Terence Winter Quotes

One FBI agent told us early on that on Monday morning, they would get to the FBI office, and all the agents would talk about 'The Sopranos', having the same conversation about the show, but always from the flip side.

I have a rule: I will not alter the basic history of a real-life character to suit our fictional needs in a big way.

The thing is, when you paint somebody in all of their colors, they're never all bad or all good. Even the worst person has humanity in there somewhere.

It used to be that you had to do a certain number of episodes to hit syndication in order to try to keep a show on, because it's important to the network because it sells good commercial time. That's really not how HBO does things.

J. Edgar Hoover very famously denied the existence of organized crime up until the Appalachian Meeting, I think, in 1957. It was interesting to me that he clearly had to know that there was such a thing as organized crime and organized criminals as far back as the '20s.

For me, I need to fully immerse myself in a script to the point where I'm literally locking myself away for weeks at a time and I just write it. So I can write twelve to fifteen hours in a day, with breaks in between, obviously, but I need to just sort of live within the world of the script.

First and foremost, you want to be truthful as a storyteller.

If I hear an interesting turn of phrase on TV, I'll repeat it back - I just like to roll it around on my tongue. The same goes for dialog: I'll either speak it aloud or whisper it. I definitely sit in front of my computer and mutter. People have mentioned it.

Now, the big box office successes are superhero stories. It seems there's a lowest common denominator mentality, in terms of movies that are almost purely visual, that anyone can understand anywhere in the world. Good robot, bad robot: they fight. You don't need to know anything apart from that. And then we can make toys that look like that robot - and sell those toys or video games.

Critics who do the weekly recap, I find that kind of absurd. That's like reviewing chapters in a novel.

As a writer, I've tried to avoid strong opinions about morality. You just want to present things as they are and let the viewer come to their own conclusion.

Any distraction tends to get in the way of being an effective gangster.

People talk about the plots and what happened, and they see your tricks a mile away.

Any abhorrent behavior is more interesting to me. I'm always amazed when somebody asks me, 'Why don't you write something about nice people?' Because nice people are boring, that's why.

I guess ... I'm going to get that ice cream sundae they give you on the airplane. I usually pass on that, but I think I'm actually going to get extra whipped cream and maybe even the chocolate syrup. I'm really winging it here. I'm going to be flying. It's really a little too early to start drinking.

I'm always amazed by writers who say, 'Oh you know I had a half hour so I sat down and wrote a little bit.' I just need a real big chunk of time to sit down and focus. That's my process.

I'm not really gangsta. Not at all. I just write about them. It's fun to pretend, at least on paper. But in real life, not so much.

Very often at the end of 'The Sopranos' you get the feeling that its not under control, you should be very worried, and life is kind of really, really messed up at lot of times. It leaves you feeling very disconcerted. That was kind of the point of it.

I think people, whether they realize they're doing it or not, seek out distractions to take their minds off what they know is bad behavior.

I started with the book 'Boardwalk Empire' and then immersed myself in the history of Atlantic City, World War I, the temperance movement, Prohibition, pop culture. I even read the news and magazines of the period just to soak in it. That was before I even started thinking of the story.

I tend not to read reviews; there's too much out there in cyberspace.