Last Man Standing Political Quotes

Last man standing," Amos replied with another grin. "It's in my job description. ~ James S.A. Corey

I've often wondered what people mean when they talk about an experience. I'm a technologist and accustomed to seeing things as they are. I see everything they are talking about very clearly; after all, I'm not blind. I see the moon over the Tamaulipas desert--it is more distinct than at other times, perhaps, but still a calculable mass circling around our planet, an example of gravitation, interesting, but in what way an experience? I see the jagged rocks, standing out black against the moonlight; perhaps they do look like the jagged backs of prehistoric monsters, but I know they are rocks, stone, probably volcanic, one should have to examine them to be sure of this. Why should I feel afraid? There aren't any prehistoric monsters any more. Why should I imagine them? I'm sorry, but I don't see any stone angels either; nor demons; I see what I see--the usual shapes due to erosion and also my long shadow on the sand, but no ghosts. Why get womanish? I don't see any Flood either, but sand lit up by the moon and made undulating, like water, by the wind, which doesn't surprise me; I don't find it fantastic, but perfectly explicable. I don't know what the souls of the damned look like; perhaps like black agaves in the desert at night. What I see are agaves, a plant that blossoms once only and dies. Furthermore, I know (however I may look at the moment) that I am not the last or the first man on earth; and I can't be moved by the mere idea that I am the last man, because it isn't tru ~ Max Frisch

A cop lost his temper and rushed into the crowd to seize an agitator ... and that was the last we saw of him for about three minutes. When he emerged, after a dozen others had rushed in to save him, he looked like some ragged hippie ... the mob had stripped him of everything except his pants, one boot, and part of his coat. His hat was gone, his gun and gunbelt, all his badges and police decorations ... he was a beaten man and his name was Lennox. I know this because I was standing beside the big plainclothes police boss who was shouting, Get Lennox in the van! ~ Hunter S. Thompson

The falseness of the seventeenth century became a large measure of the truth by the nineteenth. Money made the man, or at least went a long way toward doing so; and death became the occasion for a final accounting, a stocktaking of worldly success. Of course, there were other metrics: virtue, martyrdom, political standing, fraternal ties. But it took money to publicize them. The funeral became more and more a standardized commodity whose cost could be matched with exquisite precision to the class and degree of 'respectability' of the deceased. When one bought a funeral, one bought a more or less splendid parade, each additional bauble, each horse, each feather or set of nails adding to the base price. Bit by bit, finery accumulated, and by looking at the account books of an undertaker who specialized in pauper funerals, we can begin to see the bounds of decency in death. ~ Thomas W. Laqueur

Last night I had the dream again. Except it's not a dream I know because when it comes for me, I'm still awake.
There's my desk. The map on the wall. The Stuffed animals I don't play with anymore but don't want to hurt Dad's feelings by sticking in the closet I might be in bed. I might be just standing there, looking foe a missing sock. Then i'm gone.
it doesn't just show me somthing this time, it takes me from here to THERE> standing on the bank of a river of fire. A thousand wasps in my head. Fighting and dying inside my skull, their bodies piling up against the backs of me eyes. Stinging and stinging.
Dad's voice. Somewhere across the river. Calling my name. I've never heard him sound like that before. He's so frightened he can't hide it, even though he tries (he ALWAYS tries).
The dead boy floats by.
Facedown. So I wait for his head to pop up, show the holes where his eye used to be, say somthing with his blue lips. One of the terrible things it might make him do. But he just passes like a chunk of wood. I've never been here before, but I know it's real. The river is the line between this place and the Other Place. And I'm on the wrong side. There's a dark forest behind me but that's not what it is. I try to get to where Dad is. My toes touch the river and it sings with pain. Then there's arms pulling me back. Dragging me into the trees. They feel like a man's arms but it's not a man that sticks its fingers into my mouth. Nails that scratch the ~ Andrew Pyper

Ultimo hombre. Last man standing, must've been one. Where'd he go? ~ Cormac McCarthy

