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For two thousand years, the Church has guided the development of music, carefully legislating to fuse artistic talent and aesthetic beauty with the demands of the Faith.
Once the Mass is restored to its rightful place, we will again see choirs being developed.
At St. Francis de Sales in Atlanta, we do not have an organ. We do not have rehearsals during the week. We do not have a professional choir.
The democratic and pedestrian character of the new Mass itself seems to invite the ditties that pass for hymns these days.
Even Catholic parishes today are not wanting for talent. But no serious singer or organist will get anywhere near the typical music program, at least if he wants to retain his self-respect.
Thus the slogan should be reversed: Catholics taught the world what music is supposed to sound like, and, more importantly, what it is supposed to mean.
And this speaks to the larger problem that no one wants to talk about: the restoration of the Roman rite is a precondition for a long-term fix for the problem.
As for sacred polyphony, there is no reason to be afraid of it.
When the truth is that there would be no great Western music, and certainly no decent choral repertoire, without the Catholic faith.
It bothers me when I hear it in a car commercial or some such. But for the most part, it's better than seeing sacred music relegated to the scrap heap.
Participation is easily obtained with Latin chant.
Never have so many recordings of the great Masses and motets been in wider circulation.
There's nothing stupider than bursting into song for seven seconds and then falling silent again.
But nowadays hymns are the norm, because people don't have much else to sing.
Music had always been the handmaid of the Roman liturgy.
In modern physics, there is no such thing as "nothing." Even in a perfect vacuum, pairs of virtual particles are constantly being created and destroyed. The existence of these particles is no mathematical fiction. Though they cannot be directly observed, the effects they create are quite real. The assumption that they exist leads to predictions that have been confirmed by experiment to a high degree of accuracy.
All you hear Catholics turning out these days are pop versions of the old Protestant anthems.
The pastor of a parish will typically have no education in the chant or in music, and he will hire the first music director who walks through the door.
Inaudible prayers, particularly of the Canon, which at first don't seem to have anything to do with music, end up being a very important part of the aesthetic of the traditional structure of the Mass.
Record stores have whole sections devoted to the chant.
Catholic liturgical music, it would seem, is everywhere but in the Catholic Church itself.
You can read about it all you want, but there is no substitute for just doing it.
You can count on one hand the number of Novus Ordo churches in this country that feature a fully Catholic music program of any quality, consistent with the Roman rite tradition.