Image Editing Quotes

Too often we sit back and speak platitudes of the nitty-gritty bits of writing; the editing, the story structure, the verbal sparring vs. banter, the character development, the world-building become more important to us than the tune rhythm of the tale. And when you lose the music of the story, all the footwork in the world is not going to make up for the loss of continuity and heart.
We need to take a step back in our souls and conjure the image of what this story is: the notes and beats and things woven into it's fullness. See, that's what is so easy to lose sight of as we write. We forget that, in a way, this story is a full story in itself. We tend to try to build the story piece by piece, line upon line, precept upon precept, but that--as any true writer knows--is not entirely practical. A story does have its own identity. To some extent, the story exists in your mind as a whole. Its own being. To chance sounding sappy: Your story is a full piece of music waiting for you to dance it into existence. Don't make the mistake of leaving out all the music.
It is tempting to want to have everything arranged to perfection so that little editing will be done. But if you are keeping in mind the way your story needs to run--feeling it and dwelling in the beauty of its passion and color and vibe--the footwork will take care of itself. Certainly it will require practice and your technicalities will need a little work--everyone's does. But you will have captured the essenc ~ Rachel Heffington

With bad movies, I have this image in my head of the director and the editor in the editing room watching a scene that is not happening, looking at each other and saying, 'Put some music in there.' ~ Gustavo Santaolalla

[Women's magazines]ignore older women or pretend that they don't exist; magazines try to avoid photographs of older women, and when they feature celebrities who are over sixty, 'retouching artists' conspire to 'help' beautiful women look more beautiful, ie less than their age...By now readers have no idea what a real woman's 60 year old face looks like in print because it's made to look 45. Worse, 60 year old readers look in the mirror and think they are too old, because they're comparing themselves to some retouched face smiling back at them from a magazine. ~ Dalma Heyn

If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio. ~ Orson Welles

Well, I would tell Danny. I'd probably edit for Josh. That is if there was
anything worth editing.
"Joshua Roberts, you had better get your butt on the move!" Danny
hollered as he walked down the stairs.
I was nervously waiting for them to leave as I pretended to watch TV in
the front room.
"We're going to be late."
"So the hair crisis is under control I see."
"A stray hair will never win between a bottle of gel and a gay man," he
declared with a smile. "Joshua!"
"I'm coming. I'm coming."
I heard his sandals click on the stairs and I waited to see if the mental
image matched the real one. To my non surprise it did. ~ Kaitlin Scott

Our emotional valence – positive or negative experiences – affects not only how we narrate childhood events, but also which memories we retain. The interplay between a person encountering environment experiences meshed with self-editing of various aspects of their complex memory system results in a person becoming more than a collection of memories: a person creates their personalized version of a self. A person integrates many experiences into creating their being. Personal encounters with other people as well as moments of personal solitude contemplating ideas and personal existence congeal to form the depiction of a self. ~ Kilroy J. Oldster

The editing of moving pictures is geared toward the single image. You'd have to edit things in new ways. ~ David Hockney