Sarah Thornton Quotes

Although the art world is frequently characterised as a classless scene where artists from lower-msddle-class backgrounds drink champagne with high-priced hedge-fund managers, scholarly curators, fashion designers and other "creatives," you'd be mistaken if you thought the world was egalitarian or democratic. Art is about experimenting with ideas, but it is also about excellence and exclusion. In a society where everyone is looking for a little distinction, it's an intoxicating combination.

Indeed, being an artist is not just a job but an identity dependent on a broad range of extracurricular intelligences.

The contemporary art world is what Tom Wolfe would call a "statusphere." It's structured around nebulous and often contradictory hierarchies of fame, credibility, imagined historical importance, institutional affliction, perceived intelligence, wealth, and attribution such as the size of one's art collection.

Who, in 2007, would have thought that a drawing by Willem De Kooning would be a safer asset than shares in Lehman Brothers? By autumn 2008, this would clearly be the case.

I'm an atheist, but I believe in art. I go to galleries like my mother went to church. It helps me understand the way I live.

I have to agree with Artforum publisher Charles Guarino: "It's the place where I found the most kindred spirits - enough oddball, overeducated, anachronistic, anarchic people to make me happy." Finally,

Art needs motives that are more profound than profit if it is to maintain its difference from - and position above - other cultural forms.

In Wangechi Mutu's mother tongue, Kikuyu, there is no word for "artist." The closest term is something like "magician" or "a person who uses objects and imbues them with meaning and power,

Their hatred is so passionate that I can't help but wonder if they're attracted to each other.

Many outsiders see the art world as elitist and it is, except it is also oddly down-to-earth and embracing of oddballs who don't fit in well anywhere else.

Although the art world reveres the unconventional, it is rife with conformity. Artists make work that "looks like art" and behave in ways that enhance stereotypes. Curators pander to the expectations of their peers and their museum boards. Collectors run in herds to buy work by a handful of fashionable painters. Critics stick their finger in the air to see which way the wind is blowing so as to "get it right". Originality is not always rewarded, but some people take real risks and innovate, which gives a raison d'être to the rest.

( ... ) contemporary art has become a kind of alternative religion for atheists. ( ... ) For many art world insiders and art aficionados of other kinds, concept-driven art is a kind of existencial channel through which they bring meaning to their lives. It demands leaps of faith, but it rewards the believer with a sense of consequence. Moreover, just as churches and other ritualistic meeting places serve a social function, so art events generate a sense of community around shared interests

Like the size and composition of a work, the walk and talk of an artist has to persuade, not just others but the performers themselves. Whether they have colorful, large-scale personas or minimal, low-key selves, believable artists are always protagonists, never secondary characters who inhabit stereotypes. For this reason, I see artists' studios as private stages for the daily rehearsal of self-belief.

Politics, kinship, and craft also happen to embrace some of the most important things in life: caring about your influence on the world, connecting meaningfully with others, and working hard to create something worthwhile.

Art is more like real estate than stocks. Some Warhols are like studio apartments in midblock buildings with northern exposures, while other Warhols are penthouse properties with 360-degree views. A share of Cisco, however, is always just a share of Cisco. Judging