Adam Zagajewski Quotes

Try to praise the mutilated world.
Remember June's long days,
and wild strawberries, drops of wine, the dew.
The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.
You've seen the refugees heading nowhere,
You've heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth's scars.
Praise the mutilated world
and the gray feathers a thrush lost,
and the gentle light that strays and vanishes
and returns.

Once in a while it vanishes - in the sense that I become deaf to beauty for a week or two or three. This coming and going of the inner life - because this is what it is - is a curse and a blessing. I don't need to explain why it's a curse. A blessing because it brings about a movement, an energy which, when it peaks, creates a poem. Or a moment of happiness.

Clear moments are so short.
There is much more darkness. More
ocean than terra firma. More
shadow than form.

In summer the empire of insects spreads.

A certain traveler who knew many continents was asked what he found most remarkable of all. He replied: the ubiquity of sparrows.

Read for yourselves, read for the sake of your inspiration, for the sweet turmoil in your lovely head. But also read against yourselves, read for questioning and impotence, for despair and erudition, read the dry sardonic remarks of cynical philosophers like Cioran or even Carl Schmitt, read newspapers, read those who despise, dismiss or simply ignore poetry and try to understand why they do it. Read your enemies, read those who reinforce your sense of what's evolving in poetry, and also read those whose darkness or malice or madness or greatness you can't understand because only in this way will you grow, outlive yourself, and become what you are.

I could write a guidebook about this city, this fallen city. Street by street, house by house, church by church. What happened in this building, who was betrayed, and by whom, in this apartment, who waited for whom on this street corner. And why the person never came.

A little rain, a little blood. Black fingernails in August; and going berserk, going bananas. As if entrapped in a tropical heatwave, with dozens of whirlwinds swirling in one's mind, one thinks of a way out, or a way in: out of the scorching bosom of a volcano, and in – into the centre of a raging hurricane. And tracing the labyrinthine ways of your mind, the haphazard vagaries of your thoughts at ease, the odds and ends of your mental surplus you carelessly throw at the world, one wants to be at a loss, in a maze; amazed, and amazingly unabashed.

But I was only a chaotic walker, nobody could stop me; even a totalitarian state was not able to control my daydreams, my poetic fascinations, the pattern of my walking.

Music heard with you
at home or in the car
or even while strolling
didn't always sound as pristine
as piano tuners might wish -
it was sometimes mixed with voices
full of fear and pain,
and then that music
was more than music,
it was our living
and our dying.

OLD MARX He can't think. London is damp, in every room someone coughs. He never did like winter. He rewrites past manuscripts time and again, without passion. The yellow paper is fragile as consumption. Why does life race stubbornly toward destruction? But spring returns in dreams, with snow that doesn't speak in any known tongue. And where does love fit within his system? Where you find blue flowers. He despises anarchists, idealists bore him. He receives reports from Russia, far too detailed. The French grow rich. Poland is common and quiet. America never stops growing. Blood is everywhere, perhaps the wallpaper needs changing. He begins to suspect that poor humankind will always trudge across the old earth like the local lunatic shaking her fists at an unseen God.

Cities at daybreak are no one's,
and have no names.
And I, too, have no name,
dawn, the stars growing pale,
the train picking up speed.

In my defense I have
only silence, dew on the grass, a nightingale
among the branches. You forgive it,
its long tenure in the leaves of one aspen
after another, drops of eternity, grams
of amazement, and the sleepy complaints of the poor poets

IMPOSSIBLE FRIENDSHIPS For example, with someone who no longer is, who exists only in yellowed letters. Or long walks beside a stream, whose depths hold hidden porcelain cups - and the talks about philosophy with a timid student or the postman. A passerby with proud eyes whom you'll never know. Friendship with this world, ever more perfect (if not for the salty smell of blood). The old man sipping coffee in St.-Lazare, who reminds you of someone. Faces flashing by in local trains - the happy faces of travelers headed perhaps for a splendid ball, or a beheading. And friendship with yourself - since after all you don't know who you are.