I was standing on the deck looking down at a gang of stevedores working on the dock thirty feet below. One of them recognized me, nudged his neighbor, and pointed. All at once the whole gang stopped working to yell, 'Booster! Booster Keaton!' They waved in wild excitement, and I waved back, marveling, because it was fifteen years of more since they could have seen my last M-G-M picture.
And if there is sweeter music this side of heaven I haven't heard it. Dr. Avedon said I could live to be a hundred years old. I intend to do it. For who would not wish to live a hundred years in a world where there are so many people who remember with gratitude and affection a little man with a frozen face who made them laugh a bit long years ago when they and I were both young? ~ Buster Keaton

People look at me and say I've got it all,
But when you're standing at the top you've got
A log, long way yo fall
And tell me if i do
Can i depend on you?
Will you be the man
Who will catch me if you can?
'Cause I'm fallin' hard
I'm fallin' fast
And i gotta know
If it's gonna last.
You're the one i need
To teach me to believe ~ Carolee Dean

The last thing DeMille added to his $13 million film before he delivered the final negative to Paramount was his introduction that ran before the opening credits, filmed with him standing behind a microphone in front of a blue-and-white curtain (the colors of the Israeli flag). His intention was to emphasize the "importance" of what the audience was about to see and how authentic the film really was, and to make the spiritual connection to the Holocaust. DeMille says, in part: "The theme of this picture is whether man ought to be ruled by God's law, or whether they are to be ruled by the whims of a dictator like Rameses. Are men the property of the state or are they free souls under God? This same battle continues throughout the world today. Our intention was not to create a story, but to be worthy of the divinely inspired story, created three thousand years ago . . ." The introduction was almost always cut after the film's initial run. That ~ Marc Eliot

Before 'Last Man Standing,' I did a lot of indies, which were raw and controversial and much darker. That is where I feel most secure as a storyteller. That is what I am drawn to the most. ~ Amanda Fuller

You know the last time I was in Germany and saw a man standing above everybody else, we ended up disagreeing... ~ Steve Rogers, Captain America

Men don't want to be brothers - they may someday, but they don't now. My belief in the brotherhood of man died the day I arrived in London last week, when I observed the people standing in a Tube train resolutely refuse to move up and make room for those who entered. You won't turn people into angels by appealing to their better natures just yet awhile - but by judicious force you can coerce them into behaving more or less decently to one another to go on with. I will still believe in the brotherhood of man, but it's not coming yet awhile. Say another ten thousand years or so. It's no good being impatient. Evolution is a slow process. ~ Agatha Christie

But the chapel, that will never be prosaic. Those who have seen it outlined against the sunset or the full moon, those who have seen its sloping leaded roof-top glisten after a shower of rain, those who have looked down upon the world from its summit, all those who have seen these things will remember the poetry that it has taught them. And while each man changes from year to year, going through the continual changes that make a lifetime, the chapel remains always the same. When the rest of Cambridge is crumbling and in ruins, the chapel will still be standing, the last to fall to time as it is the last to fall to climbers. ~ Whipplesnaith

Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea."
"Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin.
"What is that racket?" he asked, standing and following her to the window overlooking the street.
One corner of her mouth quirked in mock disgust. "Take a look for yourself."
Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts.
"Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee."
"Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?"
"Haven't you ever heard of being shivareed, husband?"
Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life."
Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea.
"They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?"
Seei ~ Charlotte McPherren

Wyndham was a bore, in his humble opinion, but everything he did, every last decision and action - they were for others. It was all for Wyndham - the heritage, not the person. It was impossible not to respect such a man.
But this was different. The duke wasn't standing up for his people, he was standing up for one person. It was a far more difficult thing to do. ~ Julia Quinn

