Svetlana Boym Famous Quotes
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The nostalgic is looking for a spiritual addressee. Encountering silence, he looks for memorable signs, desperately misreading them.
The nostalgic is never a native but a displaced person who mediates between the local and the universal.
Nostalgia is history without guilt.
As for time, it is forever shrinking. Oppressed by multitasking and managerial efficiency, we live under a perpetual time pressure. The disease of this millennium will be called chronophobia or speedomania, and its treatment will be embarrassingly old-fashioned. Contemporary nostalgia is not so much about the past as about vanishing the present.
This kind of nostalgia characterizes national and nationalist revivals all over the world, which engage in the antimodern myth-making of history by means of a return to national symbols and myths and, occasionally, through swapping conspiracy theories. Restorative nostalgia manifests itself in total reconstructions of monuments of the past, while reflective nostalgia lingers on ruins, the patina of time and history, in the dreams of another place and another time.
Modern nostalgia is a mourning for the impossibility of mythical return, for the loss of an enchanted world with clear borders and values; it could be a secular expression of a spiritual longing, a nostalgia for an absolute, a home that is both physical and spiritual, the edenic unity of time and space before entry into history.
Nostalgia was diagnosed [as a medical illness] at a time when art and science had not yet entirely severed their umbilical ties and when the mind and body internal and external well-being were treated together...Our progeny well might poeticize depression and see it as a global atmospheric condition, immune to treatment with Prozac.
From the seventeenth to the nineteenth century, the representation of time itself changed; it moved away from allegorical human figures - an old man, a blind youth holding an hourglass, a woman with bared breasts representing Fate - to the impersonal language of numbers: railroad schedules, the bottom line of industrial progress. Time was no longer shifting sand; time was money. Yet the modern era also allowed for multiple conceptions of time and made the experience of time more individual and creative.
