Portinari Altarpiece Quotes

Have you come to help Me?"

The sensayer waited, uncertain whether the words were meant for her. "Help you how?" she asked.

The stone-still Speaker did not turn. "To understand the God Who made this portrait of Himself."

Carlyle looked to the altarpiece, the choirs of Heaven shimmering in their concentric circles of cracking paint and gold. "People made that, human beings searching for their own understanding."

"If God made Man and Man made this, it is still a Self-portrait. ~ Ada Palmer

The Beatrice that obsessed Dante was a Florentine named Bice di Folco Portinari. Envision this moment (and, in all fairness, I am envisioning it the way Henry Holiday did in his exquisite nineteenth-century painting): Bice is walking beside the Arno River, dressed in white, the fabric clinging to her legs and outlining her slender thighs, and there is Dante. He meets her at the corner of one of the bridges that span
the river. His left hand, at first glimpse, is moving casually toward his hip; it is only on a more careful study that one realizes his hand is actually going up to his heart. Meanwhile, his right hand is resting on the bridge's waist-high stone balustrade, as if Bico's beauty is such that he needs to steady himself when he beholds her. ~ Chris Bohjalian

Once typecast as the indispensable altarpiece of a well-appointed living room, TVs have infected every human environment. The average American household has more television sets than people. ~ Seth Shostak

I ended up going into this big art historical argument.' [Barry Blinderman] invoked, for example, Matthias Grünewald's Isenheim altarpiece, painted in the sixteenth century for a monastery where monks cared for people with skin diseases - so the suffering Christ in that painting shows symptoms of skin disease. 'It's because he's the man of sorrows,' Blinderman argued. 'He takes on the suffering of the world. So if Christ were to appear physically today, one of the sicknesses he would have to take on would be drug addiction. ~ Cynthia Carr

The most important truths always appear first as blasphemies or obscenities. That's why every great innovator is persecuted. And the sacraments look obscene, too, to an outsider. The eucharist is just sublimated cannibalism, to the unawakened. When the Pope kisses the feet of the laity, he looks like an old toe-queen to some people. The rites of Pan look like a suburban orgy. ~ Robert Anton Wilson

The walls were draped with banners covered with cabalistic signs, an abundance of owls of all kinds, scarabs and ibises, and Oriental divinities of uncertain origin. Near the rear wall was a dais, a proscenium of burning torches held up by rough logs, and in the background an altar with a triangular altarpiece and statuettes of Isis and Osiris. The room was ringed by an amphitheater of figures of Anubis, and there was a portrait of Cagliostro (it could hardly have been of anyone else, could it?), a gilded mummy in Cheops format, two five-armed candelabra, a gong suspended from two rampant snakes, on a podium a lectern covered by calico printed with hieroglyphics, and two crowns, two tripods, a little portable sarcophagus, a throne, a fake seventeenth-century fauteuil, four unmatched chairs suitable for a banquet with the sheriff of Nottingham, and candles, tapers, votive lights, all flickering very spiritually. ~ Umberto Eco

May suitable doses of guaranteed sensual pleasure and slow, long-lasting enjoyment preserve us from the contagion of the multitude who mistake frenzy for efficiency. ~ Folco Portinari

Your friend is most original,' Dan Needham said, with the greatest respect. 'Don't you see, Johnny? If he could, he would cut off his hands for you - that's how it makes him feel, to have touched that baseball bat, to have swung that bat with those results. It's how we all feel - you and me and Owen. We've lost a part of ourselves.' And Dan picked up the wrecked armadillo and began to experiment with it on my night table, trying - as I had tried - to find a position that allowed the beast to stand, or even to lie down, with any semblance of comfort or dignity; it was quite impossible. The thing had been crippled; it was rendered an invalid. And how had Owen arranged the claws? I wondered. What sort of terrible altarpiece had he constructed? Were the claws gripping the murderous baseball?
And so Dan and I became quite emotional, while we struggled to find a way to make the armadillo's appearance acceptable - but that was the point, Dan concluded: there was no way that any or all of this was acceptable. What had happened was unacceptable! Yet we still had to live with it. ~ John Irving