Oh yes, and compulsory ferret-legging down the pub on Tuesday evenings, for the tourist trade tha' knows." "Ferret-legging?" Rachel looked at him incredulously. "Yup. You tie your kilt up around your knees with duct tape - as you probably know, no Yorkshireman would be seen dead wearing anything under his sporran - and take a ferret by the scruff of his neck. A ferret, that's like, uh, a bit like a mink. Only less friendly. It's a young man's initiation rite; you stick the ferret where the sun doesn't shine and dance the furry dance to the tune of a balalaika. Last man standing and all that, kind of like the ancient Boer aardvark-kissing competition." Martin shuddered dramatically. "I hate ferrets. The bloody things bite like a cask-strength single malt without the nice after-effects. ~ Charles Stross

I once met a traveler who told me he would live to see the end of time. He laid out all his vitamins before me and told me he slept seven hours every night, no more or less. All the life you want, he said. It's all within the palm of your hand now. He said he would outlast all the wars and all the diseases, long enough to remember everything, and long enough to forget everything. He'd be the last man still standing when the sun decides to collapse upon itself and history ends. He said he had found the safest place on earth, where he could stay until the gateway to the beyond opened before him. A thousand generations from today. I pictured him there, atop a remote and snowy mountain. The heavens opening and God congratulating him for his perseverance. Asking him to join Him and watch as the sun burns down to a dull orange cinder and everything around it breaks is orbit and goes tumbling tumbling away, everything that once seemed permanent pulled apart so effortlessly, like a ball of yarn. A life into divinity.
But I knew it was a lie. I've always known it was a lie. You can not hide from the world. It will find you. It always does. And now it has found me. My split second of immortality is over. All that's left now is the end, which is all any of us ever has. ~ Drew Magary

If Only We Had Taller Been

The fence we walked between the years
Did bounce us serene.
It was a place half in the sky where
In the green of leaf and promising of peach
We'd reach our hands to touch and almost touch the sky,
If we could reach and touch, we said,
'Twould teach us, not to ,never to, be dead.

We ached and almost touched that stuff;
Our reach was never quite enough.
If only we had taller been,
And touched God's cuff, His hem,
We would not have to go with them
Who've gone before,
Who, short as us, stood tall as they could stand
And hoped by stretching, tall, that they might keep their land,
Their home, their hearth, their flesh and soul.
But they, like us, were standing in a hole.

O, Thomas, will a Race one day stand really tall
Across the Void, across the Universe and all?
And, measured out with rocket fire,
At last put Adam's finger forth
As on the Sistene Ceiling,
And God's hand come down the other way
To measure man and find him Good,
And Gift him with Forever's Day?
I work for that.

Short man, Large dream, I send my rockets forth
between my ears,
Hoping an inch of Good is worth a pound of years.
Aching to hear a voice cry back along the universal Mall:
We've reached Alpha Centauri!
We're tall, O God, we're tall! ~ Ray Bradbury

Cap," Amos said with a grin. "Anything that kills me has already killed everyone else. I was born to be the last man standing. You can count on it." The ~ James S.A. Corey

Standing at the bathroom mirror, toweling off, I stare at my face. Red eyes, gray stubble - a face totally different from the one with which I started. But also different from the one I saw last year in this same mirror. Whoever I might be, I'm not the boy who started this odyssey, and I'm not even the man who announced three months ago that the odyssey was coming to an end. I'm like a tennis racket on which I've replaced the grip four times and the strings seven times - is it accurate to call it the same racket? ~ Andre Agassi

From the point of view of political geography we are standing on one of the frontiers of human culture; for the man inside the rubber sack it was land's end, the shore of the world. ~ Edward Abbey

Real consciousness is touch. Thought is getting out of touch.

The crux of the whole problem lies here, in the duality of man's consciousness. Touch, the being in touch, is the basis of all consciousness, and it is the basis of enduring happiness. Thought is a secondary form of consciousness, Mind is a secondary form of existence, a getting out of touch, a standing clear, in order to come to a better adjustment in touch.

Man, poor man, has to learn to function in these two ways of consciousness. When a man is in touch, he is non-mental, his mind is quiescent, his bodily centres are active. When a man's mind is active in real mental activity, the bodily centres are quiescent, switched off, the man is out of touch. The animals remain always in touch. And man, poor modern man, with his worship of his own god, which is his own mind glorified, is permanently out of touch. To be always irrevocably in touch is to feel sometimes imprisoned. But to be permanently out of touch is at last excruciatingly painful, it is a state of being nothing, and being nowhere, and at the same time being conscious and capable of extreme discomfort and ennui. ~ D.H. Lawrence

The first woman may have been Eve, but the first girl will always be Alma.

Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted - wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.

If you remember the first time you saw Alma, you also remember the last. She was shaking her head. Or disappearing across a field. Or through your window. Come back, Alma! you shouted. Come back! Come back!

But she didn't.

And though you were grown up by then, you felt as lost as a child. And though your pride was broken, you felt as vast as your love for her. She was gone, and all that was left was the space where you'd grown around her, like a tree that grows around a fence.

For a long time, it remained hollow. Years, maybe. And when at last it was filled again, you knew that the new love you felt for a woman would have been impossible without Alma. If it weren't for her, there would never have been an empty space, or the need to fill it.

Of course there are certain cases in which th ~ Nicole Krauss

To those of us gathered here today, Matthew Connell filled a number of different roles in our lives. Matthew was a son, a brother, a father and a friend. Matthew's last days in his young life were bleak, suffering ones. Yet, we must remember the real Matthew, the loving young man who had a great lust for life. A keen musician, Matthew loved to entertain friends with his guitar playing...
Renton could not make eye contact with Spud, standing next to him in the pew, as nervous laughter gripped him. Matty was the shitest guitarest he'd known, and could only play the Doors' 'Roadhouse Blues' and a few Clash and Status Quo numbers with any sort of proficiency. He tried hard to do the riff from 'Clash City Rockers', but could never quite master it. Nonetheless, Matty loved that Fender Strat. It was the last thing he sold, holding onto it after the amplifier had been flogged off in order to fill his veins with shite. Perr Matty, Renton thought. How well did any of us really know him? How well can anybody really know anybody else? ~ Irvine Welsh

Hey, Murph! What gives, man?"

I jump and drop the letter. Melonhead, my "supervisor," is standing at the crest of the hill, wiping a sweat-soaked handkerchief across his brow.

His last name isn't really Melonhead, any more than mine is Murph. But if he's going to take liberties with Murphy, I'm going to do the same with Melendez.

Only difference is that I don't say it to his face. ~ Brigid Kemmerer

His position at that moment was like the position of a man standing over a frightful precipice, when the earth breaks away under him, is rocking, shifting, sways for a last time, and falls, drawing him into the abyss, and meanwhile the unfortunate man has neither the strength nor the firmness of spirit to jump back, to take his eyes from the yawning chasm; the abyss draws him, and he finally leaps into it himself, himself hastening the moment of his own perdition. ~ Fyodor Dostoyevsky

Nobody's taller than the last man standing ~ LaMichael James

You don't think any job's a job unless it's your job. ~ Last Man Standing

He's not dead," I spoke up. "The last we heard, he still lived."

"He did?" Simus asked, then let his eyes slide over to Keir. "Losing your touch?"

A cry of outrage filled the tent. I grabbed at the blanket, as Keir stood, sword in hand. Simus had two daggers that appeared from nowhere. I looked at the privy entrance, to see Marcus standing there, waving my underthings in his fist and shaking them in the air. "Where did the likes of these come from?"

I jumped up and grabbed for them, but that scarred little man dodged me. "Those are mine!" I made another attempt, darting around the bed. Simus roared out his laughter and Keir got out of the way.

Marcus danced away again. "The Warprize accepts nothing, except at the hand of the Warlord!" His face was bright red, the scarring a dull white against it.

"Give me those!" I went after him again and this time managed to wrestle the cloth from his hand. Flushed and breathless, I shoved them behind my back and faced down Marcus, toe to toe. "You have no business - "

"Nothing, except at the hand of the Warlord!" Marcus roared out, spittle flying from his mouth.

"You bragnect! I bought them with his coin!"

Marcus blinked. Apparently it was an effective curse in their language, since it seemed to leave him speechless. His recovery was quick. "Could have asked Hisself or I."

