often.
They danced as though they'd been waiting all their lives for each song.
Sometimes it's the case that when you hear the thing you have most wanted to hear, you cannot take it in. Hope is everyone's mirage and everyone who comes upon that green and grassy spot, the swaying date palms and the bubbling blue pool, is temporarily taken in, even people who have been there before and even when, upon closer inspection, the oasis is nothing but a reef of sand; even with grains of sand blowing lightly across our faces, we find ourselves standing on soft grass of a tenacious, unreasonable green.
Men do not know what they do not know, and women should not tell them.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
I wish I'd thrown my arms around Gus's neck and kicked up my back foot or squealed his name or any of the things that a normal woman would do, seeing a man she was fond of, who she thought was dead.
I couldn't ask her anything. There wasn't a single question to which I'd get the answer I wanted.
She didn't believe, ever, that Jesus was going to deliver her to anything, anywhere. She said she absolutely did not believe that after two thousand years a white man was going to come back from his own lynching to help out Clara Williams or take her hand or be her friend.
The great pleasure for me in writing short stories is the fierce, elegant challenge.
My father quoted everyone, from Shakespeare to Emerson, on the subject of destiny, and then he'd point out that except for the Greeks, everyone agreed: The stars do fuck-all for us; you must make your own way.
The library is every child's lighthouse. It is every person's
sanctuary. It is every town and county's fortress in the face of
ignorance, intrusion and bad behavior.
Sophisticated readers understand that writers work out their anger, their conflicts, their endless grief and rolling list of loss, through their stories. That however mean-spirited or diabolical, it's only a story. That the darkness in the soul is shaped into type and lies there, brooding and inert, black on the page, and active, dangerous, only in the reader's mind. Actually, harmless. I am not harmless.
Some people bounced back from a train wreck and some people couldn't get over a bee sting.
Surely, somewhere in the back of Bulfinch, in a part Lillian had not gotten to, there is an obscure (abstruse, arcane, shadowy, and even hidden) version of Proserpine in he Underworld in which a tired Jewish Ceres schleps through the outskirts of Tartarus, an ugly village of tired whores who must double as laundresses and barbers, a couple of saloons, a nearly empty five-and-dime, and people too poor to pull up stakes. In this version, Ceres looks all over town for her Proserpine, who crossed the River Cyane in a pretty sailboat with Pluto, having had the good sense to come to an understanding with the king early on. Pluto and Proserpine picnic in a charming park, twinkling lights overhead and handsome wide benches like the ones in Central Park. When Ceres comes, tripping a little on her hem as she walks through the soft grass, muttering and trying to yank Proserpine to her feet so they can start the long trip home to Enna and daylight (which has lost much of its luster, now that Proserpine is queen of all she surveys), the girl does not jump up at the sight of her mother, but takes her time handing out the sandwiches and pours cups of sweetened tea for the three of them. She lays a nicely ironed napkin in her lap and another in the lap of her new husband, the king. Proserpine does not eat the pomegranate seeds by mistake, or in a moment of desperate hunger, or fright, or misunderstanding. She takes the pomegranate slice out of her husband's dark and glittering hand and pulls
I had gotten used to the idea that people lived and you loved them, or didn't, and then they died and you were bound to miss them, often even if you didn't love them.
People tend to forget that in our country, we'd pretty much all be immigrants, except for the Native Americans.
'Normal' is not clinical, it's not autobiographical, and I don't claim to be objective. It's strictly my perceptions and thoughts about the people that I met and the stories that I heard. It was never meant to be an academic work.
You know, the crisis passes, the crucible cools, and there we are, slightly improved, not much altered.
There are two trilogies I admire: Robertson Davies's 'The Deptford Trilogy' and Philip Pullman's 'His Dark Materials.'
Plays are wonderfully different than short stories, first because it's a story that's on a stage, but there's a different sort of tension that appears on stage - you get to see your characters in a different way - like with lights.
I spent a lot of time listening to people. But it's also true that I liked details and listening to people when I was a bartender and when I was a waitress and probably when I was a babysitter as well. I suspect that's part of what drew me to psychotherapy rather than the other way around.
In stories, when someone behaves uncharacteristically, we take it as a meaningful, even pivotal moment. If we are surprised again and again, we have to keep changing our minds, or give up and disbelieve the writer. In real life, if people think they know you well enough not only to say, 'It's Tuesday, Amy must be helping out at the library today,' but well enough to say to the librarian, after you've left the building, 'You know, Amy just loves reading to the four-year-olds, I think it's been such a comfort for her since her little boy died' - if they know you like that, you can do almost anything where they can't see you, and when they hear about it, they will, as we do, simply disbelieve the narrator.
And why is Saint Paula a Saint? She dumps her four kids at a convent. She runs off to Hajira with Saint Jerome. How is that a saint?
You've got shitty mothers all over America who would love to dump their kids and travel.
Dialogue is not conversation. It is conversation's greatest hits.
My sister and I used to act as maids and waitresses at my great aunt and uncle's cocktail parties, which were very much sort of retired, minor stars of the Yiddish theater and the Yiddish opera.
Every couple has the same five arguments in their lifetime, which is really just the one, over and over, until people die or divorce. What it is depends on who you are and what your parents did to you.
A blind man can see how much I love you
So we could have roses in December. Someone did not add, So we could have blizzards in June and food poisoning when there was nothing to eat.
You want the guy who'll get your medicine in the middle of the night, even in a blizzard, even after twenty years. You want the guy who shows you every day, shoveling the walk, carrying your groceries, shows you how much he loves you. It's not about talking the talk,
Intimacy is being seen and known as the person you truly are.
The real problem with happiness is neither its pursuers nor their books; it's happiness itself. Happiness is like beauty: part of its glory lies in its transience.
To hold happiness is to hold the understanding that the world passes away from us, that the petals fall and the beloved dies. No amount of mockery, no amount of fashionable scowling will keep any of us from knowing and savoring the pleasure of the sun on our faces or save us from the adult understanding that it cannot last forever.
Literature is one of the best allies of virtue and promoters of happiness.
I get to tell the most interesting stories I know how to tell with the most interesting sentences I know how to compose - and people who aren't related to me read them. To be paid to write things that matter to me is extraordinary.
My target audience is anyone who finds the world interesting and human behavior fascinating, terrible, inspiring, funny, and occasionally, mysterious.
Mrs. Gruber said that happiness was not something she aspired to, that when we had seen as much of the world as she had, we would know that what lies right behind the horseshit is not a prize pony, my dears, it's more horseshit.
Learning to listen, letting people finish their sentences, and most of all, the habit of noticing the difference between what people say and how they say it. {on the habits of psychoanalytic training and practice applied to fiction writing} The gap between what people tell you and what's really going on is what interests me.