Sentence With Air Quotes

I shouldn't have said it, but the word slipped out of my mouth as easy as air. it wasn't exactly the kind of work any well-behaved student would use, which sort of explained why I had just used it. And it certainly isn't the most elegant way to start off a story, but it honestly represents what I was feeling. Besides, I could have said something a lot stronger. But not everybody wants to read a story with those kinds of words and thoughts being expressed in the very first sentence.
"Stop swearing," Jason screamed. ~ Obert Skye

Sophisticated-looking than the girl he used to know. People in hospitals never looked good. And yet, somehow, she did. Dianna was in the middle of saying something to a thin woman with a severe black haircut who was sitting on a chair beside the bed when she looked up and saw him. Breaking off in the middle of her sentence, she sucked in a deep breath, her face flushing beneath his scrutiny. And yet, even as he mentally dissected all the ways she'd changed, all the reasons they were more different than ever, his body was telling him to get over there, to pull her tight against him and kiss her until they were both gasping for air. What ~ Bella Andre

Assuming a sentence rises into the air with the initial capital letter and lands with a soft-ish bump at the full stop, the humble comma can keep the sentence aloft all right, UP like this, UP, sort-of bouncing, and then falling down, and then UP it goes again, assuming you have enough additional things to say, although in the end you may run out of ideas and then you have to roll along the ground with no commas at all until some sort of surface resistance takes over and you run out of steam anyway and then eventually with the help of three dots ... you stop. But the thermals that benignly waft our sentences to new altitudes - that allow us to coast on air, and loop-the-loop, suspending the laws of gravity - well, they are the colons and semicolons. ~ Lynne Truss

Don't look so grim. When you get home, I'm sure Randall will buy you all the rings you want. One for every day of the week," Oscar said, thick with sarcasm, as they walked back toward the harbor.
"I don't care about the ring!" Camille shouted. She stopped walking and turned to Oscar. "I'm sorry, it's just that…"
Oscar patiently waited for her to finish her sentence. Camille looked away, embarrassed. She had scraped Randall's skin with the ring, too. It had been one of their rare moments alone. He'd run his fingers down her back, nibbled on her neck, and she'd waited for her legs to turn to warm butter. She'd waited to feel the desire to kiss him. But the feelings hadn't come. Camille had swept her hand up to stop him, and the ring had left a puffy red scratch on his arm.
Oscar watched her fumble for words, his expression one of concern.
"Never mind," she said quickly and stepped up onto a raised sidewalk, out of the mud.
"Never mind what?"
"It's private."
He continued walking in the street, his head level with hers.
"Private between who?"
"Between me and Randall. You wouldn't understand," she said and lifted her skirt as she descended back down into the muddy street where the sidewalk ran out.
"And why is that?" he asked, sounding put off. Daphne's place came into view. The air smelled of bitter salt water and of wood smoke curling up from the kitchen chimney.
"Oh, Oscar, you're a man of the sea. What could you possibly ~ Angie Frazier

Why are we so afraid of silence? Teenagers cannot study without their records; they walk along the street with their transistors. Grownups are as bad if not worse; we turn on the TV or the radio the minute we come into the house or start the car. The pollution of noise in our cities is as destructive as the pollution of air. We show our fear of silence in our conversation: I wonder if the orally-minded Elizabethan's used "um" and "er" the way we do? And increasingly prevalent is what my husband calls an articulated pause: "You know." We interject "you know" meaninglessly into every sentence, in order that the flow of our speech should not be interrupted by such a terrifying thing as silence. ~ Madeleine L'Engle

It could snow
We don't take care. The end of November came without coldness, with haunting and limp rains, pretty much leaves still laying anywhere on the sidewalks. It comes a morning with another grey, compact, closed, air changes its texture. Under the pharmacy green cross the thermometer sticks, in red, two degrees. The number, a bit blurred thins down in the space. We didn't expect it, but it grows, far inside us, the little sentence. It comes to the lips like a forgotten song: "It could snow …" We should not dare to mention it in loud voice, it is still so much autumn, all could finish in a stupid freezing sudden shower, in a fog of boredom. But the idea of a possible snow came back, it's what matters. No downhill in a sledge-trash-bag, no snowman, no children shouting,no pictures of landscape metamorphosis. Largely best then all that, because the essential snow is inside the unformulated. Before. Something we didn't know we knew. Before snow, before love, the same lack, the same dimmed grey which days' triteness creates pretending to suffocate.
We shall cross somebody:
-This time it's almost winter!
-Yes we start to be crestfallen!
Workers hang pieces of tinsel. We didn't say too much. Especially do not frighten away the slight shade of the idea. The red thermometer went down, one degree. It could snow. ~ Philippe Delerm