I rolled my eyes, just imagining that conversation. ~ Elizabeth Vaughan

Standing at the window overlooking the lawn, Jordan and Alexandra Townsende watched the couple heading toward them. "If you'd asked me to name the last man on earth I would have expected to fall head over heels for a slip of a girl, it would have been Ian Thornton," he told her.
His wife heard that with a sidewise look of extreme amusement. "If I'd been asked, I rather think I would have named you."
"I'm sure you would have," he said, grinning. He saw her smile fade, and he put his arm around her waist, instantly concerned that her pregnancy was causing her discomfort. "Is it the babe, darling?"
She burst out laughing and shook her head, but she sobered again almost instantly. "Do you think," she asked pensively, "he can be trusted not to hurt her? He's done so much damage that I-I just cannot like him, Jordan. He's handsome, I'll grant you that, extraordinarily handsome-"
"Not that handsome," Jordan said, stung. And this time Alexandra dissolved in mirth. Turning, she wrapped her arms around him and kissed him soundly. "Actually, he rather reminds me of you," she said, "in his coloring and height and build."
"I hope that hasn't anything to do with why you can't like him," her husband teased.
"Jordan, do stop. I'm worried, really I am. He's-well, he almost frightens me. Even though he seems very civilized on the surface, there's a forcefulness, maybe even a ruthlessness beneath his polished manners. And he stops at nothing when he wants something ~ Judith McNaught

Grinning, she hovered over him. Then, like a fist closing around a doorknob, her grin closed around him. With her lips, she turned the knob first one way and then the other: left, right, open, shut; left, right, open, shut. The knob did not squeak. In fact, Wiggs was unusually quiet.

Now, falling into rhythm, she sucked the knob from its axle, sucked the axle from its door, the door from its hinges. Out onto the lawn, tempo increasing, she sucked up the flagstone walk, the rosebushes, the petunia bed, the sprinkler, the driveway, and the small Japanese car parked in the driveway: oh, what a feeling! Toyota! Wiggs moaned as the neighborhood disappeared.

The towers of the city began to sway, and soon, the planet itself fell victim to the force, swelling at its equator, throbbing at its poles. It wobbled violently on its axis, once, twice, then exploded. The Big Bang theory, proven at last. Continuing to impersonate a black hole, she pulled in every drop and particle – she'd never had a man in such entirety – and it wasn't until the final spasm had subsided and the cosmos was at peace that she loosened her grip and, lips glistening like the Milky Way, looked up to see – the legs of a third party standing there. ~ Tom Robbins

We have peace with Israel. We're actually the last man standing. So there is going to be immense pressure and people asking, 'Why are we having this relationship when it's not benefiting anybody?' Obviously, my answer is you always benefit from peace. ~ Abdallah II Of Jordan

I refer to the Gospel account in which Christ weeps at the grave of his friend Lazarus. We need to pause and consider the meaning of these tears, for in this very moment there occurs a unique transformation within religion in relation to the long-standing religious approach to death.

Up to this moment the purpose of religion, as well as the purpose of philosophy, consisted in enabling man to come to terms with death, and if possible even to make death desirable: death as the liberation from suffering; death as freedom from this changing, busy, evil world; death as the beginning of eternity. Here, in fact, is the sum total of religious and philosophical teaching before Christ and outside of Christianity - in primitive religions, in Greek philosophy, in Buddhism, and so forth. But Christ *weeps* at the grave of his friend, and in so doing his own struggle with death, his refusal to acknowledge it and to come to terms with it. Suddenly, death ceases to be a normal and natural fact, it appears as something foreign, as unnatural, as fearsome and perverted, and it is acknowledged as an enemy: 'The last enemy to be destroyed is death. ~ Alexander Schmemann

Alone Again"

I think of each of
them
living somewhere else
sitting somewhere else
standing somewhere else
sleeping somewhere else
or maybe feeding a
child
or
reading a
newspaper or screaming
at their
new man…

but thankfully
my female past
(for me)
has concluded
peacefully.

yet most others seem to
believe that a
new relationship will certainly
work.

that the last one
was simply the
error of
choosing a bad
mate.

just
bad taste
bad luck
bad fate.

and then there are some who
believe that old
relationships can be
revived and made new
again.

but please
if you feel that way
don't phone
don't write
don't arrive

and meanwhile,
don't feel bruised because this
poem will last much
longer than we
did.

it deserves to:
you see
its strength is
that it seeks
no
mate at
all. ~ Charles Bukowski

Enough rationalization. They simply had what you wanted, so you took it.

