Iphigenia At Aulis Quotes

Truly we are creatures of labor and suffering, and nothing for long. Labor and suffering, and the plain sight of our destiny is the cruelest thing of all. ~ Euripides

No mortal ever knows happiness and good fortune all the way to the end. Each one is born with his bitterness waiting for him. ~ Euripides

If only the herdsman had not brought him up with the flocks, not reared him, Paris, Alexander, to watch his flock by the clear springs where the nymphs rise, and the rich pastures starred with roses and hyacinths for the goddesses to gather. ~ Euripides

In this sense, we can render the false meaning of catharsis which occurs in pornography with a different meaning than the catharsis we associate with Aristotle's definition of tragedy. For in the tragedy, we weep, grieve and feel pity. We are brought to feeling, we experience both meaning and sensation at the same time, tremble in our bodies and our souls. Thus we weep over the death of Iphigenia, of Tristan and Iseult, of Madame Bovary. In experiencing these feelings, we have tapped a part of ourselves which had perhaps been quiet for some time. Which indeed, in this stillness, we were not certain was even there. Or had even forgotten. And thus, when we weep at this tragic playing out before our eyes of a drama which touches our hearts, a part of ourselves we had left in shadow comes back to us and is named and is lived. But pornographic catharsis moves from altogether different needs. For, we know, one does not weep over the death of Justine. One does not feel at all. Rather, one experiences only sensation and mastery. If there is a vulnerable part of oneself that would weep, this vulnerability is projected onto the body of a woman who is punished, and is destroyed there. And so we cease, in this projection, to recognize this vulnerability as a part of ourselves. Rather than reclaim a feeling, or own a part of ourselves once more, we disown ourselves. What pornography calls "catharsis" leads to denial and not to knowledge. ~ Susan Griffin

The quintessential emblem of religion - and the clearest manifestation of the perversity that lies at its core - is the sacrifice of a child by a parent.
Almost all religious faiths incorporate the myth of such a sacrifice, and some have actually made it real. Lucretius had in mind the sacrifice of Iphigenia by her father Agamemnon, but he may also have been aware of the Jewish story of Abraham and Isaac and other comparable Near Eastern stories for which the Romans of his times had a growing taste. Writing around 50 BCE he could not, of course, have anticipated the great sacrifice myth that would come to dominate the Western world, but he would not have been surprised by it or by the endlessly reiterated, prominently displayed images of the bloody, murdered son. ~ Stephen Greenblatt

This was because, after the birth of Priapus, they had developed a love/hate relationship with each other. They loved & hated each other at the same time. And even when he assured her that he would do his best to bring back Metis from the dead, she was not satisfied. She wanted Asteria & Semele to be reborn as well. And he had even issued instructions that human sacrifices should be stopped, in particular, the sacrificing of young virgin girls, since, Aphrodite, the Goddess of Love, liked to see young virgin girls loved rather than cut into pieces to feed the sacrificial flame of Hestia. The Athenians, as a whole, had stopped the practice of sacrificing Hyacinthids, after Macaria. And indeed, Artemis had stopped the sacrifice of Iphigenia. And after Polyxena & Periboae were sacrificed, Athena had stopped the sacrifice of the Locrian girls by the Trojans. ~ Nicholas Chong

I really believe in melody. ~ Aulis Sallinen

The sea, as Euripides says in one of his plays about Iphigenia, washes away the stains and wounds of the world. ~ Oscar Wilde

These days people wallow in enormous masses of sound. ~ Aulis Sallinen

(ghost of)ACHILLES: How can I force obedience on this? In other times I've used the fear of death to make a woman bow herself to me. If not the fear of her own death, then fear for someone else, a husband or a child. How can I bend this woman to my will?
(ghost of)POLYXENA: I think I will not bend.
IPHIGENIA: You see, it's as we've tried to tell you, Great Achilles. Women are no good to you dead. ~ Sheri S. Tepper

I asked Agamemnon plainly about Iphigenia; he wept. Not as one cries out of pain, but out of fear. Out of weakness. ~ Christa Wolf