Furthermore, Professor Uzzi-Tuzii had begun his oral translation as if he were not quite sure he could make the words hang together, going back over every sentence to iron out the syntactical creases, manipulating the phrases until they were not completely rumpled, smoothing them, clipping them, stopping at every word to illustrate its idiomatic uses and its commutations, accompanying himself with inclusive gestures as if inviting you to be content with approximate equivalents, breaking off to state grammatical rules, etymological derivations, quoting the classics. but just when you are convinced that for the professor philology and erudition mean more than what the story is telling, you realize the opposite is true: that academic envelope serves only to protect everything the story says and does not say, an inner afflatus always on the verge of being dispersed at contact with the air, the echo of a vanished knowledge revealed in the penumbra and in tacit allusions.
Torn between the necessity to interject glosses on multiple meanings of the text and the awareness that all interpretation is a use of violence and caprice against a text, the professor, when faced by the most complicated passages, could find no better way of aiding comprehension than to read them in the original, The pronunciation of that unknown language, deduced from theoretical rules, not transmitted by the hearing of voices with their individual accents, not marked by the traces of use that shapes and t ~ Italo Calvino

You know the story." The Nalnom rotated his hand in the air as if she should recall it.

"I don't. I've never heard the story."

Joshlon summarized it for her. "Prometheus was turned into a dragon by his angry lover, Naradite. She refused to turn him back into his manly form. He became the first fire-breathing dragon - Naga the Terrible."

Eena dropped her lower jaw. "What?"

"Naradite turned Prometheus into a dragon," Joshlon repeated. "Naga."

"And Prometheus is Edgar's father?" She was sure the surrounding stares were the result of her virtually shouting out the question.

Joshlon answered with some hesitance in his voice. "I don't know who Edgar is, but Edgarmetheus was supposedly the son of Prometheus, the illegitimate child of him and his lover, Naradite."

"Oh. My. Gosh!" Eena exclaimed. "Naga is Edgar's father!"

Joshlon's lip curled. He didn't look like he was following her emotional outburst. "Sha Eena, are you trying to tell me that this is all for real? And Naga is the undefeatable enemy you're fighting?"

Her hazel eyes focused on him instantly. "Oh, no, no, not Naga! Out of all the immortals, he's the nice one!"

Joshlon looked confused. "Naga the Terrible is the nice one?"

"Yes," Eena nodded assuredly. "Edgar is the…" She halted mid-sentence. Joshlon had stopped moving. In fact, all the surrounding Nalnoms were frozen in place, skeptical expressions st ~ Richelle E. Goodrich

Come, Spirits she murmured; and was instantly fortified by a sense of the presence of the things that aren't there. There were the beautiful drowned statues, there were the glens and hills of an undiscovered country; there were divine musical notes, which, struck high up in the air, made one's heart beat with delight at the assurance that the world of things that aren't there was splendidly vigorous and far more real than the other. She felt that one never spoke of the things that mattered, but carried them about, until a note of music, or a sentence or a sight, joined hands with them. ~ Virginia Woolf

Mosquitos There were many dead in the Nootkas village. In each dead body there was a hole through which blood had been stolen. The murderer, a child who was already killing before he learned to walk, received his sentence roaring with laughter. They pierced him with lances and he laughingly picked them out of his body like thorns. "I'll teach you to kill me," said the child. He suggested to his executioners that they should light a big bonfire and throw him into it. His ashes scattered through the air, anxious to do harm, and thus the first mosquitos started to fly. (174) ~ Eduardo Galeano

Rigor Mortis." I say, almost as an apology. But he won't have any of it. He locks onto my gaze. He doesn't lean forward, but he doesn't need to, suddenly the room feels like it's filled with him. His presence floats in the air like a noxious gas, and I'm breathing it in.
"Ike, you don't get it. That's why I wanted to talk to you. Do you think I have the right to talk to anyone? Do you think its fun to have a 'human' brain in a pet's body? Sure, I have Kamu. And that's fugging great, but guess what? Kamu is queen to be, and emotionally unstable." I've never heard Rig talk this powerfully before, but he doesn't seem scary, just sad. "And then I get someone else I can actually talk to, Ike, I get you. And you don't treat me like I'm a pet and you talk about Kamu like she needs to be protected and you are there. You are there, and you keep being there, and the only one who's ever there is Kamu, but now there is Ike. And Ike is perfect, albeit a bit dense, but perfect."
"Rig, I'm really sorry bu-" I start, I don't know how much more of this I can take. With each sentence Rig loses some of his force, he sounds more pathetic and lost.
"I'm not done." He pronounces the words in such a voice that it makes me shut up more than the context of the sentence does. "And all I want is to be with this boy who is there, this boy who is my friend, this boy who isn't always caught up in politics. All I want is to have my one good break." He finishes. I keep holding his eye cont ~ Ginny Albinson

Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing - the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait - for it is only eight o'clock - and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return ~ Marcel Proust