Raymond Williams Quotes

What is often being argued, it seems to me, in the idea of nature is the idea of man; and this not only generally, or in ultimate ways, but the idea of man in society, indeed the ideas of kinds of societies.

Culture is one of the two or three most complicated words in the English language.

The real dividing line between things we call work and the things we call leisure is that in leisure, however active we may be, we make our own choices and our own decisions. We feel for the time being that our life is our own.

What breaks capitalism, all that will ever break capitalism, is capitalists. The faster they run the more strain on their heart.

The total effect of Orwell's work is an effect of paradox. He was a humane man who communicated an extreme of inhuman terror; a man committed to decency who actualised a distinctive squalor.

Country' and 'city' are very powerful words, and this is not surprising when we remember how much they seem to stand for in the experience of human communities. In English, 'country' is both a nation and a part of a 'land'; 'the country' can be the whole society or its rural area. In the long history of human settlements, this connection between the land from which directly or indirectly we all get our living and the achievements of human society has been deeply known.

The gap between our feelings and our social observation is dangerously wide.

Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, areeffectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.

To be truly radical is to make hope possible rather than despair convincing

The idea of nature contains, though often unnoticed, an extraordinary amount of human history.

Once we begin to speak of men mixing their labour with the earth, we are in a whole world of new relations between man and nature, and to separate natural history from social history becomes extremely problematic.

If Gissing is less compassionately observant than Mrs Gaskell, less overtly polemical than Kingsley, still The Nether World and Demos would be sympathetically endorsed by either of them, or by their typical readers. Yet Gissing does introduce an important new element, and one that remains significant. He has often been called 'the spokesman of despair,' and this is true in both meanings of the phrase. Like Kingsley and Mrs Gaskell, he writes to describe the true conditions of the poor, and to protest against those brute forces of society which fill with wreck the abysses of the nether world. Yet he is also the spokesman of another kind of despair: the despair born of social and political disillusion. In this he is a figure exactly like Orwell in our own day, and for much the same reason. Whether one calls this honesty or not will depend on experience.

We can overcome division only by refusing to be divided.

If from poetry we expect a succession of signals for the release of miscellaneous private emotion we are likely to find Tears, Idle Tears valuable.