Adam Ross Quotes

By examining characters lighting the way to hell, as it were, are readers spared iniquity? Are stories a heeded warning, or merely an entertainment? Each story in the collection tries to wrestle with these questions.

Perhaps it's simply the dual nature of marriage, the proximity of violence and love.

I'm interested in the limits of personality, in the possibility of change, and the saving power of art. Do powerful works of art raise our consciousness to such a degree that we refrain from sliding into moral hazard? Do we take note? Or are we doomed to repetition?

I can't imagine turning into one of those codgers who no longer reads fiction. I'm regularly stirred by it and suffer no anxiety of influence. Influence me! That was my credo then, as I was developing and learning, and remains so now, as I'm developing and learning.

'Mr. Peanut' is not about a man who dreams of killing his wife; that's jacket copy, to me. 'Mr. Peanut' is about the dynamism of marriage and the distances - some tragic, some redemptive - that marriages travel over time, and those travels ain't always pretty.

In a crazy way, writing is a lot like any kind of very complex game - like chess, where you have the knowledge as you're composing all of the ramifications of each move, of each choice you make.

The heart," he said, "is half criminal. The trick is to be vigilant. To keep your eyes open, so if you get a look at this side of yourself you can make a positive ID.

Marriage is a kind of prison for anyone who's miserable in it - men and women alike - and anyone who's suffered through difficult periods in marriage dreams of escape from it.

I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work.

Simply put, you can read a story in a single sitting and hold it all in your mind. You can experience all of its rhythms, beginning to end, during that span. Consequently it has, I think, greater emotional power than a novel because of this real-time effect. Stories can stun you.

Ladies and gentlemen, if you ask someone to marry you and the person pukes, that's a sign.

Personally, I read fiction, in part, because I get to spend time with people who aren't my people.

In response to whatever Alice was struggling with, whatever had caused her to withdraw from him, he had chosen the arms of another woman instead of relying on his own fortitude, as if he'd somehow deserved more comfort than Alice herself had been able to give, or not. Which was part of marriage, after all, part of the vows: enduring those times. And this sense of entitlement seemed to him an even greater sin than infidelity.

I became a writer through drawing first and then a comic book obsession - Marvel Comics, in particular. I invented a world of superheroes starting in third grade with my classmate, Wai-Kwan Wong. In a classroom of forty kids, let's just say there was a lot of undirected time. But this was good because I was a dreamy boy.

It's amazing what we believe if we hear it at the right time," Harold said.

Writers do well to carefully attend to those moments of inspiration, because chances are that they're writing from a very deep place. The subsequent search that ensues to continually attend to that voice that you hear is what is going to give the story drive.

Everyone should be lucky enough to be loved for a long time. To know what that was like--to be loved and to change, to be privileged to suffer it, to remain. To know, as she did, that there was only one person she could ever love. To know it incontrovertibly. To accept it, with all the attendant limits. Once you did, it was the closest thing there was to safety.

People think of travel, of movement, as a kind of reprieve from life. But they're wrong. Movement isn't a reprieve. There is no reprieve. Movement is our permanent state.

We tell stories of other people's marriages, Detective Hastroll thought. We are experts in their parables and parabolas. Be can we tell the story of our own. If we could, Hastroll thought, there might be no murders. If we could, we might avoid our own cruelties and crimes.