[My chair-- I shit on my good chair!]

You shit more than just your chair.

You shit the world. All you ever cared about was winning -- And you did.

The last man standing on a mountain of filth [. . .]

Kazumi taught forgiveness. She accepted all refugees looking for a better life. And you turned that against her.

Kazumi would show mercy.

I'm not Kazumi. ~ Rick Remender

Andre, I won't ever try to change you, because I've never tried to change anybody. If I could change somebody, I'd change myself. But I know I can give you structure and a blueprint to achieve what you want. There's a difference between a plow horse and a racehorse. You don;t treat them the same. You hear all this talk about treating people equally, and I'm not sure equal means the same. As far as I'm concerned, you're a racehorse, and I'll always treat you accordingly. I'll be firm, but fair. I'll lead, never push. I'm not one of those people who expresses or articulates feelings very well, but from now on, just know this: It's on, man. It is on. You know what I'm saying? We're in a fight, and you can count on me until the last man is standing. Somewhere up there is a star with your name on it. I might not be able to help you find it, but I've got pretty strong shoulders, and you can stand on my shoulders while you're looking for that star. You hear? For as long as you want. Stand on my shoulders and reach, man. Reach. ~ Andre Agassi

Behind the last door is oblivion. Standing before it, one can go forwards or backwards; but beside it are not the places of exquisite pleasure: the faces of pure ones confined to pavilions, reclining on green cushions and beautiful carpets amid thornless lote-trees and banana trees, one over another; for these have gone with the smoke of the opium.

What remains, four years afterwards, are the haunted rooms of the departed: of a young, vigorous man with red hair and an old man left in his blood in a bothy; of a henchman dragged from his horse with an arrow in him, and another, darker of skin, dead of fighting in a Greek courtyard. Of a man returning from perilous seas to drown, seeking his son, near his homeland; of a girl dying blind behind yellow silk curtains, and another burning at night in an African pavilion. And a child, a son … an only son … playing with shells at the feet of the father who shortly would kill it.

One does not, of set purpose, linger long on such a threshold. Sooner or later, the chains must give way; the accusing, querulous voices cease; and the insistent, imperious summons, saying over and over, 'Aucassins, damoisiax, sire! Ja sui jou li vostre amie, Et vos ne me haés mie! ~ Dorothy Dunnett

Those of you who know me know that I'm a huge fan of my sister. She's my rock, my soul mate, and the reason that I'm still standing here, alive and well. When her heart beats for someone, mine falls in line and thumps for them too. Baron, there's one thing I cannot take from you–you make her happy. Glow, even... Some loves are old, and sure, others are new and frantic. Yours is both, and that's what made your feelings toward one another outsoar everything. Even the past... I wish you joy, freedom, health, and wealth, though I think you're all covered with the last one... So I guess I would like to make a toast to two of my favorite people. To the woman I love more than life itself, and to the man who spends his life making her happy. Baron and Millie, you don't need my words to make it work. You have this thing covered. But just in case, I wish you everything you wish for yourself and more. Now down these glasses and have some fun. ~ L.J. Shen

A man with no children can easily be lulled into a sense that time is standing still. It's not. It's marching past us, relentlessly. Having a child growing and changing before your eyes makes this unavoidably clear. ~ Jonathan V. Last

On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!"

We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in.

"Get down! Get down!" he barked.

