Adam Kirsch Quotes

The lesson Arendt drew was that a beautiful soul is not enough, for "it was precisely the soul for which life showed no consideration." To live fully and securely, every human being needs what Arendt calls "specificity," the social and political status that comes with full membership in a community.

With luck, a writer capable of producing both Slouching Towards Kalamazoo and The Blood of the Lamb will not remain unappreciated for long.

Theory sometimes seems to me a way of taking revenge on literature - the critic masters the text and rewrites it in his own image, instead of submitting to it and listening to what it has to say. The aggressive ungainliness of so much academic writing about literature is a sign of this - it is unliterary writing about literature, which should be a contradiction in terms.

According to Proust, one proof that we are reading a major new writer is that his writing immediately strikes us as ugly. Only minor writers write beautifully, since they simply reflect back to us our preconceived notion of what beauty is; we have no problem understanding what they are up to, since we have seen it many times before. When a writer is truly original, his failure to be conventionally beautiful makes us see him, initially, as shapeless, awkward, or perverse. Only once we have learned how to read him do we realize that this ugliness is really a new, totally unexpected kind of beauty and that what seemed wrong in his writing is exactly what makes him great.

So how can a poet-an intelligent, serious poet-write mystical verse now? The poetry of Adam Zagajewski provides the beginning of an answer to this question.

Once a poet calls his myth a myth, he prevents the reader from treating it as a reality; we use the word 'myth' only for stories we ourselves cannot believe.