Sarah Blake Quotes

It began, as it often does, with a woman putting her ducks in a row.

Most people he knew, his wife included, wouldn't make it through an hour on the promise of four sentences. But Frankie Bard was like a camel. She could hold her words for days
as long as she could watch the goings-on.

She went to the church to sit in the cave of stone, filled with the voices of strangers. Murmurs coming through the air, bowling in the ceiling and sifting down with the speckled greens and blues, the deep dark red of the stained glass at the end of the nave. She sat in the hard wooden pew and waited for the hymns. And when the singing started, she could weep. She went to the church to open her mouth and feel her heart again, constricted, struggling, banging against her throat, the tears there in the place of words, her voice struggling out in the vast air, stopped by grief.

Some stories don't get told. Some stories you hold on to. To stand and watch and hold it in your arms was not cowardice. To look straight at the beast and feel its breath on your flanks and not to turn
one could carry the world that way.
They sat together, the four of them, a little longer, before Harry rose slowly to his feet. It was Thursday. It was the end of the afternoon. It was time to pick up and carry on to the other side of the day.

She imagined she could pull Time like taffy, stretching it longer and longer between her hands until the finest point had been reached, the point just before breaking, and she could live there. A point at the center of time with no going forward, no going back. Clasped in this way, without speaking, walking into no discernible ending, she could almost believe they tread on time.

ONE DAY SOMEONE you saw every day was there and the next he was not. This was the only way Frankie had found to report the Blitz. The small policeman on the corner, the grocer with a bad eye, the people you walked to work with, in the shops, on the bus: the people you didn't know but who walked the same route as you, who wove the anonymous fabric of your life. Buildings, gardens, the roofline, one could describe their absence. But for the disappearance of a man, or a little boy, or the woman who used to wait for the bus at the same time as she did, Frankie had found few words: Once they were here. And I saw them

Every story - love or war - is a story about looking left when we should have been looking right.

Wars, plagues, names upon tombs tell us only what happened. But history lies in the cracks in between. In the inexplicable, invisible turns and decisions. A person saying no instead of yes. …It is not that they had lived…but how.

Sand was dribbling out of the bag of her attention, faster and faster.

There was no good name for this spot. Evie, who had shot like an arrow from school into life, who had never wavered, who had seen clear right from the start where she wanted to get to, had lately found herself more and more in the brambles. Somehow, here she was, no longer certain where she was going. Or even if she wanted to get there.

The jobs had been won, the beds made, the dishes washed, the children sprouted. The wheel had stopped, and now what? Where, for instance, was the story of a middle-aged orphan with the gray streak in her hair, the historian who had rustled thirteenth-century women's lives out of fugitive pages, who believed more than most that there was no such thing as the certainty of a plot in the story of a life, in fact who taught this to students year in and year our, and yet who found herself lately longing, above all else for just that? Longing, against reason, for some kind of clear direction, for the promise of a pattern. For this relief--she pulled against the shoulder strap of her satchel--the unbearable relief of an omniscient narrator.

Adolescence, she reflected, pushing open the classroom door with a kind of savage glee, had nothing on this.

Because people are people. Evie fixed her eyes on him. People have complicated lives. Lives that don't necessarily fall so cleanly into black-and-white choices - people are blind, but still well-intended, and see as far as they can.

And then Frankie understood that the boy was going on alone. Perhaps there had been only one sponsor in another country for the child. There were many perhaps. But it was clear now that the mother was sending her son onward. ... She drew him to her and kissed him on one cheek and then the other cheek, so slowly, looking at every bit of his face, and then she reached and folded him to her. The train stopped with a jerk and went quiet. ...

Like a stone tossed into a flock of birds, talk startled swiftly into flight whenever the new postmaster was mentioned.

We can't change what is coming. Something is always coming.

All love stories beget ghost stories.