"Some Amer ~ Jung Chang

Though small, the shrine has a long history. In 1333 - the Third Year of the Genko era - Lord Takeshigé Kikuchi ascended to it in order to implore the divine favor before going into battle. Victory was his, and in gratitude he had the shrine rebuilt. According to tradition, he himself carved the Worship Image, reciting a triple prayer after each stroke. This represented the god as standing on the mountain peak with one hand raised, gazing at the armed host he had blessed. It was an image of victory.
Now, however, the morning after the rising, early on the auspicious Ninth Day of the Ninth Month, the time of the Chrysanthemum Festival, there were gathered around the shrine forty-six hunted survivors of a defeated force. Some standing, some sitting, they stared blankly about them, though the penetrating autumn chill made their wounds sting. The clear light of the rising sun cast a striped pattern as it shone down through the branches of the few old cedars that surrounded the shrine. Birds were singing. The air was fresh and clear. As for signs of last night's sanguinary combat, these were visible in the soiled and bloodstained garments, the haggard visages, and the eyes that burned like live embers.
Among the forty-six were Unshiro Ishihara, Kageki Abé, Kisou Onimaru, Juro Furuta, Tsunetaro Kobayashi, the brothers Gitaro and Gigoro Tashiro, Tateki Ura, Mitsuo Noguchi, Mikao Kashima, and Kango Hayami. Every man was silent, sunk deep in thought, looking off at the sea, ~ Yukio Mishima

He didn't want to be
this thin man whose desires
were barely covered by skin,

standing absolutely still.
But everytime he moved
there was another place to go,

and everytime sadness would arrive
with its wonderful cocoon
not even that would last. ~ Stephen Dunn

Sand as far as the eye can see, between the last hills and the sea -- the sea -- in the cold air of an afternoon almost past, and blessed by the wind that always blows from the north.

The beach. And the sea.

It could be perfection -- an image for divine eyes -- a world that happens, that's all, the mute existence of land and water, a work perfectly accomplished, truth --truth -- but once again it is the redeeming grain of a man that jams the mechanism of that paradise, a bagatelle capable on its own of suspending all that great apparatus of inexorable truth, a mere nothing, but one planted in the sand, an imperceptible tear in the surface of that sacred icon, a minuscule exception come to rest on the perfection of that boundless beach. To see him from afar he would be no more than a black dot: amid nothingness, the nothing of a man and a painter's easel. The easel is anchored by slender cords to four stones placed on the sand. It sways imperceptibly in the wind that always blows from the north. The man is wearing waders and a large fisherman's jacket. He is standing, facing the sea, twirling a slim paintbrush between his fingers. On the easel, a canvas. ~ Alessandro Baricco

I should like to direct the attention of artists. A constant producer, a man who is a "mother" in the grand sense of the term, one who no longer knows or hears of anything except pregnancies and childbeds of his spirit, who has no time at all to reflect and make comparisons with regard to himself and his work, who is also no longer inclined to exercise his taste, but simply forgets it, letting it take its chance of standing, lying or falling
perhaps such a man at last produces works on which he is then quite unfit to pass a judgment: so that he speaks and thinks foolishly about them and about himself. This seems to me almost the normal condition with fruitful artists. ~ Friedrich Nietzsche

He was standing apart from the others, a dark, brooding figure concealed in shadows.
Jacob Stone was a man who was at home in shadows.
Ever since Emily had first become aware of his existence five years ago, she had understood that he prowled the fringes of her family's world. He was part bodyguard, part troubleshooter and, to Emily's way of thinking, part enforcer for Ravenscroft International. Like the last of the lobo wolves, he was rarely seen in broad daylight, let alone in the firm's executive suites or at its glittering social functions. And the only times he had been invited into her father's private study were on those occasions when Emily had needed rescuing from her latest predicament. ~ Jayne Ann Krentz

Instead of last man standing, it'll be last man smiling. ~ John Currin

When Johnny Cash died, ... I picked up my guitar and got the idea that Bob Dylan was the last man standing, the last of the real gods. It was for Dylan, Cash, Lennon, Elvis that's what I was thinking. ~ Jon Bon Jovi