Norman Foster Famous Quotes
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Everything inspires me; sometimes I think I see things others don't.
Manhattan, one of the most moneyed spots on the planet, also has one of the greatest concentrations of people in its skyscrapers. It's also, of course, the place where every architect wants to build his tower.
Every time I've flown an aircraft, or visited a steelworks, or watched a panel-beater at work, I've learned something new that can be applied to buildings.
Didn't think her vision was consistent with the ORC, especially the way the Council wishes to work with the ORC. For example, with regard to the zoning ordinance, the Council sees a comprehensive approach, the ORC wants to review the ordinances and simplify them. Pam's vision was counter to that.
There are those airports which make you feel better, and there are those airports that, when you go there, your heart sinks: you can't wait to get out of there. They both function as airports, but it's the things that you can't measure that make them different.
We now think it hilarious that medieval streets were used as open sewers. Equally, our descendants will say: 'You won't believe this, but people were once allowed to hurl a couple of tons of dangerous metal around smashing into each other.'
The pencil and computer are, if left to their own devices, equally dumb and only as good as the person driving them.
I think cars encapsulate the history of innovation and style - it's the other side of the coin of the car being public enemy No.1.
You can find, occasionally, some absolutely fantastic things in hunting shops. I've got one jacket that I just happened across which is a kind of unwashed leather - completely anonymous but absolutely special.
I love flying; I love aircraft, and you could say I've had a love affair with flight since I was a child. I travel a huge amount. I use airports, and as a pilot, I've flown in and out of airports thousands of times, so really, I have a fairly broad perspective.
I am always surprised by how much little emphasis schools of architecture, and indeed, many architects, place on the process of the mating of a building.
It takes a lot of effort to make a building look effortless.
I tend to move between turtlenecks and shirts and ties. I don't really have a uniform in the sense that some people might.
Since Stonehenge, architects have always been at the cutting edge of technology. And you can't separate technology from the humanistic and spiritual content of a building.
I was born in 1935, and as far back as I can remember, I was sketching designs. My first subject was an aircraft, which I imagined myself piloting.
Google has already tested robot cars in San Francisco. If they can navigate San Francisco, they can probably manage just about anywhere.
As an architect, you design for the present, with an awareness of the past, for a future which is essentially unknown.
In Britain, the idea one could go from blue-collar beginnings to the university was so far out, it was quite unthinkable. I took a variety of jobs to pay for tuition - from ice-cream salesman to night-club bouncer. Whatever earned the most money in the least time.
Our object in life should be to accumulate a great number of grand questions to be asked and resolved in eternity ...
I hope that any expansion of London will learn from the planning examples of some of its most desirable areas such as Chelsea, Notting Hill, Belgravia and Mayfair. All are characterised by high density and a generosity of green spaces.
When the Great Fire of London destroyed most of the medieval city in 1666, Christopher Wren was invited to design a new one. Within days, he had drawn up an elegant grid of broad boulevards leading to majestic squares, but it came to nothing - the existing landowners wanted things as they had been.
I travel continuously, and I see many cities, but there is nowhere like London.
Joseph Bazalgette created a sewer system which he originally sized for London's needs of the time - he then doubled it to anticipate the future beyond. These are the qualities that I admire.
The only honourable work my parents knew was blue-collar. But while my father Robert ran a pawnbroker's shop, and my mother was a waitress, I moved into a middle-class world with a level of security they never knew.
Everything we design is a response to the specific climate and culture of a particular place.
A life-threatening illness or two certainly gives you an awareness of your own mortality. It heightens your sense of gratitude for things that previously, if you've not taken them for granted, you perhaps never appreciated how precious they were. That's almost a platitude, but one has to state the obvious.
I think you never stop learning.
You cannot separate the buildings out from the infrastructure of cites and the mobility of transit.