Yasuda Quotes

The couple in the Skyline came to mind. Why did I have this fixation on them? Well, what else did I have to think about? By now, the two of them might be snoozing away in bed, or maybe pushing into commuter trains. They could be flat character sketches for a TV treatment: Japanese woman marries Frenchman while studying abroad; husband has traffic accident and becomes paraplegic. Woman tires of life in Paris, leaves husband, and returns to Tokyo, where she works in Belgian or Swiss embassy. Silver bracelets, a memento from her husband. Cut to beach scene in Nice: woman with the bracelets on left wrist. Woman takes bath, makes love, silver bracelets always on left wrist. Cut: enter Japanese man, veteran of student occupation of Yasuda Hall, wearing tinted glasses like lead in Ashes and Diamonds. A top TV director, he is haunted by dreams of tear gas, by memories of his wife who slit her wrist five years earlier. Cut (for what it's worth, this script has a lot of jump cuts): he sees the bracelets on woman's left wrist, flashes back to wife's bloodied wrist. So he asks woman: could she switch bracelets to her right wrist?

"I refuse," she says. "I wear my bracelets on my left wrist. ~ Haruki Murakami

haiku moment: that moment of absolute intensity when the poet's grasp of his intuition is complete, so that the image lives its own life. Such ~ Kenneth Yasuda

Pound thought better than he practiced in this particular instance, for his Metro poem was supposedly a pure example of what he meant by Vorticism: "The image is not an idea. It is a radiant node or cluster; it is what I can, and must perforce call a vortex; from which and through which and into which ideas are constantly rushing. It is as true for the painting and the sculpture as it is for poetry. ~ Kenneth Yasuda

This book by Dr. Yasuda, while ostensibly about haiku, in reality penetrates deeply into the totality of this living spirit of Japan. It deals with those aspects which have produced and maintained haiku into the present day. The important key to understanding comes with the realization that in Japanese art one strives always for the absolute. Of the absolute there is no question of degree; it is either attained or lost. Most often, to be sure, it is not attained, but it is the constant striving toward and awareness of that high goal which gives strength and vitality to this living aesthetic spirit which has so impressed me in Japan.

(Robert B. Hall, Foreword, p. x) ~ Kenneth Yasuda